Affectionately known as the Chekhov of Coldsands-on-Sea, Felix Morsom enjoys writing about the thwarted hopes of genteel lives. His own existence, he reflects, is comfortable if uneventful, except for the flirtatious moments he shares with his publicist, the delicious Brenda Bodkin. Until he meets Gavin and Miriam. Suddenly he is on the run from PROD, the Parental Rights and Obligations Department, as Miriam announces he is the father of her son Ian

Lucinda is a nice, middle-class girl fresh out of university, determined to 'repay her debt to society'. But when she signs up as a volunteer 'mentoring' ex-cons, it is not long before she is seduced by the darker side of life.

Following the best-selling Summer of a Dormouse, Sir John Mortimer - playwright, novelist, octogenarian, and erstwhile QC - offers up more lessons in living and growing old disgracefully. What would we like to leave to our descendants? Not a third-rate painting or our PEPS, according to Sir John, but a love of Shakespeare, a taste for alcohol, the ability to defeat boredom, the importance of never locking the lavatory door, and so on.

When Simeon Simcox, a socialist clergyman, leaves his entire fortune not to his family but to the ruthless, social-climbing Tory MP Leslie Titmuss, the Rector's two sons react in very different ways. Henry, novelist and former 'angry young man' turned grumpy old reactionary, decides to fight the will and prove their father was insane. Younger brother Fred, a mild-mannered country doctor, takes a different approach, quietly digging in Simeon's past, only to uncover an entirely unexpected explanation for the legacy.

It’s high summer when Molly Pargeter drags her amiably bickering family to a rented Tuscan villa for the holidays. Molly is sure that the house is the perfect setting for their three-week getaway, but soon she becomes fascinated by the lives of the absent owners and things start to go horribly wrong.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.