A celebrated food writer's expansive, audacious excavation of the development of modern queer identity and food culture.

From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”

It’s 1996, and Jeremy Atherton Lin has met the boy of his dreams—a mumbling, starry-eyed Brit—just as, amid a media frenzy, US Congress prepares the Defense of Marriage Act, denying same-sex couples federal rights including immigration. The pair steals away to remote forests and vast deserts, London fashion shows and Berlin sex clubs, dinner parties, back alleys, East Village hotel rooms, and San Francisco dives. Finding no other way to stay together, they shack up illicitly among unlikely allies in a “city of refuge.”

In 1983, Thomas Mallon was still unknown. A literature professor at Vassar College, he spent his days traveling from Manhattan to campus, reviewing books to make ends meet and searching the city for his own purpose and fulfillment. The AIDS epidemic was beginning to surge in New York City, the ever-bustling epicenter of literary culture and gay life, alive with parties, art, and sex. Though he didn’t know it, everything would soon change for Mallon.

The ultrarich hold more of America’s wealth than they did in the heyday of the Carnegies and Rockefellers. Here, Evan Osnos’s incisive reportage yields an unforgettable portrait of the tactics and obsessions driving this new Gilded Age, in which superyachts, luxury bunkers, elite tax dodges, and a torrent of political donations bespeak staggering disparities of wealth and power. With deft storytelling and meticulous reporting, this is a book about the indulgences, incentives, and psychological distortions that define our economic age.