Attempting to escape his abusive father and generations of cyclical poverty, young Jonah Hargrove joins the mysterious River - a teenage girl carrying thousands of dollars in stolen meth - and embarks on a Southern Gothic odyssey through the East Texas river bottoms. They are pursued by local drug kingpin, John Curtis, and his murderous enforcer, Dakota Cade, with whom River was romantically involved. But Cade and Curtis have their own enemies, as their relationship with the cartel controlling their meth supply begins to sour.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon, they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And like Shana, there are other "shepherds" who follow the flock to protect their friends and family on the long dark road ahead.

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

Joshua Mason has been alive for thousands of years. He doesn't know how or why it happened, only that he can die like any man, but will always return. When you live forever, everything you love will die, so he decided long ago to not become attached. That all changed when he met Doreen. With her, he found something more than the woman he loves, after thousands of years of wandering, he found his place in the world. Now she's dying of old age. Distraught, Joshua promises to look after Charlie, Doreen's grandson, who is thirty-six, but forever a child due to a terrible brain injury.

In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the projects of “Southie,” the Irish American enclave that stubbornly adheres to tradition and stands proudly apart. One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. Mary Pat, propelled by a desperate search for her daughter, begins turning over stones best left untouched.

Ex-trailer trash. Ex-res. Dishonorably discharged ex-Force Recon Marine and MP. Ex-con. Ex-biker. Ex-FBI informant. Ex-wrestler. It’s a lot of x’s to have by your name. It can give you a bad attitude, and it is not a good resume for most walks of American life. But it’s not a bad career track at all for a fixer in Los Angeles, and if the name of the new job is surviving the end of the world? Put it this way. Staying alive in the post-apocalypse can be a real bitch. Sometimes it takes a real bastard.

Since the turn of the century, a generation has come of age knowing only war, recession, political gridlock, racial hostility, and a simmering fear of environmental calamity. In the country’s forgotten pockets, where industry long ago fled, where foreclosures, Walmarts, and opiates riddle the land, death rates for rural whites have skyrocketed, fueled by suicide, addiction, and a rampant sense of marginalization and disillusionment. This is the world the characters in Stephen Markley’s brilliant debut novel, Ohio, inherit. This is New Canaan.

Richard Dane has killed a man. He cannot unhear the firing of the gun or unsee the blood on his living room wall. But everybody in the small town of LaBorde, Texas, knows Dane acted in self-defense. Everybody except Ben Russel, the ex-con father of the small-time criminal who invaded Dane's home. When Russel comes looking for revenge against Dane's family, the two are unexpectedly drawn into a conspiracy that conceals the vilest of crimes.

The Five features a rock band skirting the margins of success while touring the American Southwest. Life on the road, however, takes a strange turn when they encounter an Iraq War veteran. Soon thereafter, violence descends on the group, and their lives are tuned to a terrifying pitch.

Most of the men are dead. Three years after the pandemic known as The Manfall, governments still hold and life continues - but a world run by women isn't always a better place. Twelve-year-old Miles is one of the last boys alive, and his mother, Cole, will protect him at all costs. On the run after a horrific act of violence - and pursued by Cole's own ruthless sister, Billie - all Cole wants is to raise her kid somewhere he won't be preyed on as a reproductive resource or a sex object or a stand-in son.

When the corporate monolith PortSys brought porting to the masses, CEO Emilia Kirsch and her son, Jason, accomplished what every other start-up company had failed to deliver. They really did change the world. They reversed climate change. They created a multitrillion-dollar industry out of thin air, curing economic woes across the globe. They made it so that anyone could be anywhere simply by touching a screen...including the man who murdered Sarah Huff. Now, Sarah’s 17-year-old sister, Anna, is determined to hunt the bastard down. But there are a few problems.

A comet, red and smiling with jagged teeth, flashes across the sky. People try to leave but find they are trapped by some acidic goo surrounding the entire drive-in. They grow hungry, homicidal, and suicidal. Then along comes the Popcorn King, a jiving, rhyming creature formed by blue-white lightning, with four arms and a popcorn bucket on its head.

After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.