The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

When 11-year-old Langston's mother dies in 1946, he and his father leave rural Alabama for Chicago's brown belt as a part of what came to be known as the Great Migration. It's lonely in the small apartment with just the two of them, and Langston is bullied at school. But his new home has one fantastic thing. Unlike the whites-only library in Alabama, the local public library welcomes everyone. There, hiding out after school, Langston discovers another Langston, a poet whom he learns inspired his mother enough to name her only son after him.

Beaked. Feathered. Monstrous. Avita was born to be a star. Her circus tent sells out nightly, and every performance incites bloodcurdling screams. She’s the most lucrative act from Texas to Tacoma, the crown jewel of the Family Fortuna. Avita feeds on the fear, the screams, the gasps. But when a handsome young artist is commissioned to create new posters of the performers, Avita is appalled by his rendering of Bird Girl. Is that truly all she is—a hideous monster, all sharp beak and razor teeth, obsidian eyes and ruffled feathers?

Celie has grown up poor in rural Georgia, despised by society and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters to God. The letters, spanning 20 years, record a journey of self-discovery and empowerment guided by the light of a few strong women.

Perry Firekeeper-Birch was ready for her Summer of Slack but instead, after a fender bender that was entirely not her fault, she’s stuck working to pay back her Auntie Daunis for repairs to the Jeep. Thankfully she has the other outcasts of the summer program. Together they ace obstacle courses, plan vigils for missing women in the community, and make sure summer doesn’t feel so lost after all. But when she attends a meeting at a local university, Perry learns about the “Warrior Girl”, an ancestor whose bones and knife are stored in the museum archives, and everything changes.

Manny lives by the rules—the rules that have kept him moving, kept him alive, and have helped him survive being thrust into adulthood long before he was ready. It’s been a year since breaking the rules got him cast out of his family. But the existence of an unidentified body found in the hills of Idyllwild, California is drawing him back to his deepest trauma because he may know who it is. Eli lives for the future—he’s put his entire faith into the teachings that raised him: family, duty, and love.

The great scholar, W. E. B. Du Bois, once wrote about the problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s problem on her shoulders.

In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe. The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans. When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe.

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie’s journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

When Donovan left his copy of The Adventurers on the kitchen counter, he didn't think his mom would read it—much less have a problem with it. It's just an adventure novel about two characters trying to stop an evil genius...right? But soon the entire town is freaking out about whether the book's main characters are gay, Donovan's mom is trying to get the book removed from the school curriculum, and Donovan is caught in the middle. Donovan doesn't really know if the two boys fall in love at the end or not—but he does know this: even if they do, it shouldn't matter.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

Best-selling author Diane Chamberlain delivers a breakout book about a small southern town 50 years ago, and the darkest - and most hopeful - places in the human heart. After losing her parents, 15-year-old Ivy Hart is left to care for her grandmother, older sister, and nephew as tenants on a small tobacco farm. As she struggles with her grandmother’s aging, her sister’s mental illness, and her own epilepsy, she realizes they might need more than she can give. When Jane Forrester takes a position as Grace County’s newest social worker, she doesn’t realize just how much her help is needed.

The summer of 1936 in Parsons, Georgia, is unseasonably hot, and Opal Pruitt senses a nameless storm brewing. She hopes this foreboding feeling won’t overshadow her upcoming 18th birthday or the annual Founder’s Day celebration in just a few weeks. She and her Grandma Birdie work as housekeepers for the white widow Miss Peggy, and Opal desperately wants some time to be young and carefree with her cousins and friends.

Spending the night in juvie wasn't the worst thing to happen to seven-year-old Teresa that summer. When her much-anticipated cross-country vacation turns to abduction, Teresa is forced to care for her mother, sister, and twin brothers. Homeless, abused, and afraid in the slums of San Francisco's Tenderloin District, Teresa finds joy in her adventures while fantasizing of a better life. Keeping this dream alive throughout her childhood is what drives her to end the cycle of abuse and poverty.

At 97 years old, Winnifred Ellis knows she doesn’t have much time left, and it is almost a relief to realize that once she is gone, the truth about her shameful past will die with her. But when her great-grandson Jamie, the spitting image of her dear late husband, asks about his family tree, Winnifred can’t lie any longer, even if it means breaking a promise she made so long ago....