How to Write Pulp Fiction
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Narrated by:
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Virtual Voice
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By:
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James Scott Bell
This title uses virtual voice narration
About this listen
That was the formula of old-school pulp fiction—plot-driven, popular and gobbled up by a reading public hungry for more. And it produced many writers who hammered out a living selling “cash-and-carry” stories and novels. Some of these writers were among the best America has ever produced. Writers like Raymond Chandler, Dashiell Hammett and John D. MacDonald. Others are numbered among the bestselling authors of all time, including Erle Stanley Gardner, Lester Dent, and Frederick Faust (better known by his pen name, Max Brand). What were the secrets of these successful pulp writers? And how can any writer, of any genre, use them to produce fiction that sells? How to Write Pulp Fiction will teach you: • how to be more prolific • the secrets of pulp plotting • how to elevate your pulp prose • the fiction “formulas” of some of the best pulp writers of all time • the bestselling genres • how to harness the power of the series character • the most effective publishing strategies • how to market your pulp fiction Added bonus! The Start-A-Plot Machine, a brainstorming partner that will help you instantly generate a story or novel idea. You’ll never again wonder what to write next. There has never been a better time to be a writer. By tapping into the vibe of the pulp writers of old, and making use of the tools of publication available now, any hard-working writer has a serious shot at realizing steady income from their fiction. “James Scott Bell is my go-to writing guru!” - Terri Blackstock, New York Times bestselling writer
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Creative flow has blessed me with 39 novels that have collectively sold over 5 million copies, in sixteen languages, in under eight years, earning me over $10 million and over fifty spots on The New York Times, Wall Street Journal, USA Today, and foreign bestselling lists. All of my dreams came true because I learned to write amazing fiction. I wrote this book for the old me—the girl who had big dreams, but no real idea how to write the books she’d need to make those big dreams come true. I wanted to make it easier for her to get to where I am now by sharing what I learned along the way.
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Where's the Bread?
- By a a on 07-02-23
By: Meghan March
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The Emotional Craft of Fiction
- How to Write the Story Beneath the Surface
- By: Donald Maass
- Narrated by: Timothy Andrés Pabon
- Length: 7 hrs and 36 mins
- Unabridged
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While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: If you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you. That's where The Emotional Craft of Fiction comes in. Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers.
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Read this if you're a writer
- By Reed Ramlow on 08-08-20
By: Donald Maass
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How to Successfully Self-Publish a Book on Amazon & Audible
- How to Build a Profitable Self-Publishing Business
- By: Richard Abbott
- Narrated by: Khari Khalil
- Length: 2 hrs and 30 mins
- Unabridged
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Are you looking for a side hustle to bring you an online income? "Passive income" is a word that gets thrown around often nowadays. The truth is that no income is truly passive, but with that said, Publishing books on Amazon & Audible is by far the closest thing to truly passive income today in the online business world. This course takes you from A-Z on KDP for high-content publishing, from showing you to outsource the content of your book to running your ads and maintaining them well, all will be covered.
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Great Information
- By La Tefy Schoen on 11-14-23
By: Richard Abbott
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The Author's Checklist
- An Agent's Guide to Developing and Editing Your Manuscript
- By: Elizabeth K. Kracht
- Narrated by: Nan McNamara
- Length: 4 hrs and 45 mins
- Unabridged
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Over time, literary agent Elizabeth Kracht noticed that many submissions had similar problems, so she began to make a list of the pitfalls. She knew that even excellent projects could be rejected based on these surmountable issues because those on the receiving end of proposals most often don’t have the time to walk writers through needed adjustments. The checklist Kracht has created helps writers make their manuscripts good to go. It offers short, easy-to-implement bites of advice, illustrated by inspiring - and cautionary - real-world examples.
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Writing Fiction, Tenth Edition
- A Guide to Narrative Craft
- By: Janet Burroway, Elizabeth Stuckey-French, Ned Stuckey-French
- Narrated by: Laural Merlington
- Length: 9 hrs and 52 mins
- Unabridged
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A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades, it has helped hundreds of thousands of students learn the craft.
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Great content!
- By Noa on 09-20-19
By: Janet Burroway, and others
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The Last Fifty Pages
- The Art and Craft of Unforgettable Endings
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 48 mins
- Unabridged
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What are the secrets for writing a great ending for your novel? How do you leave readers so satisfied that they'll want another book by you, right now? What tools and techniques can shape your last 50 pages into a powerful, unforgettable experience? Listen to this audiobook, and you will come away with a thorough knowledge of why great endings work and how to create them for every novel you write.
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Not Great and Out Of Touch With The Times
- By Joseph Blackhurst on 12-22-20
By: James Scott Bell
What listeners say about How to Write Pulp Fiction
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Karl Anderson
- 03-11-24
A rare look at an underestimated genre.
I wish there were more books on craft that focus on the pulp writers. These guys from the golden age were two fisted literary punk rock.
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- Fred
- 10-24-24
Write fast, write hard.
Things I liked about the book were "write fast, write hard." I also enjoyed the witty banter that reminded me of the film noir era. Also, although, it was genre-specific, the author gave some structure to start with for writing a book. For some of us, that can be helpful. I know creative types will press others to push the paint around, so to speak, with the mantra "just write," but will then critique what is missing. I don't recommend rigidly adhering to the rules, but the author mentions the structure is just a place to start. The structure was focused on crime fiction, but that makes sense since most pulp fiction was in the crime genre (to my knowledge).
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- Thomas Van Boening
- 01-23-24
These virtual voice narrators are not it.
Great advice. Would have enjoyed hearing Mr. Bell give it himself, as he has before.
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- PhoenixMark
- 07-11-24
Poor AI voice.
Always great advice from Mr. Bell. Lots of insights from many famous and prolific pulp authors.
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- Anonymous User
- 07-22-24
AI voice isn’t bad… but book is good for any die hard pulp fans!
Not sure why the author didn’t take a couple hours to read his own book. But as a big pulp buff, I enjoyed his hard-boiled lessons on writing… so much of what he said rings true for my favorite authors of the genre, including contemporary writers like Brubaker.
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- Matt Rifley
- 02-15-24
Good book, bad robot reading
Really good info and well written! BUT- the robot voice reads a LOT of words wrong. For example: does (reads as the animal / female deer) instead of does (does that make sense?).
l think all books read by ai should be free because they can't get the nuances of actual reading.
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