Late summer, 1270. Although the Simon de Montfort rebellion is over, the smell of death still hangs over the land. In the small priory of Tyndal, the monks and nuns of the Order of Fontevraud long for a return to routine. Their hopes are dashed, however, when the young and inexperienced Eleanor of Wynethorpe is appointed their new prioress. Only a day after her arrival, a brutally murdered monk is found in the cloister gardens, and Brother Thomas, a young priest with a troubled past, arrives to bring her a more personal grief.

It is the autumn of 1278. The harvest is in. The air is crisp. Dusty summer breathes a last sigh before the dark seasons arrive. For Prioress Eleanor, dark times arrive early in Norfolk. The head of her order, Abbess Isabeau, has sent Father Etienne Davoir from their headquarters in France to inspect all aspects of Tyndal Priory, from its morals to its roofs. Surely the abbess would not have chosen her own brother for this rare and thorough investigation unless the cause was serious and she had reason to fear intervention from Rome.

Hugh of Singleton, fourth son of a minor knight, has been educated as a clerk, usually a prelude to taking holy orders. However, feeling no certain calling despite a lively faith, he turns to the profession of surgeon, training in Paris and then hanging out his sign in Oxford. A local lord asks him to track the killer of a young woman whose bones have been found in the castle cesspit. She is identified as the impetuous missing daughter of a local blacksmith, and her young man, whom she had provoked very publicly, is in due course arrested and sentenced at the Oxford assizes.

England, 1925. After years shut away from the world, former detective Lord Edgington of Cranley Hall plans a grand ball to celebrate his seventy-fifth birthday. But when someone starts bumping off members of his scheming family, the old man enlists his teenage grandson to help find the killer, before one of them is next.

Salisbury, 1226. A young pregnant woman is found tangled in reeds in the river Avon, her identity a mystery. Grieving widow Ela Longespée is determined to succeed her husband as sheriff of Salisbury, and quickly takes charge of the investigation. She soon finds herself in the thick of a neighborhood scandal and a struggle to maintain her authority. With multiple suspects, can she identify the true killer?

June 1933. Independent, young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. But when several rooms are broken into and searched, including Kitty’s own, she quickly realizes that something out of the ordinary is afoot at the hotel. Soon, rumors are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War.

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

Matthew Bartholomew, unorthodox but effective physician to Michaelhouse college in medieval Cambridge, is as worried as anyone about the pestilence that is ravaging Europe and seems to be approaching England. But he is distracted by the sudden and inexplicable death of the Master of Michaelhouse - a death the University authorities do not want investigated.

In the fair autumn of Our Lord's grace 1431, the nuns of England's St. Frideswide's prepare for the simply ceremonies in which the saintly novice Thomasine will take her holy vows. But their quiet lives of beauty and prayer are thrown into chaos by the merciless arrival of Lady Ermentrude Fenner and her retinue of lusty men, sinful women, and baying hounds. The hard-drinking dowager even keeps a pet monkey for her amusement. She demands wine, a feast.... And her niece, the angelic Thomasine.

It's 1194, and Sir Faucon de Ramis, the shire's newly appointed keeper of the pleas, must do his duty and make an official declaration of the cause of a miller's death. Saddled with a clerk who names Faucon his "penance", the shire's first crowner must thread the tangled relationships between the sheriff, the village of Priors Holston, and the priory that once ruled it. As a simple task takes a turn to the political, what seems obvious isn't, and what appears safe turns out to be more dangerous than he could imagine.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

As a bard's daughter, Gwen has spent her life traveling from castle to castle and village to village with her family, following the music. In the winter of 1141, Gwen's family is contracted to provide the entertainment for the coming-of-age celebration of a lord's son. But before the celebration can begin, Gwen's father is found over the body of his friend, with a harp string as the murder weapon and blood on his hands. With the lord of the castle uninterested in finding the true killer, it is up to Gwen to clear her father's name before her father's music is silenced...forever.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when one of the house guests is murdered, her brother-in-law asks her to aid the insufferable Sebastian Gage - a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down, as accusations and rumors swirl.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.