It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize-winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

In the summer of 1934, “a sickly, pathetic marmoset” called Mitz came into the care of Leonard Woolf. He nursed her back to health and from then on was rarely seen without her on his shoulder. A ubiquitous presence in Bloomsbury society, Mitz moved with Leonard and Virginia Woolf and their circle, developing special relationships with such associates as T. S. Eliot and Vita Sackville-West. She accompanied the Woolfs on their travels and even played an important role in helping them to escape a close call with Nazis in Germany.

The inimitably witty David Rakoff, New York Times best-selling author of Don’t Get Too Comfortable, defends the commonsensical notion that you should always assume the worst, because you’ll never be disappointed. In this deeply funny (and, no kidding, wise and poignant) audiobook, Rakoff examines the realities of our sunny, gosh­ everyone-can-be-a-star contemporary culture and finds that, pretty much as a universal rule, the best is not yet to come, adversity will triumph, justice will not be served, and your dreams won’t come true.

Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Casual mourners, regular visitors, and sundry colleagues - gravediggers, groundskeepers, and a priest - visit her to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee she offers them. Her life is lived to the rhythms of their funny, moving confidences. But her routine is disrupted by the arrival of the local police chief, who insists on scattering the ashes of his recently deceased mother on the gravesite of a complete stranger.

Research tells us that just about anyone who practices meditation for even a few minutes each week on a regular basis, will see what wonders it can do for our peace, focus, energy, and stress levels. Between homework, school friends, extra-curricular activities, and doing as they’re told throughout the day, children can amass a bit more stress than we may give them credit for.

Jeanette Winterson’s bold and revelatory novels have established her as a major figure in world literature. This memoir is the chronicle of a life’s work to find happiness. It is a book full of stories: about a girl locked out of her home, sitting on the doorstep all night; about a religious zealot disguised as a mother who has two sets of false teeth and a revolver in the dresser drawer; about growing up in a north England industrial town in the 1960s and 1970s; and about the universe as a cosmic dustbin.

Now as famous on radio and audio as they are in print, the adventures of that irrepressible and ageless schoolboy William Brown have been delighting both young and old for decades. Perpetually scruffy, mud-stained, and mischievous, he is a lovable scamp whose pranks usually end in disaster, for his harassed elders at least. With friends Ginger, Douglas, and Henry (The Outlaws), and the angelic, lisping, thorn-in-his-side Violet Elizabeth Bott, William has rightly joined the literary, and radio, immortals. This volume of Just William features the following stories: William Goes To The Pictures, William The Intruder, William Below Stairs, The Fall Of The Idol, The Show, A Question Of Grammar, William Joins The Band Of Hope, The Outlaws, William And White Satin, William’s New Year’s Day, The Best Laid Plans, Jumble.

When a fancy car pulls up outside six-year-old Marie's home in 1959, her dad tells her she is going on holiday. But little does she know she will not see her home again for four long years. Her family cannot afford to keep her at home. Marie tells the story of how she was taken away from a poor but happy and loving home life to live in a convent - away from everyone and everything she holds dear. Her hair is bluntly chopped, her clothes are taken away and her name is changed. Then a horrific ritual of physical, sexual and mental abuse begins.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

Upon her mother’s death from Alzheimer’s, Annie Ernaux embarks on a daunting journey back through time, as she seeks to “capture the real woman, the one who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.” She explores the bond between mother and daughter, tenuous and unshakable at once, the alienating worlds that separate them, and the inescapable truth that we must lose the ones we love.

In 1933, Hannah Pick-Goslar and her family fled Nazi Germany to live in Amsterdam, where she struck up a close friendship with her next-door neighbor, an outspoken and fun-loving young girl named Anne Frank. For several years, the inseparable pair enjoyed a carefree childhood of games, sleepovers, and treats with the other children in their neighborhood of Rivierenbuurt. But in 1942, Hannah and Anne's lives abruptly changed forever.

