Preview
  • Iago

  • The Strategies of Evil
  • By: Harold Bloom
  • Narrated by: Simon Vance
  • Length: 3 hrs and 3 mins
  • 4.3 out of 5 stars (34 ratings)

Prime logo Prime members: New to Audible?
Get 2 free audiobooks during trial.
Pick 1 audiobook a month from our unmatched collection.
Listen all you want to thousands of included audiobooks, Originals, and podcasts.
Access exclusive sales and deals.
Premium Plus auto-renews for $14.95/mo after 30 days. Cancel anytime.

Iago

By: Harold Bloom
Narrated by: Simon Vance
Try for $0.00

$14.95/month after 30 days. Cancel anytime.

Buy for $13.75

Buy for $13.75

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's summary

In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.

One of Shakespeare's most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theater alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago's motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use fake news to destroy Othello and several other characters in his path? What can Othello tell us about racism?

Bloom is mesmerizing in the classroom, treating Shakespeare's characters like people he has known all his life. He writes about his shifting understanding - over the course of his own lifetime - of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. This is a provocative study for our time.

©2018 Harold Bloom (P)2019 HighBridge, a division of Recorded Books
activate_Holiday_promo_in_buybox_DT_T2

What listeners say about Iago

Average customer ratings
Overall
  • 4.5 out of 5 stars
  • 5 Stars
    19
  • 4 Stars
    8
  • 3 Stars
    5
  • 2 Stars
    1
  • 1 Stars
    1
Performance
  • 5 out of 5 stars
  • 5 Stars
    21
  • 4 Stars
    6
  • 3 Stars
    0
  • 2 Stars
    0
  • 1 Stars
    0
Story
  • 4.5 out of 5 stars
  • 5 Stars
    18
  • 4 Stars
    5
  • 3 Stars
    3
  • 2 Stars
    2
  • 1 Stars
    0

Reviews - Please select the tabs below to change the source of reviews.

Sort by:
Filter by:
  • Overall
    3 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    3 out of 5 stars

A Moor's Not Nice Guy - friend

"But we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion."
- Iago in Othello, Act I, Scene 3

I like Bloom. He's for sure problematic, but interesting. That is why I flirt (on and off) with his sometimes far-out criticisms. I enjoyed (within reason) his take on Falstaff in his Shakespeare Personalities series. This one? Meh.

I'm not sure Bloom is adding much of value, or much of a novel take here. Maybe one thing: his take that Desdemona died a virgin. But, I'm not sure that bloodless token is enough to give this three stars. It wasn't even Iago: the Banality of Evil. That Arendt approach would have at least been interesting. Anyway, I'll sleep on it and if my wife hasn't removed nor choked my meh conception, I shall groan withal.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!

4 people found this helpful

  • Overall
    2 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    2 out of 5 stars

Very Little Content

Most of this shorrt text is taken up with extended excerpts from the play followed by short glosses, including vocab help. It's really more a Cliffnotes primer than an original work of criticism. Useful for new readers who would like extra help deciphering the text but is largely redundant for anyone familiar with the play. Simon Vance excellent as always.

Something went wrong. Please try again in a few minutes.

You voted on this review!

You reported this review!