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High as the Waters Rise
- A Novel
- Narrated by: Stefan Rudnicki
- Length: 9 hrs and 38 mins
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Publisher's summary
This National Book Award finalist is a dazzling, heart-rending story of an oil rig worker whose closest friend goes missing, plunging him into isolation and forcing him to confront his past.
One night aboard an oil drilling platform in the Atlantic, Waclaw returns to his cabin to find that his bunkmate and companion, Mátyás, has gone missing. A search of the rig confirms his fear that Mátyás has fallen into the sea.
Grief-stricken, he embarks on an epic emotional and physical journey that takes him to Morocco, to Budapest and Mátyás’s hometown in Hungary, to Malta, Italy, and finally to the mining town of his childhood in Germany. Waclaw’s encounters along the way with other lost and yearning souls - Mátyás’s angry, grieving half-sister; lonely rig workers on shore leave; a truck driver who watches the world change from his driver’s seat - bring us closer to his origins while also revealing the problems of a globalized economy dependent on waning natural resources. High as the Waters Rise is a stirring exploration of male intimacy, the nature of memory and grief, and the cost of freedom - the story of a man who stands at the margins of a society from which he has profited little, though its functioning depends on his labor.
Critic reviews
"In her debut novel, German poet Kampmann touchingly and intimately illustrates the fallout of capitalism’s dependence on oil . . . This is a haunting exploration of the devastating costs all kinds of gig workers have to bear to feed themselves and the belly of the beast." --Booklist
"The story of a man at the edge, a story of displacement and existential loneliness told with restraint . . . A poet’s novel in the richness of its imagery and the exquisiteness of the language." --Library Journal
"A quiet but powerful novel . . . Kampmann’s characters are memorable; her dialogue spare but realistic. Her prose, ably translated by Posten, isn’t showy, but it’s quite pretty and, at times, gorgeous . . . A thoughtful, unsparing look at loss . . . A promising fiction debut with understated but beautiful writing." --Kirkus Reviews
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Story
New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. When a betrayal leaves her stranded in the wake of a coup, Vera learns the Cold War makes for strange and unexpected bedfellows.
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not a whole lot of spycraft just a good story
- By Kirra Krussman on 01-19-19
By: Rosalie Knecht
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The Wapshot Chronicle
- By: John Cheever
- Narrated by: Joe Barrett
- Length: 11 hrs and 51 mins
- Unabridged
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Based in part on Cheever's adolescence in New England, the novel follows the destinies of the impecunious and wildly eccentric Wapshots of St. Botolphs, a quintessential Massachusetts fishing village. Here are the stories of Captain Leander Wapshot, venerable sea dog and would-be suicide; of his licentious older son, Moses; and of Moses' adoring and errant younger brother, Coverly.
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Beautiful 1950s Great Expectations-like Novel
- By Darwin8u on 05-31-13
By: John Cheever
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Out Stealing Horses
- By: Per Petterson
- Narrated by: Richard Poe
- Length: 7 hrs and 9 mins
- Unabridged
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Multiple award-winning author Per Petterson delivers an eloquent, meditative novel. 67-year-old Trond Sander lives secluded in a far corner of Norway. Casting his mind back to 1948, he recalls a horse-stealing prank with his best friend that turned tragic and changed his life forever.
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Quiet and powerful
- By KP on 01-24-10
By: Per Petterson
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The Paper Palace
- A Novel
- By: Miranda Cowley Heller
- Narrated by: Nan McNamara
- Length: 12 hrs and 37 mins
- Unabridged
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It is a perfect July morning, and Elle, a 50-year-old happily married mother of three, awakens at “The Paper Palace” - the family summer place she has visited every summer of her life. But this morning is different: Last night, Elle and her oldest friend, Jonas, crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, Elle will have to decide between the life she has made with her genuinely beloved husband and the life she always imagined she would have had with her childhood love.
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The story has too much child abuse discription
- By DTurek on 07-14-21
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A Happy Death
- By: Albert Camus
- Narrated by: Jefferson Mays
- Length: 4 hrs and 38 mins
- Abridged
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In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.
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Camus Secret Masterpiece
- By Samuel Cohen on 08-03-19
By: Albert Camus
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Hunters in the Dark
- By: Lawrence Osborne
- Narrated by: Stephen Hogan
- Length: 9 hrs and 55 mins
- Unabridged
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From the novelist the New York Times compares to Paul Bowles, Evelyn Waugh, and Ian McEwan, an evocative new work of literary suspense. Adrift in Cambodia, Robert Grieve - pushing 30 and eager to sidestep a life of quiet desperation as a small-town teacher - decides to go AWOL. As he crosses the border from Thailand, he tests the threshold of a new future.
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Graham Greene
- By Foxhuntingman on 02-26-16
By: Lawrence Osborne
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Trashlands
- By: Alison Stine
- Narrated by: Brittany Pressley
- Length: 11 hrs and 14 mins
- Unabridged
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A few generations from now, the coastlines of the continent have been redrawn by floods and tides. Global powers have agreed to not produce any new plastics, and what is left has become valuable: Garbage is currency. In the region-wide junkyard that Appalachia has become, Coral is a “plucker", pulling plastic from the rivers and woods. She’s stuck in Trashlands, a dump named for the strip club at its edge, where the local women dance for an endless loop of strangers and the club's violent owner rules as unofficial mayor.
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Trashlands
- By Richard W. Carlson on 01-10-23
By: Alison Stine