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How to Write Pulp Fiction
- Narrated by: Virtual Voice
- Length: 2 hrs and 29 mins
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Publisher's summary
That was the formula of old-school pulp fiction—plot-driven, popular and gobbled up by a reading public hungry for more. And it produced many writers who hammered out a living selling “cash-and-carry” stories and novels. Some of these writers were among the best America has ever produced. Writers like Raymond Chandler, Dashiell Hammett and John D. MacDonald. Others are numbered among the bestselling authors of all time, including Erle Stanley Gardner, Lester Dent, and Frederick Faust (better known by his pen name, Max Brand). What were the secrets of these successful pulp writers? And how can any writer, of any genre, use them to produce fiction that sells? How to Write Pulp Fiction will teach you: • how to be more prolific • the secrets of pulp plotting • how to elevate your pulp prose • the fiction “formulas” of some of the best pulp writers of all time • the bestselling genres • how to harness the power of the series character • the most effective publishing strategies • how to market your pulp fiction Added bonus! The Start-A-Plot Machine, a brainstorming partner that will help you instantly generate a story or novel idea. You’ll never again wonder what to write next. There has never been a better time to be a writer. By tapping into the vibe of the pulp writers of old, and making use of the tools of publication available now, any hard-working writer has a serious shot at realizing steady income from their fiction. “James Scott Bell is my go-to writing guru!” - Terri Blackstock, New York Times bestselling writer
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As practical as it is inspiring, The Art of Creative Writing remains a timeless, illuminating guide that teaches every writer, and aspiring writer, how to create works that are both compelling and enduring.
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Raging misogynist
- By Jessica Estey on 10-18-24
By: Lajos Egri
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Write Your Novel from the Middle
- A New Approach for Plotters, Pantsers and Everyone in Between
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 4 mins
- Unabridged
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what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process...Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life.
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Bell's excellent advice, less well conveyed
- By Jennifer on 09-14-20
By: James Scott Bell
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The Emotional Craft of Fiction
- How to Write the Story Beneath the Surface
- By: Donald Maass
- Narrated by: Timothy Andrés Pabon
- Length: 7 hrs and 36 mins
- Unabridged
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While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: If you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you. That's where The Emotional Craft of Fiction comes in. Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers.
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Read this if you're a writer
- By Reed Ramlow on 08-08-20
By: Donald Maass
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Super Structure
- The Key to Unleashing the Power of Story
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 3 hrs and 9 mins
- Unabridged
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Super Structure represents over two decades of research on what makes a novel or screenplay entertaining, commercial, original, and irresistible. Contrary to what some may think, structure is not a nasty inhibitor of creativity. Quite the opposite. Properly understood and utilized, structure is what translates story into a form audiences are wired to receive it.
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Help for crafting a great story
- By Robin on 01-09-21
By: James Scott Bell
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The Secrets of Story
- Innovative Tools for Perfecting Your Fiction and Captivating Readers
- By: Matt Bird
- Narrated by: Eric Michael Summerer
- Length: 12 hrs and 2 mins
- Unabridged
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The Secrets of Story is a revolutionary and comprehensive writing guide for the 21st century, focused on clever ways to get an audience to fully identify with an all-too-human hero. Authors will learn to how to cut through pop culture noise and win over a jaded modern audience by rediscovering the heart of writing: shaping stories that ring true to our shared understanding of human nature.
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Good Story Impossible? 'Au Contraire'!
- By Gillian on 05-26-17
By: Matt Bird
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The Storytellers
- Straight Talk from the World’s Most Acclaimed Suspense and Thriller Authors
- By: Mark Rubinstein
- Narrated by: Robertson Dean, Simon Vance, Kirsten Potter, and others
- Length: 9 hrs and 43 mins
- Unabridged
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Have you ever read a suspense novel so good you had to stop and think to yourself, "How did the author come up with this idea? Their characters? Is some of this story real?" For more than five years, Mark Rubinstein, physician, psychiatrist, and mystery and thriller writer, had the chance to ask the most well-known authors in the field just these kinds of questions in interviews for the Huffington Post. Collected here are interviews with 47 accomplished authors, including Michael Connelly, Ken Follett, Meg Gardiner, Dennis Lehane, Laura Lippman, and Don Winslow.
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Above rating categories don’t really apply…
- By RueRue on 07-23-21
By: Mark Rubinstein
What listeners say about How to Write Pulp Fiction
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Karl Anderson
- 03-11-24
A rare look at an underestimated genre.
I wish there were more books on craft that focus on the pulp writers. These guys from the golden age were two fisted literary punk rock.
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- Fred
- 10-24-24
Write fast, write hard.
Things I liked about the book were "write fast, write hard." I also enjoyed the witty banter that reminded me of the film noir era. Also, although, it was genre-specific, the author gave some structure to start with for writing a book. For some of us, that can be helpful. I know creative types will press others to push the paint around, so to speak, with the mantra "just write," but will then critique what is missing. I don't recommend rigidly adhering to the rules, but the author mentions the structure is just a place to start. The structure was focused on crime fiction, but that makes sense since most pulp fiction was in the crime genre (to my knowledge).
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- Thomas Van Boening
- 01-23-24
These virtual voice narrators are not it.
Great advice. Would have enjoyed hearing Mr. Bell give it himself, as he has before.
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- Matt Rifley
- 02-15-24
Good book, bad robot reading
Really good info and well written! BUT- the robot voice reads a LOT of words wrong. For example: does (reads as the animal / female deer) instead of does (does that make sense?).
l think all books read by ai should be free because they can't get the nuances of actual reading.
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- PhoenixMark
- 07-11-24
Poor AI voice.
Always great advice from Mr. Bell. Lots of insights from many famous and prolific pulp authors.
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- Anonymous User
- 07-22-24
AI voice isn’t bad… but book is good for any die hard pulp fans!
Not sure why the author didn’t take a couple hours to read his own book. But as a big pulp buff, I enjoyed his hard-boiled lessons on writing… so much of what he said rings true for my favorite authors of the genre, including contemporary writers like Brubaker.
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