From start to finish, Dragnet brings you a real-life police drama of unprecedented realism. When the series hit the air in 1949, there was nothing else like it, anywhere. In this collection, Jack Webb and Barton Yarborough star in 20 broadcasts from the earliest months of radio's landmark police procedural.

No crime in the 1950s? Don't tell Joe Friday that! Here's radio's top cop taking on all the vice the postwar decade had to offer in 20 true-life police procedurals starring Jack Webb as Sgt. Joe Friday and Ben Alexander as Det. Frank Smith! Whether radio's most earnest cops were on robbery detail or working missing persons, narcotics, or homicide, each story was told in a straightforward manner that never questioned the intelligence of its audience.

The ultra-realistic crime dramas of Dragnet were tight, tense, and always on target. Guided by Jack Webb from its radio premiere in 1949 right through to the series' end, the medium's most memorable police procedural never cut corners in its meticulous recreation of crime, investigation, and punishment. Follow LAPD Sgt. Joe Friday and his partners, Sgts. Ben Romero and Frank Smith, in 20 real-life cases from both the early weeks of the program's run and its later years!

Sergeant Joe Friday of the LAPD was arguably the most pivotal figure in radio drama's postwar shift toward ultra-realism. Just an ordinary plainclothes cop doing his job, and doing it with a meticulous attention to detail that revolutionized the way radio told its stories. Jack Webb stars Friday, with Barton Yarborough as Ben Romero, Barney Phillips as Ed Jacobs, and Ben Alexander as Frank Smith in this collection of 20 absorbing crime dramas!

Crime is everywhere in postwar Los Angeles—and so is Sgt. Joe Friday. From robbery detail to the Bunco Squad, from narcotics to homicide, he's on the job in radio's definitive police procedural series.

Wherever there's someone in need of help, you'll find the man in black they call Paladin. The character first appeared on television, but later made his way to radio in one of the medium's last great adult Westerns. The hero's travels from his home base in San Francisco to serve clients throughout the West ensured a wide range of new characters for listeners. John Dehner rides as the enigmatic gunslinger in 20 unforgettable radio adventures, with Ben Wright as Hey Boy and Virginia Gregg as Miss Wong.

Dragnet was radio's most successful police procedural series, and by far its most influential, shaping an entire generation's view of law enforcement, and bringing police work to life in carefully-documented detail. Never sensationalistic, but always a gripping listening experience, Jack Webb's signature creation remains the standard against which crime dramas are judged. Webb, who produced and directed the series, stars as Sergeant Joe Friday in gritty dramas of unprecedented realism.

Presented here are Western stories of unparalleled realism and uncompromising emotional complexity. Marshal Matt Dillon (William Conrad) doesn't revel in violence, but he uses it because he lives in a violent place at a violent time, where only the violent can survive.

Out of the rain and fog of the teeming Pacific Northwest he comes - the tough, methodical, incorruptible private eye Harry Nile. He's the foe of corruption, enemy of gangland, and the best friend you'll ever have when you're up against the wall. Harry gives as good as he gets in this collection of powerful radio adventures, produced, written, and directed by Jim French. Larry Albert takes over the role of Nile from the late Phil Harper, with Pat French back as the detective's assistant Murphy, for 16 cases of back streets and bad news.

Wherever there's a scheme afoot, radio's fabulous freelance insurance investigator is on the job to stop it! Bob Bailey stars as Johnny Dollar, picking up the ringing telephone to take on cases of double indemnity and double cross, foul weather and foul play. Bailey is the definitive Dollar - the character's wry sense of humor fits the actor like a tailor-made suit. He's a man of keen analytical skills and good nature, a man who can use his fists in a tight spot without being an obnoxious "tough guy".

Harry Nile is a former Chicago cop, who quit the force after uncovering a vein of corruption. He stalks the rainy streets of pre-war Seattle on behalf of private clients with the help of his assistant, a lady named Murphy. Phil Harper stars as Nile, with Pat French as Murphy, in this exciting series that has been heard on radio stations coast to coast in the US and Canada, on satellite radio, and reached a worldwide audience online. After more than 25 years, it's the longest running private-eye show in American radio history.

Insurance investigator Johnny Dollar was a man of contradictions. He was tough and compassionate, sardonic and thoughtful. You never knew quite what he might do to solve a case - but you always knew he'd get it done! You also knew that he'd be supported by many of the greatest radio performers ever to haunt "Radio Row": Virginia Gregg, Howard McNear, Lurene Tuttle, Joseph Kearns, John Dehner, Stacy Harris…even Vincent Price! Bob Bailey stars as Johnny for five fascinating five-part serial adventures, and a collection of harrowing half-hour tales! Prepare the expense report!

It's a rainy night in postwar Seattle. There's a crime to be solved, and an investigator is needed. But it's a dangerous profession! Sometimes the source of a scream is elusive, sometimes a surveillance job goes south, and sometimes someone's got their gun sight set on you! From out of the Pacific Northwest come 24 more adventures produced by Jim French. Phil Harper stars as Harry Nile, with Pat French as his all-knowing assistant Murphy. It's new-time radio drama produced in the classic style.

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective Sergeant Joe Friday and his partners. This volume contains episodes of Dragnet that released between 1949 and 1951, including "Big Job", "Claude Jimmerson", "Child Killer", and "The Big Escape".

Thrill to the hardboiled adventures of Ellery Queen, Philip Marlow, Dragnet, The Man called X, Philo Vance, Rocky Fortune and so many more as heroes fight the bad guys. 100 great detective classics in one collection.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.