
I Don’t Care about Your Band
What I Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I’ve Dated
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Narrated by:
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Julie Klausner
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By:
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Julie Klausner
In the tradition of Cynthia Heimel and Chelsea Handler, and with the boisterous iconoclasm of Amy Sedaris, Julie Klausner's candid and funny debut I Don't Care about Your Band sheds light on the humiliations we endure to find love - and the lessons that can be culled from the wreckage.
I Don't Care about Your Band posits that lately the worst guys to date are the ones who seem sensitive. It's the jerks in nice guy clothing, not the players in Ed Hardy, who break the hearts of modern girls who grew up in the shadow of feminism, thinking they could have everything, but end up compromising constantly. The cowards, the kidults, the critics, and the contenders: these are the stars of Klausner's memoir about how hard it is to find a man - good or otherwise - when you're a cynical grown-up exiled in the dregs of Guyville.
Off the popularity of her New York Times "Modern Love" piece about getting the brush-off from an indie rock musician, I Don't Care about Your Band is marbled with the wry strains of Julie Klausner's precocious curmudgeonry and brimming with truths that anyone who's ever been on a date will relate to. Klausner is an expert at landing herself waist-deep in crazy, time and time again, in part because her experience as a comedy writer (Best Week Ever, "TV Funhouse" on SNL) and sketch comedian from NYC's Upright Citizens Brigade fuels her philosophy of how any scene should unfold, which is, "What? That sounds crazy? Okay, I'll do it."
I Don't Care about Your Band charts a distinctly human journey of a strong-willed but vulnerable protagonist who loves men like it's her job, but who's done with guys who know more about love songs than love. Klausner's is a new outlook on dating in a time of pop culture obsession, and she spent her 20s doing personal field research to back up her philosophies. This is the girl's version of High Fidelity.
By turns explicit, funny, and moving, Klausner's debut shows the evolution of a young woman who endured myriad encounters with the wrong guys, to emerge with real- world wisdom on matters of the heart. I Don't Care about Your Band is Julie Klausner's manifesto, and every one of us can relate.
©2010 Julie Klausner (P)2012 Audible, Inc.Listeners also enjoyed...




















Loved it!
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The way is the destination
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too much "culture" for me
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What did you love best about I Don’t Care about Your Band?
I liked the anecdotes. The stories were cohesive, relevant and nostalgic. I don't think I stopped the audiobook once I pressed Play.What did you like best about this story?
Talking about her connection to Miss Piggy.Have you listened to any of Julie Klausner’s other performances before? How does this one compare?
I have not.Did you have an extreme reaction to this book? Did it make you laugh or cry?
I have laughed in places, but I couldn't point to any specific passage. The story is more of one that makes me think that my life isn't the greatest, but it isn't so bad, either.Glad I gave it a shot!
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Would you be willing to try another book from Julie Klausner? Why or why not?
I enjoyed her telling, but she was a bit unsympathetic in her pathological sexual hookups.There was a clash with how good a writer she is and what pathetic situations she would set herself up in/how judgmental she was of other twenty-somethings trying to find out who they are.
I would give her another chance, because this was witty writing - subject matter is very raunchy, and not in a sexy way - not for everyone.
pretty raunchy
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First of all: the book is both written and narrated in a very close up, witty and informal manner which really drew me in from the start. It felt like I was sitting in a coffee shop on a Saturday afternoon with one of my funnier girlfriends, listening to her dish about her unfortunate love life. (This setup could either go very well or go terribly wrong, mind you...).
However, secondly and thankfully: Klausner is funny! No dramatic accounts, but what the Dutch like to call sweet/sour stories. Stories that make you see the absurd and comical in "common", sometimes sad, situations. Klausner delivers these stories with a great sense of comedic timing which made me both cringe and laugh out loud.
Third and most important of all, Klausner really knows how to juggle with words. I love it when books have (for lack of a better description) a balanced sequence of both words and sentences. This book felt a lot like that. Nice sentences, nice rhythm. Makes you want to read it on paper after you've heard it. Since I'm no writer, that's the best I can explain it. Nicely written.
