In a tight-knit Levantine Christian family in 1960s Cairo, Tarek’s entire life is written in advance. He’ll be a doctor like his father, marry, and have children. Under the watchful eye of the family’s strong women, he starts to do just that–until a patient’s son, Ali, enters his life and turns it upside down. The two men’s unsayable relationship sparks a series of events as dramatic as the Six-Day War and assassination of President Anwar Sadat playing out in the background.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that homosexuality, which is a crime at the time, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage, there is a third party: John has a lover, a working-class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry.

1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing a feral, half-starved boy within and putting the other inhabitants to the sword. But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Thoreau Jones, 15, has had a terrible life since his older brother left Gray Shadows. His parents constantly remind him that it's his fault Emerson took off, just like it's his fault for being "retarded." If only his brain wasn't so broken, Mommy Daddy wouldn't have to "fix" him every day or keep him locked in a cage in the attic. When his parents finally give up on him, they ship him off to Five Fangs with the warning that Emerson will either keep him or kill him. Thoreau knows his brother won't want him and can only hope that his death will be quick.

Avery Fisher has joined the cast of hit TV survival competition Scavenger Hunters. While on set, he hopes to find a direction in life off the back of a failed art career. He also hopes to reconnect with an old friend from art school, one Kyle Zimmerman. He is Avery’s last connection to art, and the only other person who knows Avery’s darkest secret.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

The first novel from the brilliant, protean Gary Indiana, Horse Crazy tells the story of a 35-year-old writer for a New York arts and culture magazine whose life melts into a fever dream when he falls in love with the handsome, charming, possibly heroin-addicted, and almost certainly insane Gregory Burgess. In the derelict brownstones of the Lower East Side in the late 80s, among the coked-out restauranteurs and art world impresarios of the supposed "downtown scene", the narrator wanders through the fog of passion. Meanwhile, the AIDS epidemic is spreading through the city....

If I had to choose one word to describe my new cocky costar, it’d be exasperating. Nikolas Adamos may look like a Greek god—and he certainly struts around like he knows it—but unlike everyone else, I refuse to fall prey to his charms. Unfortunately for me, Niko and I get paired to do a series of lovey-dovey boyfriend videos for our employers at Elite 8 Studios. And when you film the sort of scenes we do, up close and personal takes on a whole new meaning.

Footloose and broke, the unnamed narrator of Gone Tomorrow hops on a plane without asking questions when his director friend offers him a role in a film set in Colombia. But from the moment he arrives at the airport in Bogotá, only to witness a policeman beat a beggar half to death, it becomes clear that this will not be the story of gritty bohemians triumphing against the odds.

Adam is not having a good day. First, he finds out his very long-time boyfriend has been having an affair. Then, his dramatic exit becomes a little too dramatic when he ends up dead. To top it off, he finds out that the afterlife isn't at all what he expected (he has no desire to learn to play the harp, thank you very much). Fortunately for him, some afterlife bureaucratic screw-up ends him up with the most smoking-hot demon he's ever seen, and he decides he's keeping him. Maybe the afterlife won't be so bad after all.

Chase never had many friends, but at college, he meets and forms close ties with straight jock Tyler Davidson—a connection he fears he’ll lose if he tells Tyler he’s gay. Keeping his sexuality secret becomes harder for Chase as he joins Tyler and his family at their idyllic lake house for the summer. It grows more and more difficult for Chase to avoid Tyler’s attempts to set him up with girls, and he’s tired of making excuses. Chase is ready to embrace the man he is, but he’s afraid of what it will cost him.

At eighteen, Ashley seems to have everything: looks, talent, and even a girlfriend. What more could a young man want? Yet something is missing, and he has to come to terms with his sexuality and the possible implications for his career in the public eye. He begins dating Chris, but isn’t sure he’s head over heels in love. It’s not the knight-in-shining-armor feeling he always imagined.

Being a lifelong Chicago Thunder fan, I know that Blaine Olsen is trouble. Because all hockey players are. He's a notorious playboy, and I refuse to be another notch on his bedpost. But when he shows me the part of himself he keeps hidden, it gets harder to resist him.

The streets have been my home for as long as I can remember. To get by, I use my magic tricks, bringing smiles to the faces of adults and children alike. As a warlock, my powers are limited. Nothing like a witch's magical skills. Basically, I'm a glorified magician as well as a second-class citizen. Fine. It doesn't get me down. I have my cat Fizz and Kylie Minogue's music to keep me going as I dream big. I know there's a better life out there for me.

Hockey is Gabe Martin's life. Dante Baltierra just wants to have some fun on his way to the Hockey Hall of Fame. Falling for a teammate isn't in either game plan. But plans change. When Gabe gets outed, it turns his careful life upside-down. The chaos messes with his game and sends his team headlong into a losing streak. The last person he expects to pull him through it is Dante.

Seth spends his days hunting down mystical artifacts. As a curator for the Arcanum College, that's his job. But when an arcanist murders a fellow scholar, Seth finds himself assigned instead to a dusty, thirsty, frustrating manhunt. Why him? Because, he's been told by his superiors, he's the only curator sufficiently tenacious and brutal for the job. (Seth resents that.) When the murderer vanishes at the edge of a deadly desert, Seth finds himself in need of a guide.

One of my toughest decisions was to join the Army after graduating high school. My second toughest was to decide it was time to get. I wanted more than that life had to offer—namely the return of my humanity and a life beyond the pain that had leached into my soul during my deployments. Without a hint at what to do next, I said goodbye to my Army life and headed home to Missouri.

Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar. The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . .