The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

When Jessica marries David, he is everything she wants in a family man: brilliant, attentive, ever youthful. Yet she still feels something about him is just out of reach. Soon, as people close to Jessica begin to meet violent, mysterious deaths, David makes an unimaginable confession: More than 400 years ago, he and other members of an Ethiopian sect traded their humanity so they would never die, a secret he must protect at any cost.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

Tananarive Due, author of The Living Blood won the American Book Award and is praised as Stephen King's equal by Publishers Weekly. In The Good House, Due sets a story of ancient powers and modern retribution in a small Pacific Northwest town. When a young woman returns to her grandmother's empty mansion, she is pitted against demonic forces that have poisoned her family for generations.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is “[t]he literary equivalent of an open wound from which poetry pours” (NPR). Annis, sold south by the white enslaver who fathered her, is the listener’s guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy. And they’ll scare you straight to hell.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

Whether weaving family life and history into dark fiction or writing speculative Afrofuturism, American Book Award winner and Essence best-selling author Tananarive Due’s work is both riveting and enlightening. In her debut collection of short fiction, Due takes us to Gracetown, a small Florida town that has both literal and figurative ghost; into future scenarios that seem all too real; and provides empathetic portraits of those whose lives are touched by otherness. Featuring an award-winning novella and 15 stories, Ghost Summer: Stories is sure to haunt and delight.

When Ryne Burdette inherits his family's old hunting cabin deep in the Yukon wilderness, he wants to say no. Nothing much is left in that place except for unpleasant memories and the smoke of old burns. But after a tragic year, he sees a weekend trip to the cabin with his best friends as a way to recuperate and begin again. But there is something strange about these woods.

After publishing his debut novel, The Shattered Man, to disappointing sales and reviews, Campbell P. Marion is struggling to find inspiration for a follow-up. When Edenville College invites him to join as a writer-in-residence, he’s convinced that his bad luck has finally taken a turn. His girlfriend Quinn isn’t so sure—she grew up near Edenville and has good reasons for not wanting to move back. Cam disregards her skepticism and accepts the job, with Quinn reluctantly following along.

Meet Preach, Digit, and Maria, three lost and damaged souls trying to make it on the streets of New York City, running petty scams to stay alive. A twist of events changes their lives forever when they accidently kill a man connected to the mob and find a small fortune. Now on the run, the trio tries to escape a notorious hit man called B-Boy. Along the way, they run into more shady characters and more trouble. Seduced by the siren call of the money and struggling with their own demons, Preach, Digit, and Maria will soon discover even the closest bonds can't overcome their past traumas.

After his estranged father’s mysterious death, Charlie Remick returns to Seattle to help with the funeral. There, he discovers his father left him two parting gifts: the keys to the family record store and a strange black case containing four ancient records that, according to legend, can open a gate to the land of the dead. When Charlie, his sister, and their two friends play the records, they unwittingly open a floodgate of unspeakable horror. As the darkness descends, they are stalked by a relentless, malevolent force and see the dead everywhere they turn.

In 1915, The Birth of a Nation casts a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring hell to Earth. But even Ku Kluxes can die.

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back to attend Celine's wedding at the plantation.

Tananarive Due, author of The Living Blood won the American Book Award and is praised as Stephen King's equal by Publishers Weekly. In The Good House, Due sets a story of ancient powers and modern retribution in a small Pacific Northwest town. When a young woman returns to her grandmother's empty mansion, she is pitted against demonic forces that have poisoned her family for generations.

When Jessica marries David, he is everything she wants in a family man: brilliant, attentive, ever youthful. Yet she still feels something about him is just out of reach. Soon, as people close to Jessica begin to meet violent, mysterious deaths, David makes an unimaginable confession: More than 400 years ago, he and other members of an Ethiopian sect traded their humanity so they would never die, a secret he must protect at any cost.

What if nobody ever freed the slaves…because they freed themselves – 150 years before the Civil War? In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.

Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his black skin that attracts the eye of wealthy white folks and their trained cops. But when he delivers an occult page to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic.

American Book Award-winning author Tananarive Due's second collection of stories ranges from horror to science fiction to suspense. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due's stories all share a sense of dread and fear balanced with heart and hope. In some of these stories, the monster is racism itself; others address the monster within, or other universal struggles set against the supernatural or surreal. All of them are written with Due's trademark attention to detail and deep characterization.

When Hilton was a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. When Hilton's wife, the only elected African-American judge in Dade County, Florida, begins to receive racist hate mail from a man she once prosecuted, Hilton becomes obsessed with protecting his family. The demons lurking outside are matched by his internal terrors - macabre nightmares, more intense and disturbing than any he has ever experienced.

The Ruins follows two American couples enjoying a pleasant, lazy beach holiday together in Mexico. On an impulse, they go off with newfound friends in search of one of their group, the young German who, in pursuit of a girl, has headed for the remote Mayan ruins, site of a fabled archeological dig.

Suffer the Children presents a terrifying tale of apocalyptic fiction, as listeners are introduced to Herod's Syndrome, a devastating illness that suddenly and swiftly kills all young children across the globe. Soon, they return from the grave, and ask for blood. And with blood, they stop being dead. They continue to remain the children they once were, but only for a short time, as they need more blood to live. The average human body holds 10 pints of blood, so the inevitable question for parents everywhere becomes: How far would you go to bring your child back?

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter their home, uncanny and inexplicable things start happening.

Daisy sees dead people—something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she’s completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with the supernatural might be no match for her mother’s secrets, nor what lurks within these walls…

Once every year, Scoutmaster Tim Riggs leads a troop of boys into the Canadian wilderness for a weekend camping trip - a tradition as comforting and reliable as a good ghost story around a roaring bonfre. The boys are a tight-knit crew. There’s Kent, one of the most popular kids in school; Ephraim and Max, also well-liked and easygoing; then there’s Newt the nerd and Shelley the odd duck. For the most part, they all get along and are happy to be there - which makes Scoutmaster Tim’s job a little easier.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.