Following an inexplicable urge, Ted Barton returns to his idyllic Virginia hometown for a vacation, but when he gets there, he is shocked to discover that the town has utterly changed. The stores and houses are all different and he doesn’t recognize anybody. The mystery deepens when he checks the town’s historical records…and reads that he died nearly twenty years earlier. As he attempts to uncover the secrets of the town, Barton is drawn deeper into the puzzle, and into a supernatural battle that could decide the fate of the universe.

Floyd Jones has always been able to see exactly one year into his future, a gift and curse that began one year before he was even born. As a fortune-teller at a post-apocalyptic carnival, Jones is a powerful force, and may just be able to force society away from its paralyzing Relativism. If, that is, he can avoid the radioactively unstable government hitman on his tail.

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns. Eye in the Sky blends the thrills and the jokes to craft a startling morality lesson hidden inside a comedy.

On an arid Mars, local bigwigs compete with Earth-bound interlopers to buy up land before the Un develops it and its value skyrockets. Martian Union leader Arnie Kott has an ace up his sleeve, though: an autistic boy named Manfred who seems to have the ability to see the future.

Sometimes even gods need help. In Galactic Pot-Healer that god is an alien creature known as The Glimmung, which looks alternately like a flaming wheel, a teenage girl, and a swirling mass of ocean life. In order to raise a sunken city, he summons beings from across the galaxy to Plowman’s Planet. Joe Fernwright is one of those summoned, needed for his skills at pot-healing—repairing broken ceramics. But from the moment Joe arrives on Plowman’s Planet, things start to go awry.

Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?

In this biting satire, the Cold War may have ended, but the eastern and western governments never told their citizens. Instead they created an elaborate ruse, wherein each side comes up with increasingly outlandish doomsday weapons—weapons that don’t work. But when aliens invade, the top designers of both sides have to come together to make a real doomsday device—if they don’t kill each other first. With its combination of romance, espionage, and alien invasion, The Zap Gun skewers the military-industrial complex in a way that’s as relevant today as it was at the height of the Cold War.

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns. Eye in the Sky blends the thrills and the jokes to craft a startling morality lesson hidden inside a comedy.

When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine only works in one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an eighteen-year journey to see if anyone wants to come back.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite. And hidden amongst the survivors is Dr. Bloodmoney himself, the man responsible for it all.

Ragle Gumm has a unique job: every day he wins a newspaper contest. And when he isn’t consulting his charts and tables, he enjoys his life in a small town in 1959. At least, that’s what he thinks. But then strange things start happening. He finds a phone book where all the numbers have been disconnected, and a magazine article about a famous starlet he’s never heard of named Marilyn Monroe. Plus, everyday objects are beginning to disappear and are replaced by

When a repairman accidentally finds a parallel universe, everyone sees it as an opportunity, whether as a way to ease Earth’s overcrowding, set up a personal kingdom, or hide an inconvenient mistress. But when a civilization is found already living there, the people on this side of the crack are sent scrambling to discover their motives. Will these parallel humans come in peace, or are they just as corrupt and ill-intentioned as the people of this world?

In the future, most of humanity lives in massive underground bunkers, producing weapons for the nuclear war they’ve fled. Constantly bombarded by patriotic propaganda, the citizens of these industrial anthills believe they are waiting for the day when the war will be over and they can return aboveground. But when Nick St. James, president of one anthill, makes an unauthorized trip to the surface, what he finds is more shocking than anything he could imagine.

Journey into the mind-bending world of Philip K. Dick's "The Skull," a short story that masterfully blends time travel with moral ambiguity. When a prisoner is offered freedom for a mysterious assignment in the past, he stumbles upon revelations that challenge everything he believes about destiny and choice. This captivating tale showcases Dick's signature style—weaving philosophical questions with psychological tension and reality-warping concepts that leave listeners questioning everything.

Smithsonian archaeologist Rabbit Ward travels through time on sponsored expeditions to the past to secure precious artifacts moments before they are lost to history. Although exceptional at his job, Rabbit is not without faults. In a spectacular failure twenty years ago, he lost both the menorah of the second temple and his hot-headed mentee, Aaron. So, when new evidence reveals the menorah’s reappearance in 6th century Constantinople, Rabbit seizes the chance for redemption. But from the moment he arrives in the past, things start to go wrong.