In 1920s Munich, the body of Anna Gross, a young society wife, has been found in the English Gardens, still clothed in finery. Soon a second body is discovered, also a woman of high society. When a third body is found, homicide detective Axel Berg realizes he's dealing with unprecedented evil. Is the murderer politically motivated? Is he a lone madman? Or worse, is the killer possessed by both political and personal demons?

Vermont, 1950. There's a place for the girls whom no one wants - the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming - until one of them mysteriously disappears.... Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death.

When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal.

Maisie Dobbs got her start as a maid in an aristocratic London household when she was thirteen. Her employer, suffragette Lady Rowan Compton, soon became her patron, taking the remarkably bright youngster under her wing. Lady Rowan’s friend, Maurice Blanche, often retained as an investigator by the European elite, recognized Maisie’s intuitive gifts. The outbreak of war changed everything. Ten years after the Armistice, in the spring of 1929, Maisie sets out on her own as a private investigator, one who has learned that coincidences are meaningful, and truth elusive.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Sisters Vera and Marya were brought up as good Soviets: obedient despite hardships of poverty and tragedy, committed to communist ideals, and loyal to Stalin. Several years after fighting on the Eastern front, both women find themselves deep in the mire of conflicts shaping a new world order in 1947 Berlin. When Marya, an interpreter, gets entangled in Vera’s cryptic web of deceit and betrayal, she must make desperate choices to survive—and protect those she loves.

Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".

Private Investigator Smokey Dalton works for Memphis, Tennessee’s black community. He has almost no interaction with the white hierarchy, even though they exist only blocks away. So he’s surprised the day a white woman walks into his Beale Street office. Laura Hathaway has sought him out because he’s a beneficiary in her mother’s will, and Laura wants to know why. So does Smokey. He’s never heard of the Hathaways, but his search will take him on a journey that will change everything he’s ever known.

Young, lovely Norwegian Agnes Gerner is waging a dangerous and secret fight. Outwardly, she is a devoted Nazi sympathizer engaged to a prominent businessman. In fact, she is part of an underground resistance doing everything to win the war against the Germans. The only hope she has of being reunited with the man she truly loves - who serves under the code name "Pilgrim" - is if the Nazis are defeated. Of course, there's no guarantee that she'll be alive when that happens....

In the last days of the First World War, socialist revolution swept across Germany, sending Kaiser Wilhelm into exile and transforming Berlin into a battleground. But for Detective Inspector Nikolai Hoffner and his young assistant, Hans Fichte, the revolution is a mere inconvenience. Four women from the slums of Berlin have turned up dead, all with identical markings etched into their backs, and Hoffner and Fichte have spent the better part of six weeks trying to crack the bizarre case.

It's 1931 in Berlin, and the world is on the precipice of change -- the affluent still dance in their gilded cages but more and more people are living under threat and poverty. Hannah Vogel is a crime reporter forced to write under the male pseudonym Peter Weill. As a widow of the Great War, she's used to doing what she must to survive. Her careful facade is threatened when she stumbles across a photograph of her brother in the Hall of the Unnamed Dead.

In war-torn Yugoslavia, a beautiful young filmmaker and photographer - a veritable hero to her people - and a German officer have been brutally murdered. Assigned to the case is military intelligence officer Captain Gregor Reinhardt. Already haunted by his wartime actions and the mistakes he's made off the battlefield, he soon finds that his investigation may be more than just a murder, and that the late Yugoslavian heroine may have been much more brilliant - and treacherous - than anyone knew.

Chicago, 1923: Ten-year-old Dani Flanagan returns home to find police swarming the house, her parents dead. Michael Malone, the young patrolman assigned to the case, discovers there’s more to the situation—and to Dani Flanagan herself—than the authorities care to explore. Malone is told to shut his mouth, and Dani is sent away to live with her spinster aunts in Cleveland.

Payatas, a 50-acre dump northeast of Manila's Quezon City, is home to thousands of people who live off of what they can scavenge there. It is one of the poorest neighborhoods in a city whose law enforcement is already stretched thin, devoid of forensic resources, and rife with corruption. So when the eviscerated bodies of preteen boys begin to appear in the dump heaps, there is no one to seek justice on their behalf. In the rainy summer of 1997, two Jesuit priests take the matter of protecting their flock into their own hands.

Berlin, between the two world wars. When an executive at the renowned Ufa film studios is found dead floating in his office bathtub, it falls to Nikolai Hoffner, a chief inspector in the Kriminalpolizei, to investigate. With the help of Fritz Lang (the German director) and Alby Pimm (leader of the most powerful crime syndicate in Berlin), Hoffner finds his case taking him beyond the world of film and into the far more treacherous landscape of Berlin's sex and drug trade.