In 1948, Najin and Calvin Cho, with their young daughter Miran, travel from South Korea to the United States in search of new opportunities. Wary of the challenges they know will face them, Najin and Calvin make the difficult decision to leave their other daughter, Inja, behind with their extended family; soon, they hope, they will return to her. But then war breaks out in Korea, and there is no end in sight to the separation. Miran grows up in prosperous American suburbia as Inja grapples in her war-torn land with ties to a family she doesn't remember.

In this unforgettable international best seller, three women from very different circumstances around the world find their lives intertwined by a single object and discover what connects us - across cultures, across backgrounds, and across borders.

It is 1968 in rural Australia and lonely Tom Hope can't make heads or tails of Hannah Babel. Newly arrived from Hungary, Hannah is unlike anyone he's ever met - she's passionate, artistic, and fiercely determined to open sleepy Hometown's first bookshop. Despite the fact that Tom has only read only one book in his life, the two soon discover an astonishing spark. Recently abandoned by an unfaithful wife - and still missing her sweet son, Peter - Tom dares to believe that he might make Hannah happy.

Determined to save the antiques store she has inherited from ruin after the unexplained disappearance of her parents, Sarah Lester discovers a jumbled collection of vintage postcards that leads her on a journey through time. Unprepared for the story the postcards weave about their reclusive former owner, Sarah’s life is thrown into disarray as she is transported to Victorian London, colonial New Zealand, and to the British Raj in 19th-century India.

Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: A young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents. The girl had been raised by her foster family as one of their own, but then, well after the war, they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war and after? So began an investigation that would consume Bart van Es's life and change it.

In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.

Deborah Mitford, Duchess of Devonshire, is the youngest of the famously witty brood that includes the writers Jessica and Nancy, who wrote when Deborah was born, "How disgusting of the poor darling to go and be a girl." Deborah's effervescent memoir chronicles her remarkable life, from an eccentric but happy childhood in the Oxfordshire countryside, to tea with Adolf Hitler and her controversially political sister Unity in 1937, to her marriage to the second son of the Duke of Devonshire.

The seat of the Trelawney family for over 700 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets, and follies. But as the centuries passed the Earls of Trelawney, their ambition dulled by generations of pampered living, failed to develop other skills.

At the age of 17, after a childhood in an fostered family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth. Here Sissay recounts his life story. It is a story of neglect and determination. Misfortune and hope. Cruelty and triumph.

Here is the exciting culmination of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy, and the color hit of Pop Art, Autumn is a witty excavation of the present by the past. The novel is a stripped-branches take on popular culture and a meditation, in a world growing ever more bordered and exclusive, on what richness and worth are, what harvest means.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

It is 1968 in rural Australia and lonely Tom Hope can't make heads or tails of Hannah Babel. Newly arrived from Hungary, Hannah is unlike anyone he's ever met - she's passionate, artistic, and fiercely determined to open sleepy Hometown's first bookshop. Despite the fact that Tom has only read only one book in his life, the two soon discover an astonishing spark. Recently abandoned by an unfaithful wife - and still missing her sweet son, Peter - Tom dares to believe that he might make Hannah happy.

In 1933, Hannah Pick-Goslar and her family fled Nazi Germany to live in Amsterdam, where she struck up a close friendship with her next-door neighbor, an outspoken and fun-loving young girl named Anne Frank. For several years, the inseparable pair enjoyed a carefree childhood of games, sleepovers, and treats with the other children in their neighborhood of Rivierenbuurt. But in 1942, Hannah and Anne's lives abruptly changed forever.

When a fancy car pulls up outside six-year-old Marie's home in 1959, her dad tells her she is going on holiday. But little does she know she will not see her home again for four long years. Her family cannot afford to keep her at home. Marie tells the story of how she was taken away from a poor but happy and loving home life to live in a convent - away from everyone and everything she holds dear. Her hair is bluntly chopped, her clothes are taken away and her name is changed. Then a horrific ritual of physical, sexual and mental abuse begins.

Upon her mother’s death from Alzheimer’s, Annie Ernaux embarks on a daunting journey back through time, as she seeks to “capture the real woman, the one who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.” She explores the bond between mother and daughter, tenuous and unshakable at once, the alienating worlds that separate them, and the inescapable truth that we must lose the ones we love.