How to Write Pulp Fiction
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Narrated by:
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Virtual Voice
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By:
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James Scott Bell
This title uses virtual voice narration
About this listen
That was the formula of old-school pulp fiction—plot-driven, popular and gobbled up by a reading public hungry for more. And it produced many writers who hammered out a living selling “cash-and-carry” stories and novels. Some of these writers were among the best America has ever produced. Writers like Raymond Chandler, Dashiell Hammett and John D. MacDonald. Others are numbered among the bestselling authors of all time, including Erle Stanley Gardner, Lester Dent, and Frederick Faust (better known by his pen name, Max Brand). What were the secrets of these successful pulp writers? And how can any writer, of any genre, use them to produce fiction that sells? How to Write Pulp Fiction will teach you: • how to be more prolific • the secrets of pulp plotting • how to elevate your pulp prose • the fiction “formulas” of some of the best pulp writers of all time • the bestselling genres • how to harness the power of the series character • the most effective publishing strategies • how to market your pulp fiction Added bonus! The Start-A-Plot Machine, a brainstorming partner that will help you instantly generate a story or novel idea. You’ll never again wonder what to write next. There has never been a better time to be a writer. By tapping into the vibe of the pulp writers of old, and making use of the tools of publication available now, any hard-working writer has a serious shot at realizing steady income from their fiction. “James Scott Bell is my go-to writing guru!” - Terri Blackstock, New York Times bestselling writer
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Show, don't tell is probably the single most important piece of advice given to writers. But many writers struggle to understand this powerful principle or have difficulty applying it to their own work. Even experienced authors sometimes don't grasp the finer nuances of showing and telling. In this book, Sandra Gerth draws on her experience as an editor and a best-selling author to show you how to show and tell you when to tell.
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A Great Teaching Tool
- By Ann McCambridge on 10-06-22
By: Sandra Gerth
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How to Write Short Stories And Use Them to Further Your Writing Career
- By: James Scott Bell
- Narrated by: Virtual Voice
- Length: 2 hrs and 59 mins
- Unabridged
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Now, learn the master key for writing great short stories, and the strategies for using them to advance your writing career As most writers will tell you, the hardest fiction form to master is the short story. To be successful, a short story needs to have "emotional wallop," and in under 7,000 words. Not easy to do. In this book, #1 bestselling writing teacher James Scott Bell explains the essential ingredient for a successful short story, no matter the genre. He shows how any writer—whether planner or "pantser"—can use this key to unlock infinite story possibilities. And turn readers ...
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Superb
- By Tony D. Bible on 10-07-24
By: James Scott Bell
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The Fantasy Fiction Formula
- By: Deborah Chester
- Narrated by: Tanya Eby
- Length: 9 hrs and 12 mins
- Unabridged
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There's more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels.
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Ended up buying the paperback version
- By Brianna Burnings on 04-20-21
By: Deborah Chester
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Refuse to Be Done
- How to Write and Rewrite a Novel in Three Drafts
- By: Matt Bell
- Narrated by: Matthew Boston
- Length: 3 hrs and 44 mins
- Unabridged
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They say writing is rewriting. So why does the second part get such short shrift? Refuse to Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger.
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many great tips
- By lauren on 06-30-24
By: Matt Bell
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The Last Fifty Pages
- The Art and Craft of Unforgettable Endings
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 48 mins
- Unabridged
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What are the secrets for writing a great ending for your novel? How do you leave readers so satisfied that they'll want another book by you, right now? What tools and techniques can shape your last 50 pages into a powerful, unforgettable experience? Listen to this audiobook, and you will come away with a thorough knowledge of why great endings work and how to create them for every novel you write.
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Not Great and Out Of Touch With The Times
- By Joseph Blackhurst on 12-22-20
By: James Scott Bell
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Stein on Writing
- A Master Editor Shares His Craft, Techniques, and Strategies
- By: Sol Stein
- Narrated by: Christopher Lane
- Length: 11 hrs and 17 mins
- Unabridged
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Stein on Writing provides immediately useful advice for writers of fiction and nonfiction, whether newcomers or accomplished professionals. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of usable solutions, how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."
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Excellent advice and examples for better writing.
- By Jane on 06-22-12
By: Sol Stein
What listeners say about How to Write Pulp Fiction
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Karl Anderson
- 03-11-24
A rare look at an underestimated genre.
I wish there were more books on craft that focus on the pulp writers. These guys from the golden age were two fisted literary punk rock.
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- Fred
- 10-24-24
Write fast, write hard.
Things I liked about the book were "write fast, write hard." I also enjoyed the witty banter that reminded me of the film noir era. Also, although, it was genre-specific, the author gave some structure to start with for writing a book. For some of us, that can be helpful. I know creative types will press others to push the paint around, so to speak, with the mantra "just write," but will then critique what is missing. I don't recommend rigidly adhering to the rules, but the author mentions the structure is just a place to start. The structure was focused on crime fiction, but that makes sense since most pulp fiction was in the crime genre (to my knowledge).
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- Thomas Van Boening
- 01-23-24
These virtual voice narrators are not it.
Great advice. Would have enjoyed hearing Mr. Bell give it himself, as he has before.
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- Matt Rifley
- 02-15-24
Good book, bad robot reading
Really good info and well written! BUT- the robot voice reads a LOT of words wrong. For example: does (reads as the animal / female deer) instead of does (does that make sense?).
l think all books read by ai should be free because they can't get the nuances of actual reading.
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- PhoenixMark
- 07-11-24
Poor AI voice.
Always great advice from Mr. Bell. Lots of insights from many famous and prolific pulp authors.
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- Anonymous User
- 07-22-24
AI voice isn’t bad… but book is good for any die hard pulp fans!
Not sure why the author didn’t take a couple hours to read his own book. But as a big pulp buff, I enjoyed his hard-boiled lessons on writing… so much of what he said rings true for my favorite authors of the genre, including contemporary writers like Brubaker.
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