What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite. And hidden amongst the survivors is Dr. Bloodmoney himself, the man responsible for it all.

Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?

On an arid Mars, local bigwigs compete with Earth-bound interlopers to buy up land before the Un develops it and its value skyrockets. Martian Union leader Arnie Kott has an ace up his sleeve, though: an autistic boy named Manfred who seems to have the ability to see the future.

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns. Eye in the Sky blends the thrills and the jokes to craft a startling morality lesson hidden inside a comedy.

From the author of science-fiction classics such as The Man in the High Castle and Do Androids Dream of Electric Sheep? comes a collection of 13 short stories of dystopic visions of technological terror, post-nuclear holocaust warfare, time travel, space travel, man vs. alien, man vs. machine, man becomes machine, man becomes plant, and other fantastic tales performed in a vividly dramatic narration by Andy Harrington.

When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine only works in one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an eighteen-year journey to see if anyone wants to come back.

Years ago, Earth and Titan fought a war and Earth lost. The planet was irradiated and most of the surviving population is sterile. The few survivors play an intricate and unending game called Bluff at the behest of the slug-like aliens who rule the planet. At stake in the game are two very important commodities: land and spouses. Pete Garden just lost his wife and Berkeley, California, but he has a plan to win them back. That is, if he isn’t derailed by aliens, psychic traitors, or his new wife.

In the future, most of humanity lives in massive underground bunkers, producing weapons for the nuclear war they’ve fled. Constantly bombarded by patriotic propaganda, the citizens of these industrial anthills believe they are waiting for the day when the war will be over and they can return aboveground. But when Nick St. James, president of one anthill, makes an unauthorized trip to the surface, what he finds is more shocking than anything he could imagine.

The Carryx—part empire, part hive—has waged wars of conquest for centuries, destroying or enslaving species across the galaxy in its conflict with an ancient and deathless enemy. When they descend on the isolated world of Anjiin, the human population is abased, slaughtered, and put in chains. The best and brightest are abducted, taken to the Carryx world-palace to join prisoners from a thousand other species. Dafyd Alkhor, assistant to a prestigious scientist, is captured along with his team.

Though perhaps most famous as a novelist, Philip K. Dick wrote more than 100 short stories over the course of his career, each as mind-bending and genre-defining as his longer works. Philip K. Dick's Electric Dreams collects 10 of the best. In "Autofac," Dick shows us one of the earliest examples (and warnings) in science fiction of self-replicating machines. "Exhibit Piece" and "The Commuter" feature Dick exploring one of his favorite themes: the shifting nature of reality and whether it is even possible to perceive the world as it truly exists.

Sometimes even gods need help. In Galactic Pot-Healer that god is an alien creature known as The Glimmung, which looks alternately like a flaming wheel, a teenage girl, and a swirling mass of ocean life. In order to raise a sunken city, he summons beings from across the galaxy to Plowman’s Planet. Joe Fernwright is one of those summoned, needed for his skills at pot-healing—repairing broken ceramics. But from the moment Joe arrives on Plowman’s Planet, things start to go awry.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there lurked several rogue androids. Deckard's assignment: find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

What is VALIS? This question is at the heart of Philip K. Dick's groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy or whether a godlike entity is showing him the true nature of the world.

On Mars, the harsh climate could make any colonist turn to drugs to escape a dead-end existence. Especially when the drug is Can-D, which transports its users into the idyllic world of a Barbie-esque character named Perky Pat. When the mysterious Palmer Eldritch arrives with a new drug called Chew-Z, he offers a more addictive experience, one that might bring the user closer to God. But in a world where everyone is tripping, no promises can be taken at face value.

A landmark short story collection that put the more character-based New Wave science fiction on the map, Dangerous Visions won several prestigious awards and was nominated for many others. This now-classic anthology includes thirty-three stories by thirty-two award-winning authors, over half of whom have won multiple Hugo and Nebula Awards.

Bob Arctor is a dealer of the lethally addictive drug Substance D. Fred is the police agent assigned to tail and eventually bust him. To do so, Fred takes on the identity of a drug dealer named Bob Arctor. And since Substance D, which Arctor takes in massive doses, gradually splits the user's brain into two distinct, combative entities, Fred doesn't realize he is narcing on himself.

The King of the Elves is the opening installment of a uniform, five-volume edition of The Collected Stories of Philip K. Dick, expanded from the previous Collected Stories set to incorporate new story notes, and two added tales, one previously unpublished, and one uncollected.

