It is in 1950s Brighton that Marion first catches sight of Tom. He teaches her to swim, gently guiding her through the water in the shadow of the city's famous pier, and Marion is smitten - determined her love alone will be enough for them both. A few years later, near the Brighton Museum, Patrick meets Tom. Patrick is besotted, and opens Tom's eyes to a glamorous, sophisticated new world of art, travel, and beauty. The two lovers must share him, until one of them breaks and three lives are destroyed.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.

In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that homosexuality, which is a crime at the time, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage, there is a third party: John has a lover, a working-class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudoreligious dogma of Zen-infused self-help.

Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song. In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he's come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past.

A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national best seller The Cabin at the End of the World and A Head Full of Ghosts. A masterful anthology featuring 19 pieces of short fiction, Growing Things and Other Stories is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination.

A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire.

It is 2015, weeks after the Supreme Court marriage equality ruling. A high school art history teacher, Sebastian Mote envies his queer students and their freedom to live openly the youth he lost to fear and shame. When he runs into his childhood friend Oscar Burnham at a wedding in Washington, DC, he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in more than a decade. But Oscar has no interest in their shared history, nor in the sense of belonging Sebastian craves. Instead, he’s outraged by what he sees as the death of gay culture.

Augustus Everett is an acclaimed author of literary fiction. January Andrews writes best-selling romance. When she pens a happily ever after, he kills off his entire cast. They’re polar opposites. In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block.

Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago.

Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec—a young villager possessed of remarkable passion and self-knowledge.

In visceral prose, Brorby recounts his upbringing in the coalfields; his adolescent infatuation with books; and how he felt intrinsically different from other boys. Now an environmentalist, Brorby uses the destruction of large swathes of the West as a metaphor for the terror he experienced as a youth. From an assault outside a bar in an oil boom town to a furtive romance, and from his awakening as an activist to his arrest at the Dakota Access Pipeline, Boys and Oil provides a startling portrait of an America that persists despite well-intentioned legal protections.

From Katherine St. John, author of The Lion's Den, comes another sublimely escapist thriller: When Hollywood heartthrob Cole Power hires his ex-wife, Stella Rivers, to act in his son's film, he sparks a firestorm on an isolated island that will unearth long-buried secrets - and unravel years of lies.

From the secret reels of a notoriously cursed cinematic masterpiece to the debauched livestreams of modern movie junkies who will do anything for clicks, Final Cuts brings together new and terrifying stories inspired by the many screens we can't peel our eyes away from. Inspired by the rich golden age of the film and television industries as well as the new media present, this new anthology reveals what evils hide behind the scenes and between the frames of our favorite medium.

A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national best seller The Cabin at the End of the World and A Head Full of Ghosts. A masterful anthology featuring 19 pieces of short fiction, Growing Things and Other Stories is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination.

When she arrived in New York on her eighteenth birthday carrying nothing but $600 cash and a stolen camera, Alice Lee was looking for a fresh start. Now, just one month later, she is the city’s latest Jane Doe. She may be dead but that doesn’t mean her story is over. Meanwhile, Ruby Jones is also trying to reinvent herself. After travelling halfway around the world, she’s lonelier than ever in the Big Apple. Until she stumbles upon a woman’s body by the Hudson River, and suddenly finds herself unbreakably tied to the unknown dead woman.

Mira is a mermaid on a mission. It’s time to leave the ocean. Mira Belshaw has been at sea for...well, she doesn’t know how many years. It’s hard to keep track of time when you live in the ocean. But after enough time, the salt water triggers the desire to procreate, and her time is up. Finding a mate is the most important thing to her right now, and to do that, she has to return to the place where she was last human - the coastal city of Saltford.

Recently laid-off from his newspaper and desperate for work, war correspondent Nick Bishop takes a humbling job: writing a profile of a new mindfulness app called Clarity. It’s easy money, and a chance to return to his hometown for the first time in years. The app itself seems like a retread of old ideas — relaxing white noise and guided meditations. But then there are the “Sleep Songs.” A woman’s hauntingly beautiful voice sings a ballad that is anything but soothing — it’s disturbing, and more of a warning than a relaxation — but it works.

Reporter Eva Heart is sent to Cloud Lake to write an exposé on flying saucer sightings, a subject she is extremely familiar with. Nearly 20 years ago, Eva, then known as Jessica Carver, went missing, only to appear a week later, confused and frightened. A man went to jail for the crime. Now Eva must face demons from her past as she meets both old and new friends along the way. Will her real identity be exposed? Can history truly repeat itself?

Helicity is well aware her name is unusual - kind of like Helicity herself. The word 'helicity' means to spin, and for as long as she can remember, Helicity has been fascinated by the weather. The weather is Helicity's escape from her own reality - be it school, her father's strict discipline, or her brother's imminent departure for college, where he's all set to play football. One fateful day, Helicity and her horse head out on a long ride to take a break from life at home. Even with her vast weather experience, Helicity is unprepared for the elements she faces.

Samantha Owens' estranged stepfather has died, leaving her his cottage in Nantucket - a place she fled years ago, never planning to return. As a single mom, Samantha can't afford to pass up a financial windfall like oceanfront property. So she travels home to fix up the house and sell it...never suspecting that Landon Reed still lives two doors down. As their long-dormant romance begins to bud again, Samantha must face a past that separated her from the God of her childhood. And she must tell Landon why she fled the island in the first place - a secret that could tear them apart.

What does it really mean to be a man? In Man Alive, Thomas Page McBee attempts to answer that question by focusing on two of the men who most impacted his life - one, his otherwise ordinary father who abused him as a child, and the other, a mugger who almost killed him. Standing at the brink of the life-changing decision to transition from female to male, McBee seeks to understand these examples of flawed manhood and tells us how a brush with violence sent him on the quest to untangle a sinister past and freed him to become the man he was meant to be.

When a seductive demon begins using her evil daughters to kill tourists, Ring Hardigan will use his knife, his two girlfriends, and his wits to find the elusive beast and put a blade in her. Through clues and the story of a man claiming to be the demon’s father, the hunters become the hunted - and everyone around them is at risk from Elizabeth and her bloodthirsty family. As a hurricane bears down on the beaches, the demon hunters will finally get what they’ve been wanting all along: blood. But whose will it be? Theirs or the demon’s?