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How to See
- Looking, Talking, and Thinking About Art
- Narrated by: Eric Michael Summerer
- Length: 7 hrs and 26 mins
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Publisher's summary
How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle's incisive essay collection illuminates the work of many of the most influential artists of the 20th century. Engaging with a wide range of Salle's friends and contemporaries - from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others - How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.
Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the listener develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist's eye.
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Critic reviews
“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.” (Salman Rushdie)
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Composer John Cage sought the silence of a mind at peace with itself - and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. "Remarkably researched, exquisitely written", Where the Heart Beats weaves together "a great many threads of cultural history" (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s.
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Mind Expansion
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The Creative Habit
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All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with 32 practical exercises based on the lessons Twyla Tharp has learned in her remarkable 35-year career.
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A much-needed shout-out to good habits
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By: Twyla Tharp
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The History of Western Art
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- Length: 5 hrs and 14 mins
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What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.
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A whirlwind tour of Western art
- By Adeliese Baumann on 11-18-12
By: Peter Whitfield
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Known and Strange Things
- Essays
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- Narrated by: Peter Jay Fernandez
- Length: 12 hrs and 45 mins
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With this collection of more than 50 pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today's most powerful and original voices. Minute after minute, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram.
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A Book that Teaches and Shares
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By: Teju Cole
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Letters to a Young Artist
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From "the most exciting individual in American theater" ( Newsweek), here is Anna Deavere Smith's brass-tacks advice to aspiring artists of all stripes. In the manner of Rilke's Letters to a Young Poet, Deavere Smith mentors her young artist over a period of five years, sharing her hard-won wisdom about the challenges and rewards of the artistic life.
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Great advice for artists of any age.
- By S. Barker on 10-30-17
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An Anthropologist on Mars
- Seven Paradoxical Tales
- By: Oliver Sacks
- Narrated by: Jonathan Davis, Oliver Sacks
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To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.
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SACKS IS AN ABSOLUTE JOY !!
- By Jeff on 09-22-13
By: Oliver Sacks
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The Geography of Genius
- A Search for the World's Most Creative Places from Ancient Athens to Silicon Valley
- By: Eric Weiner
- Narrated by: Eric Weiner
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In The Geography of Genius, acclaimed travel writer Weiner sets out to examine the connection between our surroundings and our most innovative ideas. He explores the history of places, like Vienna of 1900, Renaissance Florence, ancient Athens, Song Dynasty Hangzhou, and Silicon Valley, to show how certain urban settings are conducive to ingenuity.
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Very, very disappointing
- By Tamara Greer on 06-08-16
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From Bauhaus to Our House
- By: Tom Wolfe
- Narrated by: Dennis McKee
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In Tom Wolfe's hands, the strange saga of American architecture in the 20th century makes for both high comedy and intellectual excitement. This is his sequel to The Painted Word, the book that caused such a furor in the art world five years before. Once again Wolfe shows how social and intellectual fashions have determined aesthetic form in our time and how willingly the creators have abandoned personal vision and originality in order to work a la mode.
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So snarky I kept having to back up and repeat
- By Ellen on 04-08-09
By: Tom Wolfe
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The Art Instinct
- Beauty, Pleasure, and Human Evolution
- By: Denis Dutton
- Narrated by: P. J. Ochlan
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The Art Instinct combines two of the most fascinating and contentious disciplines, art and evolutionary science, in a provocative new work that will revolutionize the way art itself is perceived. Aesthetic taste, argues Denis Dutton, is an evolutionary trait, and is shaped by natural selection. It's not, as almost all contemporary art criticism and academic theory would have it, "socially constructed".
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A breath of fresh air!
- By Michael on 02-19-14
By: Denis Dutton
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Six Memos for the Next Millennium
- By: Italo Calvino, Geoffrey Brock - translator
- Narrated by: Edoardo Ballerini
- Length: 3 hrs and 34 mins
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At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity.
By: Italo Calvino, and others
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In Montmartre
- Picasso, Matisse and the Birth of Modernist Art
- By: Sue Roe
- Narrated by: Emma Bering
- Length: 12 hrs and 51 mins
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A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the 20th century. In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris’s famous windmill-topped district.