Jason Taverner—world-famous talk show host and man-about-town—wakes up one day to find that no one knows who he is—including the vast databases of the totalitarian government. And in a society where lack of identification is a crime, Taverner has no choice but to go on the run with a host of shady characters, including crooked cops and dealers of alien drugs. But do they know more than they are letting on? And just how can a person’s identity be erased overnight?

Years ago, Earth and Titan fought a war and Earth lost. The planet was irradiated and most of the surviving population is sterile. The few survivors play an intricate and unending game called Bluff at the behest of the slug-like aliens who rule the planet. At stake in the game are two very important commodities: land and spouses. Pete Garden just lost his wife and Berkeley, California, but he has a plan to win them back. That is, if he isn’t derailed by aliens, psychic traitors, or his new wife.

When catastrophic overpopulation threatens Earth, one company offers to teleport citizens to Whale’s Mouth, an allegedly pristine new home for happy and industrious émigrés. But there is one problem: the teleportation machine only works in one direction. When Rachmael ben Applebaum discovers that some of the footage of happy settlers may have been faked, he sets out on an eighteen-year journey to see if anyone wants to come back.

In this biting satire, the Cold War may have ended, but the eastern and western governments never told their citizens. Instead they created an elaborate ruse, wherein each side comes up with increasingly outlandish doomsday weapons—weapons that don’t work. But when aliens invade, the top designers of both sides have to come together to make a real doomsday device—if they don’t kill each other first. With its combination of romance, espionage, and alien invasion, The Zap Gun skewers the military-industrial complex in a way that’s as relevant today as it was at the height of the Cold War.

What is VALIS? This question is at the heart of Philip K. Dick's groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy or whether a godlike entity is showing him the true nature of the world.

Ragle Gumm has a unique job: every day he wins a newspaper contest. And when he isn’t consulting his charts and tables, he enjoys his life in a small town in 1959. At least, that’s what he thinks. But then strange things start happening. He finds a phone book where all the numbers have been disconnected, and a magazine article about a famous starlet he’s never heard of named Marilyn Monroe. Plus, everyday objects are beginning to disappear and are replaced by

Glen Runciter runs a lucrative business - deploying his teams of anti-psychics to corporate clients who want privacy and security from psychic spies. But when he and his top team are ambushed by a rival, he is gravely injured and placed in "half-life," a dreamlike state of suspended animation. Soon, though, the surviving members of the team begin experiencing some strange phenomena, such as Runciter's face appearing on coins and the world seeming to move backward in time.

On Mars, the harsh climate could make any colonist turn to drugs to escape a dead-end existence. Especially when the drug is Can-D, which transports its users into the idyllic world of a Barbie-esque character named Perky Pat. When the mysterious Palmer Eldritch arrives with a new drug called Chew-Z, he offers a more addictive experience, one that might bring the user closer to God. But in a world where everyone is tripping, no promises can be taken at face value.

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns. Eye in the Sky blends the thrills and the jokes to craft a startling morality lesson hidden inside a comedy.

What happens after the bombs drop? This is the troubling question Philip K. Dick addresses with Dr. Bloodmoney, or How We Got Along After the Bomb. It is the story of a world reeling from the effects of nuclear annihilation and fallout, a world where mutated humans and animals are the norm, and the scattered survivors take comfort from a disc jockey endlessly circling the globe in a broken-down satellite. And hidden amongst the survivors is Dr. Bloodmoney himself, the man responsible for it all.

Viewed by many as the greatest science fiction writer on any planet, Philip K. Dick has written some of the most intriguing, original, and thought-provoking fiction of our time. This collection includes "The Minority Report," "We Can Remember It For You Wholesale," "Paycheck," "Second Variety," and "The Eyes Have It."

In the future, most of humanity lives in massive underground bunkers, producing weapons for the nuclear war they’ve fled. Constantly bombarded by patriotic propaganda, the citizens of these industrial anthills believe they are waiting for the day when the war will be over and they can return aboveground. But when Nick St. James, president of one anthill, makes an unauthorized trip to the surface, what he finds is more shocking than anything he could imagine.

When Dr. Jim Parsons awakens after a car accident, he finds himself in a future populated almost entirely by the young. But for the young to keep running the world, death is fetishized, and those who survive to old age are put down. In such a world, Parsons—with his innate desire to save lives—is a criminal and an outcast. For one revolutionary group, however, he may be just the savior they need to heal and revive their cryogenically frozen leader.