
Flowers for the Judge
An Albert Campion Mystery
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Narrated by:
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David Thorpe
Scandal hits the staid publishing house of Barnabas when one of the directors is found dead in the strong-room. Suspicion immediately falls on his wife's lover, the junior partner in the firm. But how does an unpublished Restoration comedy come to feature in the tragedy? And what of the odd disappearance of another director twenty years before?
The trial of Mike Wedgwood for murder is nail-bitingly tense, and Albert Campion needs all his resources to uncover the truth.
Margery Allingham was born in Ealing, London in 1904 to a family immersed in literature. Her first novel, Blackkerchief Dick, was published in 1923 when she was 19. Her first work of detective fiction was a serialized story published by the Daily Express in 1927. Entitled The White Cottage Mystery, it contained atypical themes for a woman writer of the era.
Her breakthrough occurred in 1929 with the publication of The Crime at Black Dudley. This introduced Albert Campion, albeit originally as a minor character. He returned in Mystery Mile, thanks in part to pressure from her American publishers, much taken with the character. Campion proved so successful that Allingham made him the centrepiece of another 17 novels and over 20 short stories, continuing into the 1960s.
©2013 Margery Allingham (P)2013 Audible LtdListeners also enjoyed...




















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Great reader overall
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I must be off my game, but the ending caught me twice. I won't say how, that would mean spoilers, but I will say, it was a satisfactory ending.
Enjoyable slower read
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Best Albert Campion yet!
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Clever Story Line
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Classic mystery, well read
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One of the Best!
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With the certainty that Mike did not commit this crime, Campion goes to work to both prove Mike's innocence and find the real killer. He is assisted by Ritchie Barnabus, the somewhat simple-minded younger brother of Thomas Barnabus, the man who disappeared 20 years earlier. Campion's other cohort is his manservant, Lugg, a former burglar proud of both his past achievements and the rise in station he has made under Campion.
<strong>Flowers for the Judge</strong> was my second introduction to Margery Allingham, with <em>The Crime at Black Dudley</em>, Allingham's introduction to Campion, being my first book by her. I was decidedly unimpressed by the first book, but this book was a dramatic departure from that one. It contains a fascinating plot, considered a classic "locked room mystery," since the murdered man was found dead inside the strong room. Reviews of the book online focus on the romance plot as being significant to the book, with the two lovers having to undergo a trial by fire in order to be together. Personally, I did not find the romance plot to be any more significant than those found in the writings of the other queens of mystery: Agatha Christie, Ngaio Marsh, and Dorothy L. Sayers. Perhaps it is unusual for Allingham, something I would not have personal knowledge of.
I do not understand the title, and performing a Google search didn't serve to enlighten me much. At the end of the trial, the judge in the case carries his flowers out of the courtroom, which only one site I found mentions, pointing out that the aroma of the flowers can't overcome the bad smell of the justice system. But where did these flowers come from, especially since I didn't notice a reference to flowers earlier? Is there a tradition in the British judicial system involving flowers? Why does the title of the book reference just one obscure line in the book?
The characters in <strong>Flowers for the Judge</strong> are generally fleshed out well. Actually, Campion seems to be one of the least developed characters in the book, although I gather that over the course of the series, Campion becomes full and round. As for the other characters, even though we never meet Peter alive, we get a strong image of him, and he is not a nice person. Gina, despite being in love with a man not her husband in 1936, when she could not get a divorce without proof of abuse, is the sympathetic woman waiting for her man, who is on trial. The barrister, Cousin Alexander, was a real delight, especially as he reverts back and forth between his courtroom voice and casual voice.
The good guy in the book with the profound statements is the eccentric Ritchie, who speaks in abbreviated sentences. He makes a profound statement about the people who allow society to define them and control their movements, comparing such people to the people in the prison who can't eat on their own or drink on their own but only when allowed. The truly free are those who have managed to break away from the chains of society and do their own thing.
The audio edition of this book is performed by David Thorpe, who does a good job with certain parts and a less effective job with others. I liked his female voices and the way he voices Ritchie. However, the squeaky voice used for the role of Albert Campion really annoyed me. Otherwise, I felt that Thorpe did a reasonable but not excellent job on this book.
I really appreciated listening to <strong>Flowers for the Judge</strong>. The book had a strong mystery plot with well- rounded characters. I am glad that I took the advice of other lovers of golden age mystery and gave Allingham another chance. I give this book five stars.
An excellent classic mystery
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ALWAYS A PLEASURE
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A mystery within a murder
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More Nuanced Than Other Campions
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