From 1947 to 1954, CBS' Escape was radio's leading high-adventure anthology series. The show's famous opening, delivered by Paul Frees and William Conrad, asked: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" This was followed by another announcer adding, " Escape! Designed to free you from the four walls of today for a half hour of high adventure!" Many of the episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation.

Agonizing predicaments, stellar sound effects, and high wattage Hollywood star power combine in radio's top thriller. Myrna Loy, Joseph Cotten, Lucille Ball, Robert Taylor, Ronald Colman, and Agnes Moorehead give brilliant performances in blood-chilling stories. Twenty white-knuckled episodes (produced and directed by the legendary William Spier) feature a superior supporting cast, including John Dehner, Howard Duff, Elliott Lewis, William Johnstone, Joseph Kearns, and more. The tension and excitement of this Peabody Award-winning series are well calculated to keep you in...Suspense!

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain." Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

Radio Spirits is pleased to present 20 classic episodes of Suspense, one of radio's longest running and best mystery anthology series. This collection features programs from the early 1950s as produced and directed by Elliott Lewis. Suspense was well-known for its guest star performers and the shows presented here are no exception, featuring appearances by Dana Andrews, Joseph Cotton, Richard Widmark, Ozzie and Harriet Nelson, Alan Ladd, Dennis Day, Fred MacMurray, Agnes Moorehead, William Bendix, Ronald Colman, Joan Crawford, Phil Harris and Alice Faye and more.

For 20 years Suspense brought radio listeners incalculable sharp inhales, tingled spines, and shortened breaths. Every week brought a fresh slate, a fresh cast, and a fresh challenge with an attention to detail and consistent script quality that never lost ground. From beginning to end, Suspense stands as one of radio’s lasting achievements - and the creative peak of the broadcast anthology format. Suspense: Omnibus includes 20 of the best episodes from the series.

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

Jim French, the producer-director of Imagination Theatre, kept the tradition of great radio drama alive for nearly 40 years. He combined old-time skills with new-time production values - and here are 17 thought-provoking thrillers to prove it! In this collection, you'll hear favorites from his stock company, actors from radio's "Golden Age", and performers better known for their television work. You'll even hear a Pulitzer Prize-winning playwright who guest stars as a writer of horror novels!

Head to distant worlds and alternate futures! Explore the limitless potential for twists and turns when stories are fueled by the infinite power of imagination! Here are twenty-four thought-provoking tales as up-to-date as tomorrow. It's new-time radio in the classic old-time-radio manner, from the mind of producer Jim French.

The golden age of radio had incredible detective shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear their favorite detective find out "who done it?" From 1949 until 1962, Yours Truly, Johnny Dollar was one of the most popular detective shows on the air. Dollar was an insurance investigator who received a cut of the money he saved his agency for proving an insurance claim was not on the level. His insurance cases usually led to murder and a beautiful woman.

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week, Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.