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God of Carnage
- Narrated by: Simon Helberg, Amy Landecker, Josh Stamberg, Jocelyn Towne
- Length: 1 hr and 9 mins
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Publisher's summary
Winner of the 2009 Tony Award®, God of Carnage is a brash and hilarious exploration of human nature.
After one 11-year-old is hit by another, their parents meet to find a mature resolution. As the evening wears on, the veneer of civility degenerates. What begins as protective parenting ends as an excuse to let loose the primordial beast buried in each of us.
Recorded before a live audience at the UCLA James Bridges Theater in June 2016.
Directed by Martin Jarvis
Producing Director Susan Albert Loewenberg
Simon Helberg as Alan
Amy Landecker as Veronica
Josh Stamberg as Michael
Jocelyn Towne as Annette
Associate Producer: Anna Lyse Erikson
Recording Engineer, Sound Designer, Mixer: Mark Holden for The Invisible Studios, West Hollywood
Sound Effects Artist: Jeff Gardner
Production Manager: Megan McGrory
Editor: Mitchell Lindskoog
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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What listeners say about God of Carnage
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- RILEY HALL
- 12-03-17
Pretty Good.
An intriguing premise for a story that unfolds in real time. There are some great comedic moments, and some moments of deep philosophical thought.
But I was left unsatisfied. Maybe because I wanted there to be more arc to the story and the characters, or perhaps the word "carnage" made me think I was going to see more than just first world problems.
Simon Helberg's performance was wonderfully nuanced, and certainly my favorite part of this production.
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- Lady Contra
- 06-11-21
Well performed. Entertaining. Made me think.
I was able to relate to each character in a different way, which made me really have to look at the premise from different angles, and ultimately question myself, “What would I do as a parent in that situation?”
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- Burley Brent Thomas
- 02-27-17
LATW DELIVERS- AGAIN
In general, i love all the LATW audio plays. This one is especially entertaining if you've ever been in a situation like the plays- adults trying to resolve kid fights... without becoming children
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1 person found this helpful
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Overall
- Brandon Sholund
- 07-24-19
Uneven play hinders quality production
I'm a big admirer of all the LATW productions I've listened to on Audible. They always manage to bring together an excellent and eclectic cast and their choice of material covers both current and classic plays. This production lives up to the former with Simon Helberg and Amy Landecker both turning in strong performances. However their chosenplayleaves something to be desired. The material itself is a translation, so maybe some of it's power got lost, but the material still seemed light to me. I felt like I was listening to a acting exercise more than a finished piece of work. The premise of the work was intriguing and the script was well crafted but it did not deliver. With the word 'Carnage' in the title I was expecting a more aggressive work, full of conflict and malice. Instead, this play presents more comic moments and a lot of appeasement between the characters. I enjoyed the play but felt unsatisfied at the end. That's a shame because everything else is up to the usual LATW standards. The subtlety of the actors performances is captured, the sound effects are all perfectly timed and the live audience adds to the performance. I just wish that they had something more substantial to compliment their efforts.
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- Juan C. Velandia
- 02-14-20
Great casting!!!
I am loving all the things that LA Theater Works is putting on Audible!!! This play is brilliant, I've read it and seen it before, and it's always way better than the movie adaptation. The casting for this performance is superb! I have seen them all acting before on TV and it's great to have them on a Yasmina Reza play together.
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- EAlex
- 05-24-21
Not really worthy of the hype
I expected to be the blown away by this play considering that it received a lot of attention when it hit the stage. However, there was not a lot of insight about parenting, children, wealth or even wit for that matter. It was basically an hour of smug affluent parents behaving badly. And a lot of sounds of vomiting.
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- VM
- 04-18-23
Enjoyable, while also painful.
This is the first work from the LATW that I’ve heard so I came in with no expectations. I say that only because it seems like many of the negative reviews were left by those who failed to have their expectations met.
Having been through this sort of thing with my daughters I could relate to both sides of this conflict. That allowed me to flow seamlessly between characters, aligning myself with first one, then another. And while the ending did feel a bit abrupt that just mirrored reality where, in my experience, everyone walks away feeling unhappy and vaguely unfulfilled.
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- shan e.
- 06-03-19
Play is very overrated
Where are the geniuses among today's playwrights? There aren't any. What we have instead are wordsmiths who can craft clever dialogue.
If you want clever dialogue, maybe a couple of laughs, and you don't mind profanity and vulgarity, you might like this play. But two minutes after it's over, you will never give it a second thought.
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1 person found this helpful