
Fire Season
Selected Essays 1984-2021
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Narrated by:
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Charles Constant
About this listen
"One of the most important chroniclers of the modern psyche."—The Guardian
Whether he's describing Tracy Emin or Warhol, the films of Barbet Schroeder ("Schroeder is well aware that life is not a narrative; that we impose form on the movements of chance, contingency, and impulse . . .") or the installations of Barbara Kruger ("Kruger compresses the telling exchanges of lived experience that betray how skewed our lives are . . ."), Indiana is never just describing. His writing is refreshing, erudite, joyful.
Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.
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- Unabridged
-
Overall
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Story
Naked Lunch is one of the most important novels of the 20th century, a book that redefined not just literature but American culture. An unnerving tale of a narcotics addict unmoored in New York, Tangiers, and, ultimately, a nightmarish wasteland known as Interzone.
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Rejection
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- By: Tony Tulathimutte
- Narrated by: Micky Shiloah, Allyson Ryan, Quincy Surasmith, and others
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Overall
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- Narrated by: Mia Barron
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- Unabridged
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Overall
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Performance
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Story
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-
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By: Eve Babitz
-
Gone Tomorrow
- By: Gary Indiana, Sarah Nicole Prickett
- Narrated by: Lee Osorio
- Length: 8 hrs and 57 mins
- Unabridged
-
Overall
-
Performance
-
Story
Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in a film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds.
By: Gary Indiana, and others
Critic reviews
2022 NEW YORK TIMES NOTABLE BOOK
Great voice, excellent book
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Brilliant essays on art, literature, film, etc
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