Roger Micheldene, an English publisher, is on the loose in the US. He spends an October week shuttling between New York and Budweiser College in Pennsylvania. This exercises all his British appetites … snobbery, gluttony, anger, sloth, and lust. But Amis roasts Americans as well and serves us familiar dishes, though in a piquant sauce: the precocious undergraduate author of a far-out novel, an earnest young priest, and an alcoholic literary agent’s nymphomaniacal wife.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.

In Kingsley Amis’s virtuoso foray into virtual history, it is 1976, but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. Stephen the Third, the king of England, has just died, and Mass (Mozart’s second requiem) is about to be sung to lay him to rest. In the choir is our hero, Hubert Anvil, an extremely ordinary ten-year-old boy with a faultless voice.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

Graham Greene’s evocative analysis of the love of self, the love of another, and the love of God is an English classic that has been translated for the stage, the screen, and even the opera house. Academy Award-winning actor Colin Firth (The King’s Speech, A Single Man) turns in an authentic and stirring performance for this distinguished audio release.

To his customers and neighbors on 125th street, Ray Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time.

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

"I think the Cosmopolis is a bally rotten hotel!" Having made a bitter enemy of Daniel Brewster, owner of New York's Hotel Cosmopolis, Archie Moffam (fresh from England) checks out and heads south, where he woos and weds one Lucille Brewster...little thinking. Back at the Hotel Cosmopolis, Archie once again finds himself confronted by Mr. Brewster, who resembles nothing so much as a "man-eating fish." And then the fun begins...

Robinswood, Co. Waterford, 1939. The once grand house is home to two very different families. Despite delusions of grandeur, Lord and Lady Kenefick and their adult children live a life of decayed opulence as the money needed to keep such a large house and grounds ever dwindles. Meanwhile, the Murphy family, Dermot, Isabella and their three almost grown-up girls, live and work on the estate and do their best to keep everything running smoothly.

Collected here are eleven of Wodehouse's Jeeves and Wooster short stories (comprising all of the Jeeves tales from "Carry On, Jeeves" and "My Man Jeeves") as well as the complete novels Right Ho, Jeeves and The Inimitable Jeeves. Along with Jeeves and Bertie, we are introduced to an entire cast of beloved Wodehouse characters: Gussie Fink-Nottle, Madeline Bassett, Bingo Little, James "Corky" Corcoran, Tuppy and Honoria Glossop, Rockmetteller Todd, and the terrifying and bombastic Aunt Agatha.

Julian Lawndsley has renounced his high-flying job in the city for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian’s evening is disrupted by a visitor. Edward, a Polish émigré living in Silverview, the big house on the edge of town, seems to know a lot about Julian’s family and is rather too interested in the inner workings of his modest new enterprise.

Jim Henderson is one of six guests summoned by the mysterious Edwin Carson, a collector of precious stones, to a weekend party at his country house, Thrackley. The house is gloomy and forbidding, but the party is warm and hospitable except for the presence of Jacobson, the sinister butler. The other guests are wealthy people draped in jewels; Jim cannot imagine why he belongs in such company. After a weekend of adventure with attempted robbery and a vanishing guest, secrets come to light, and Jim unravels a mystery from his past.

Pretty, impecunious Sally Nicholas never dreamed a fortune could prove a disadvantage, until she became an heiress and watched in bewilderment as her orderly existence went haywire. Coping first with her brother's wild theatrical ambitions, then with the defection of her fiancé and his immediate replacement by a much more appropriate but strangely unattractive suitor, Sally finds that life in New York is becoming altogether too complicated, and a trip to England only makes the whole situation worse.

Strange things happen in the picture-postcard English village of Lindsay Carfax. When a young man falls into a quarry, it takes nine days to find the body. When rowdy hippies descend on the village, they're given nine days to leave. When an outspoken schoolmaster is kidnapped for nine days, he stays eerily quiet after his release. Now Albert Campion has come to town - and he means to investigate all this strangeness. But whoever is behind the unusual goings - on quickly makes it very clear that his nosing around is not welcome.