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How I Learned to Drive
- Narrated by: Glenne Headly, Randall Arney, Joy Gregory, Paul Mercier, Rondi Reed
- Length: 1 hr and 12 mins
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Publisher's summary
Balmy evenings in rural Maryland are fraught with danger, and seductions can happen anywhere from a river bank to the front seat of a car, where a young self-conscious girl is learning to drive. To Li'l Bit, the radio is the most important part of the car, but the pop music of the 50's can never quite drown out the harrowing images in her mind.
An L.A. Theatre Works full-cast performance featuring Randall Arney, Joy Gregory, Glenne Headly, Paul Mercier and Rondi Reed.
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
- Original Recording
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
By: Derek Kolstad, and others
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
What listeners say about How I Learned to Drive
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 04-20-22
Trigger warning
After listening to this play you will understand how a family member or other trusted adult can groom a child for sexual abuse. Paula Vogel is brilliant. The topic of this play is horrifying. I feel for anyone who has experienced this.
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- Carlo Pate
- 12-17-20
Censored Version
This was a very good and very dark play. It had wonderful performances. But my only complaint is that it is censored in some parts. Not a lot but there are just enough bleeps that it does take the listener out of the story I can’t really fault the play for that so my rating won’t reflect my complaint. Having said that they shouldn’t ever censor any form of art.
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- Grimloch
- 03-23-22
Enjoyed the experience
This was my first time listening to a stage theatre production on audible. I enjoyed the experience a great deal. The actors and sound effects were great. I would listen to another one.
Mature theme presented with the right mix of nuance, humor and seriousness.
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- Brad Simkulet
- 02-07-23
Not For the Feint of Heart
How I Learned to Drive is not an easy play. The subject matters -- generational sexual abuse, the aftermath of war, the ugly power of enablement -- are daunting at the best of times, but they are particularly difficult in Paula Vogel's brilliant drama because she comes at them with such empathy, such humour, and an unrelenting need to undermine her audience's expectations.
No matter what they have done or have had done to them, it seems pretty clear that Vogel cares about her characters (even if she can't like them), and that care is conveyed perfectly in the performances of Glenn Headly and Randall Arney. Their turns as Li'l Bit and Uncle Peck are as excruciating as they are moving (and we don't even get to see them onstage; we only get to hear them and project their actions in our mind). L.A. Theatre Works has gifted us myriad plays on audio, and this is one of their finest productions.
It's tough to listen to, it's not really entertaining so much as overwhelming, but it will move you. I just fear it is going to stick with me forever, and that might be a little too much for me to handle.
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1 person found this helpful
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- EAlex
- 02-28-16
Engaging. Provocative. Comical
A great play. So well structured. Captures a certain time and the innocence and longing and search for understanding by a complicated, confused boozing uncle who was also desperate for understanding. I wish that Uncle Peck sounded more Southern. He did not sound south carolinian.
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2 people found this helpful
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- Donna W.
- 04-06-19
Felt sad the adults in the room didn't intervene.
Feel sad that the adults in the room didn't intervene. Seems that this story represents much that is occurring in society today. We need to wake up.
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- Gavin
- 09-20-19
Too perky for a serious topic
The light tone and easy delivery was a little too upbeat for what was a very disturbing story. This may work for some, but for me, it was too big a disconnect to be enjoyable.
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- Bean
- 02-07-20
Censored version!
I'm a fan of the LA Theatre Works audio productions, but I was really disappointed with this one. It is censored for some reason. It is not that the performance omitted any scenes or parts, but it is that there are actual bleeps added over certain words! It only happens a few times, but it really pulled me out of the play. Is this a radio friendly, edited version they've simply thrown up on Audible? I'm not sure, but I have never had this experience with any other work here. Sadly, I'll probably end up returning this.
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3 people found this helpful