From 1947 to 1954, CBS' Escape was radio's leading high-adventure anthology series. The show's famous opening, delivered by Paul Frees and William Conrad, asked: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" This was followed by another announcer adding, " Escape! Designed to free you from the four walls of today for a half hour of high adventure!" Many of the episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation.

The golden age of radio had incredible detective shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear their favorite detective find out "who done it?" From 1949 until 1962, Yours Truly, Johnny Dollar was one of the most popular detective shows on the air. Dollar was an insurance investigator who received a cut of the money he saved his agency for proving an insurance claim was not on the level. His insurance cases usually led to murder and a beautiful woman.

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain." Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.