Lucinda is a nice, middle-class girl fresh out of university, determined to 'repay her debt to society'. But when she signs up as a volunteer 'mentoring' ex-cons, it is not long before she is seduced by the darker side of life.

Following the best-selling Summer of a Dormouse, Sir John Mortimer - playwright, novelist, octogenarian, and erstwhile QC - offers up more lessons in living and growing old disgracefully. What would we like to leave to our descendants? Not a third-rate painting or our PEPS, according to Sir John, but a love of Shakespeare, a taste for alcohol, the ability to defeat boredom, the importance of never locking the lavatory door, and so on.

Affectionately known as the Chekhov of Coldsands-on-Sea, Felix Morsom enjoys writing about the thwarted hopes of genteel lives. His own existence, he reflects, is comfortable if uneventful, except for the flirtatious moments he shares with his publicist, the delicious Brenda Bodkin. Until he meets Gavin and Miriam. Suddenly he is on the run from PROD, the Parental Rights and Obligations Department, as Miriam announces he is the father of her son Ian

Dick Dunster and Philip Progmire have been friends from their schooldays. They have also been adversaries. Progmire’s thespian longings, nurtured since he was a university actor, are now submerged in his work as an accountant with Megapolis Television. Dunster is also at Megapolis, engaged on an exposé of war criminals, focussing on a blown-up church and the massacre of the whole population of a small town during the Italian campaign.

Horace Rumpole, the irreverent, iconoclastic, claret-swilling, poetry-spouting barrister at law, is among the most beloved characters of English crime literature. He is not a particularly gifted attorney, nor is he particularly fond of the law by courts if it comes to that, but he’d rather be swinging at a case than bowing to his wife Hilda, She-Who-Must-Be-Obeyed.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.