What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian.

Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry.

One of the great classics of world literature and the inspiration for the most beloved stage musical of all time, Les Misérables is legendary author Victor Hugo’s masterpiece. This extraordinary English version by renowned translator Julie Rose captures all the majesty and brilliance of Hugo’s work. Here is the timeless story of the quintessential hunted man—Jean Valjean—and the injustices, violence, and social inequalities that torment him.

Against the background of an age that saw the rebirth of ancient and classical learning, Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence as well as the Italian Renaissance, which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo, and Donatello as well as scientists like Galileo and Pico della Mirandola.

In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death. For four hundred years Caravaggio's (1571-1610) staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory - the murder of Ranuccio Tomasini, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death - has long confounded historians.

Thomas Edison was born into a hard-working but attentive family. He struggled in school and became deaf at an early age. Born on February 11, 1847, Edison would become, arguably, the best-known American inventor of all time. His invention of the light bulb was one of more than 1,000 patents he held during his lifetime. Others included the phonograph, the electrical grid, and motion pictures. His work changed the way we see and hear the world around us.

Starr brilliantly illuminates the dominant economic, social, and cultural forces in California in these pivotal years. In a powerful blend of telling events, colorful personalities, and insightful analyses, Starr examines such issues as the overnight creation of the postwar California suburb, the rise of Los Angeles as Super City, the reluctant emergence of San Diego as one of the largest cities in the nation, and the decline of political centrism.

Obsessive, brilliant, and tortured, Nikola Tesla was lauded for his invention of the alternating current (AC) and other significant contributions to science. His claim that “harnessing the forces of nature was the only worthwhile scientific endeavor" both impressed and enraged the scientific community. Eventually his peers could no longer dismiss his eccentricities and began to view him as a crackpot - a potentially dangerous one.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.

Only Peter Ackroyd can combine narrative and unique observation with a sharp eye for the fascinating fact. His method is to position Shakespeare in the close context of his world. In this way, he not only richly conjures up the texture of Shakespeare’s life, but also imparts an amazing amount of vivid, interesting material about place, period and background.

At the start of the 17th century, Paris was known for a few monuments, but it had not yet put its brand on urban space. Like many European cities, it was still emerging from its medieval past. But within a century, Paris would be transformed into the modern and mythic city we now know. Most people associate the signature characteristics of Paris with the 19th century. Joan DeJean demonstrates that the Parisian model for urban space was in fact invented two centuries earlier, when the first full design for the French capital was implemented.

For more than 400 years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. A ballerina dancing The Sleeping Beauty today is a link in a long chain of dancers stretching back to 16th-century Italy and France: Her graceful movements recall a lost world of courts, kings, and aristocracy, but her steps and gestures are also marked by the dramatic changes in dance and culture that followed.

Renowned as a period of cultural rebirth and artistic innovation, the Renaissance is cloaked in a unique aura of beauty and brilliance. Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit.

The Venetians' language and way of thinking set them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land. This latest work from the incomparable Peter Ackroyd, like a magic gondola, transports its listeners to that sensual and surprising city. His account embraces facts and romance, conjuring up the atmosphere of the canals, bridges, and sunlit squares, the churches and the markets, the festivals and the flowers.