Crime is everywhere in postwar Los Angeles—and so is Sgt. Joe Friday. From robbery detail to the Bunco Squad, from narcotics to homicide, he's on the job in radio's definitive police procedural series.

Sergeant Joe Friday of the LAPD was arguably the most pivotal figure in radio drama's postwar shift toward ultra-realism. Just an ordinary plainclothes cop doing his job, and doing it with a meticulous attention to detail that revolutionized the way radio told its stories. Jack Webb stars Friday, with Barton Yarborough as Ben Romero, Barney Phillips as Ed Jacobs, and Ben Alexander as Frank Smith in this collection of 20 absorbing crime dramas!

No crime in the 1950s? Don't tell Joe Friday that! Here's radio's top cop taking on all the vice the postwar decade had to offer in 20 true-life police procedurals starring Jack Webb as Sgt. Joe Friday and Ben Alexander as Det. Frank Smith! Whether radio's most earnest cops were on robbery detail or working missing persons, narcotics, or homicide, each story was told in a straightforward manner that never questioned the intelligence of its audience.

From start to finish, Dragnet brings you a real-life police drama of unprecedented realism. When the series hit the air in 1949, there was nothing else like it, anywhere. In this collection, Jack Webb and Barton Yarborough star in 20 broadcasts from the earliest months of radio's landmark police procedural.

The ultra-realistic crime dramas of Dragnet were tight, tense, and always on target. Guided by Jack Webb from its radio premiere in 1949 right through to the series' end, the medium's most memorable police procedural never cut corners in its meticulous recreation of crime, investigation, and punishment. Follow LAPD Sgt. Joe Friday and his partners, Sgts. Ben Romero and Frank Smith, in 20 real-life cases from both the early weeks of the program's run and its later years!

Wherever there's someone in need of help, you'll find the man in black they call Paladin. The character first appeared on television, but later made his way to radio in one of the medium's last great adult Westerns. The hero's travels from his home base in San Francisco to serve clients throughout the West ensured a wide range of new characters for listeners. John Dehner rides as the enigmatic gunslinger in 20 unforgettable radio adventures, with Ben Wright as Hey Boy and Virginia Gregg as Miss Wong.

Racketeers and robbers, crap-shooters and kidnappers, hit men and hard cases - watch out! Joe Friday's on the job, and he isn't here to fool around! Join Jack Webb for 20 gritty true-life tales of urban crime from the files of the Los Angeles Police Department. Ben Alexander, Martin Milner, Jack Kruschen, Virginia Gregg, June Whitley, Stacy Harris, and more co-star as the city's cops, concerned citizens, and cold criminals.

For crime, mystery, and thrills, dial Whitehall 1212! That was the phone number for Scotland Yard, and that's the title of this exciting series. Presented are 16 stories of investigation, drawn from the files of London's Metropolitan Police Force - written, directed, and produced by radio legend Wyllis Cooper. Harvey Hays stars as Chief Superintendent John Davidson, custodian of The Black Museum. He is joined by an "all-British cast", including Horace Braham, Lester Fletcher, Pat O'Malley, Guy Spaull, Patricia Courtley, and more.

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective Sergeant Joe Friday and his partners. This volume contains episodes of Dragnet that released between 1949 and 1951, including "Big Job", "Claude Jimmerson", "Child Killer", and "The Big Escape".

Insurance investigator Johnny Dollar was a man of contradictions. He was tough and compassionate, sardonic and thoughtful. You never knew quite what he might do to solve a case - but you always knew he'd get it done! You also knew that he'd be supported by many of the greatest radio performers ever to haunt "Radio Row": Virginia Gregg, Howard McNear, Lurene Tuttle, Joseph Kearns, John Dehner, Stacy Harris…even Vincent Price! Bob Bailey stars as Johnny for five fascinating five-part serial adventures, and a collection of harrowing half-hour tales! Prepare the expense report!

Phil Harris was brash, egotistical, and charming as hell. Alice Faye was regarded by George Gershwin and Cole Porter as the best female singer in Hollywood. Together, they starred in one of the most uninhibited and funny comedy series on radio. Benefiting from the likeability of its stars, a wonderfully cast group of supporting players, and one of the most prolific and clever writing teams of the mid-20th century (Ray Singer and Dick Chevillat), The Phil Harris-Alice Faye Show is a complete delight. This collection features 20 digitally remastered programs.

Wherever there's a scheme afoot, radio's fabulous freelance insurance investigator is on the job to stop it! Bob Bailey stars as Johnny Dollar, picking up the ringing telephone to take on cases of double indemnity and double cross, foul weather and foul play. Bailey is the definitive Dollar - the character's wry sense of humor fits the actor like a tailor-made suit. He's a man of keen analytical skills and good nature, a man who can use his fists in a tight spot without being an obnoxious "tough guy".

Agonizing predicaments, stellar sound effects, and high wattage Hollywood star power combine in radio's top thriller. Myrna Loy, Joseph Cotten, Lucille Ball, Robert Taylor, Ronald Colman, and Agnes Moorehead give brilliant performances in blood-chilling stories. Twenty white-knuckled episodes (produced and directed by the legendary William Spier) feature a superior supporting cast, including John Dehner, Howard Duff, Elliott Lewis, William Johnstone, Joseph Kearns, and more. The tension and excitement of this Peabody Award-winning series are well calculated to keep you in...Suspense!

Johnny has a way with the ladies, but will his last date be with death? For free trips and a fat fee, Johnny Dollar descends into cases of missing money and missing men. But, what can he do when the bodies are walled up, washed up, and fallen down? When the jewels and the paintings are fake? And, when everything from trucks to trout to widows are on the loose? He'd better bring his gun.

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

No crime in the 1950s? Don't tell Joe Friday that! Here's radio's top cop taking on all the vice the postwar decade had to offer in 20 true-life police procedurals starring Jack Webb as Sgt. Joe Friday and Ben Alexander as Det. Frank Smith! Whether radio's most earnest cops were on robbery detail or working missing persons, narcotics, or homicide, each story was told in a straightforward manner that never questioned the intelligence of its audience.

Dragnet was radio's most successful police procedural series, and by far its most influential, shaping an entire generation's view of law enforcement, and bringing police work to life in carefully-documented detail. Never sensationalistic, but always a gripping listening experience, Jack Webb's signature creation remains the standard against which crime dramas are judged. Webb, who produced and directed the series, stars as Sergeant Joe Friday in gritty dramas of unprecedented realism.

Sergeant Joe Friday of the LAPD was arguably the most pivotal figure in radio drama's postwar shift toward ultra-realism. Just an ordinary plainclothes cop doing his job, and doing it with a meticulous attention to detail that revolutionized the way radio told its stories. Jack Webb stars Friday, with Barton Yarborough as Ben Romero, Barney Phillips as Ed Jacobs, and Ben Alexander as Frank Smith in this collection of 20 absorbing crime dramas!

Yours Truly, Johnny Dollar takes a turn towards the hardboiled as film-noir favorite Edmond O'Brien takes over the role of America's Fabulous Freelance Insurance Investigator. His gritty, driven performance is well worth rediscovering. O'Brien's harder, more cynical Dollar brought him harder and more cynical clients…and adversaries. In this collection of original radio episodes from 1950-52, Johnny finds more than his quota of murder, mystery, and malfeasance.

From start to finish, Dragnet brings you a real-life police drama of unprecedented realism. When the series hit the air in 1949, there was nothing else like it, anywhere. In this collection, Jack Webb and Barton Yarborough star in 20 broadcasts from the earliest months of radio's landmark police procedural.