So you're sitting over a latte with you're pal Klausner and she tells you all about these guys she's dated.. Sometimes she's pretty harsh and she tends to be a bit heavy handed with the gay and lesbian references (not in a negative way)... but she's funny, so you're laughing.
However, it is a pretty one sided conversation and Klausner's cleverly phrased stories may prompt you to hit the pause more than once or to go back 'cause you just missed on of the many jokes she's able to fit in a single sentence, but heck... You asked to be entertained and if that's what you're after, this will be a credit well spent!
One quick word of warning: her fast pace will keep you on your toes and sometimes it might tend to the frantic.
Four stars! Yay!
The morning after: Coffee with Klausner
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Very Funny
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I loved reading this book, and laughed out loud most of the time, though I don't find stories of trying to succeed with the most disconnected, unattractive and unavailable men to be encouraging. But I think for some women, this is the way it is, and Klausner writes with the kind of detachment that sheds humor on an otherwise bleak situation. Over the course of her life, she has certainly developed much material.
I have no idea of Klausner's age, but haven't women already given up on having a man at all costs? I think, at least in my universe, partnering should be for enhancement of one's life, and not a liability, with which one must "deal". But many still think that for both economic and social reasons, at all costs, it's better to be a couple and pay the price. If a guy isn't adding to your life experiences, but instead comes with so many workarounds and glitches that must constantly be dealt with, why invest the time? Why complicate things, by bringing in men who disappoint on so many levels, major and minor, and why not simply choose to remain unattached?
I am presumably from an older generation than Klausner, but I could relate to many of the situations she encounters, and to her attempted connections with men that have gone way past their "sell by" date. One gets the impression that there are huge and damaging costs to bringing a damaged man into one's life. There are far worse things than being alone - i.e. having to maintain a "relationship" that is an encumbrance rather than an asset.
And just to satisfy affirmative action, the gender roles could easily be switched, and a similar hilarious romp could be written by a man. But whining and ranting about women is not considered especially "appropriate" in our current cultural climate, and I don't think such whines would sell.
Though I found the circumstances rather extreme in some cases, and couldn't relate to all stories, I still enjoyed reading this, and laughed all the time I was listening.
Shopping for Men at the Wrong Mall
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What made the experience of listening to I Don’t Care about Your Band the most enjoyable?
Delicious snark!!!!!! As good as the opening chapters of Gone Girl and almost exactly the same knowing voice--I even thought it was the same narrator. MUCH better than Chelsea Handler. Where has Julie Klausner been all my life?The description of the Midwestern guy (early in the book) who is missing something in his emotional makeup (compared to people from other subcultures) was the first time I ever heard anyone "get it" as far as the difference in emotional tenor with Midwesterners. I'm originally from the South, so you'd think I'd have little in common with a Jewish woman form New York, but when it comes to emotional expressiveness and tenor I was right there with her when she described the Midwestern guy as "warm with a gust of cold."
The Miss Piggy and Kermit description was right on target, and so original.
This book is not just about dating adventures (like many other books are). This one is far beyond its book-alikes (Chelsea Handler) in that Klausner has very sharp, important, and deep insights. Oh, I can't do it justice. She figures things out that the rest of us have noticed but couldn't quite articulate.
Also, I think she was right on about the two types of women and what kind of fathers they had. This book is piled full of important insights like that.
I will wait on the edge of my seat for anything and everything else Klausner writes.
Who was your favorite character and why?
Klausner herself. Because she wears her heart on her sleeve and thinks that's an OK way to be (unlike the cold and reserved characters who guard their hearts) and she gets bruised and doesn't mind telling us all about it. But much more than that, because she has insight into what happened and can explain it to the rest of us bewildered daters.What about Julie Klausner’s performance did you like?
I thought it was the same narrator from Gone GIrl, who also has just the right inflection and tone when reading the snarky parts. YUM! Just the right amount of knowingness and snark.If you were to make a film of this book, what would be the tag line be?
Admit it. You've dated him. Grab your friends and come laugh about it, 'cause they have too.Any additional comments?
No one should read this in print. Everyone should listen to the audiobook.HILARIOUS!!!
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fun but disappointing
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