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Florid narrative history with suspect details
- By Keith on 10-30-19
By: Sue Roe
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How Fiction Works
- By: James Wood
- Narrated by: James Adams
- Length: 5 hrs and 47 mins
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Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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Educational!
- By Don on 05-04-09
By: James Wood
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Art has the power to change our lives. For many, becoming an artist is a lifelong dream. But how to make it happen? In How to Be an Artist, Jerry Saltz, one of the art world’s most celebrated and passionate voices, offers an indispensable handbook for creative people of all kinds. From the first sparks of inspiration - and how to pursue them without giving in to self-doubt - Saltz offers invaluable insight into what really matters to emerging artists: originality, persistence, a balance between knowledge and intuition, and that most precious of qualities, self-belief.
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In this revised and updated edition, Bhandari and Melber show artists how to tackle a host of new challenges. How do you diversify income streams to sustain a healthy art practice? How can you find an alternative to the gallery system? How do you review a license agreement? What are digital marketing best practices? An important resource for gallerists, dealers, art consultants, artist-oriented organizations, and artists alike, Art/Work is the resource that all creative entrepreneurs in the art world turn to for advice.
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What listeners say about How to See
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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Performance
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Story
- Nigel
- 09-19-18
The title felt like a lie
Well, I'd spent the money so I persisted to the end. But it was a slog.
Salle writes authoritatively. He writes with seemingly deep knowledge on modern art history. I appreciated his lucid and intelligent writing. I enjoyed his humorous use of metaphor.
Unfortunately for me, I was hoping for content that was consistent with the title. Perhaps a framework for seeing. Perhaps some timeless truths on tools for exploring the products of visual artists. Is there a general way to reach into visual art that would allow viewers to get the most out of what is presented? If that is what you are looking for then the book will likely disappoint you too.
The book needed a conceptual framework - a core thesis, carefully developed and laid out. This would have provided a great way to make use of Salle's undoubted knowledge and experience. With this, I would have felt less deceived by the title. Instead, the book had an unusual feel. It was not short on content. But it was like a personally curated encyclopaedia of modern art history mashed up with personal anecdotes. Much of the content was biographical on the large number of artists talked about. A surprising amount of the content was autobiographical. As audiobook it naturally comes without the support of images. The cataloguing of Salle's responses to dozens of artists' bodies of work requires a persistent listener.
The second big let down was the extent to which numerous responses contained put-downs of the work of other artists. These did not cast the author as an objective, dispassionate, nor compassionate member of his profession.
A more accurate title would not have tempted me to buy. Then I wouldn't have had to write this review. Sorry, David, but the title felt like a lie.
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- Denise
- 04-14-20
Not for the novice
I have been listening to a great number of audio books in my studio and I almost passed this one over because of some of the reviews. I am glad that I didn't. I have also made the mistake of using reviews here to guide me into books that I felt compelled to finish after purchasing but slightly resented having in my ear. To be brief - this book is not for the unschooled hobbyist artist looking for motivation or stepping up their creative game (plenty of those getting 5 stars).
It does provide an interesting perspective for the devoted practitioner who is wrestling with the trends in the last 70 years in contemporary art. It is a take from a painter who was apart of the insurrection of conceptual art via the inaugural CalArts class user the tutelage of Baldessari onwards through the decades. This isn't a luddite painting defense, but a perspective that is subjective, open and informed by decades of real experience both making work and consuming work, and knowing the players personally (artists, dealers, and collectors). I am glad to have it now and wish I had had this when I was in undergrad over 20 years ago (if it had existed). It is a nice counter in some ways to the recent books about the explosive contemporary art market, and from the critics (not that those aren't good too). Hope this helps!
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15 people found this helpful
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- johnprestonchandler
- 07-29-24
For grad students and fellow art critics only
I had hoped for something more like Will Gompertz’ “What are you looking at?” This is not that. More like an in-house work for fellow critics. Did not advance my hunger to learn how to interpret and experience contemporary and modern art.
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- Cayenne
- 08-26-18
Bored to tears
If there was any entertaining info or story it was buried in polysyllabic pufferie .The writer overused his Thesaurus on steriods so much it became to boring and hard to follow.
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8 people found this helpful