How To Read and Why
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Narrated by:
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John McDonough
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By:
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Harold Bloom
About this listen
"Information is endlessly available to us; where shall wisdom be found?" is the crucial question with which renowned literary critic Harold Bloom begins this impassioned book on the pleasures and benefits of reading well. For more than forty years, Bloom has transformed college students into lifelong readers with his unrivaled love for literature. Now, at a time when faster and easier electronic media threatens to eclipse the practice of reading, Bloom draws on his experience as critic, teacher, and prolific reader to plumb the great books for their sustaining wisdom.
Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book.
"Bloom is one of the last … of his kind … one of the greatest educators of our time … Wonderful … Bloom writes with passion of those writers whom he loves, and whose work for him affirms life."—John Banville, Irish Times
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
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Bloom being Bloom
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Falstaff brooks no rebuttal.
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In arguably his most personal and lasting work, America's most daringly original and controversial critic gives us brief, luminous readings of more than 80 texts by canonical authors - texts he has had by heart since childhood.
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What an endowment!
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Not one of Bloom's best
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Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.
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Lowest WPM Ever
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Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.
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The Modern Scholar
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Professor Raphael Shargel channels his passion for teaching and expertise as a Shakespearean scholar into this illuminative study of the Immortal Bard's 10 great comedies. Shakespeare's genius is as readily apparent in these comedies as in his timeless tragedies. Often marked by internal and external conflicts, young lovers struggling for union, mistaken identities, and intertwining plots, Shakespeare's comedies to this day reveal the master's unparalleled insight into the human condition.
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Iago
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In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.
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A Moor's Not Nice Guy - friend
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Augustine
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Saint Augustine is one of the most influential figures in all of Christianity, yet his path to sainthood was by no means assured. Born in AD 354 to a pagan father and a Christian mother, Augustine spent the first 30 years of his life struggling to understand the nature of God and his world. He learned about Christianity as a child but was never baptized, choosing instead to immerse himself in the study of rhetoric, Manicheanism, and then Neoplatonism - all the while indulging in a life of lust and greed.
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Excellent
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Mythologies
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When Roland Barthes's groundbreaking Mythologies first appeared in English in 1972, it was immediately recognized as one of the most significant works in French theory - yet nearly half of the essays from the original work were missing. This new edition of Mythologies is the first complete, authoritative English version of the French classic. It includes the brilliant "Astrology", never published in English before.
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Fun and engaging
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The Iliad of Homer
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For thousands of years, Homer's ancient epic poem the
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The Modern Scholar: The Iliad and The Odyssey of Homer
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One of the Modern Scholar’s most popular professors, Timothy B. Shutt, brings his literary acumen and trademark enthusiasm to the study of the epic poems that sit at the very wellspring of Western culture. The earliest surviving works of Greek literature, Homer’s Iliad and Odyssey exert a continuing influence on modern culture, even today shaping people’s values and conduct. In the tales of Achilles and Hector, of Odysseus and Penelope, Homer explored the notion of arête, which translates as "excellence" or "virtue".
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wonderful introduction to fundamental texts
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How to Read a Book
- The Classic Guide to Intelligent Reading
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- Unabridged
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Originally published in 1940, this book is a rare phenomenon, a living classic that introduces and elucidates the various levels of reading and how to achieve them - from elementary reading, through systematic skimming and inspectional reading, to speed reading. Audiences will learn when and how to “judge a book by its cover,” and also how to X-ray it, read critically, and extract the author’s message from the text.
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An excellent book.
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What listeners say about How To Read and Why
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Marlene Woods
- 12-02-22
Not a Boring Lecture
I took a detour and listened to a couple of the books he mentions and that enriched my learning so deeply.
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- J-Son
- 08-16-22
Nerd alert
This is great but not for the faint of heart. Harold Bloom is truly an American treasure and this book deserves reading. I doubt the casual reader/listener will enjoy it but as a teacher I loved it.
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- Andrew
- 06-06-18
Wonderful Guidance and Excellent Narration
When the introduction of the book was over and Mr McDonough’s voice began it’s narration, a warm shiver went up my spine. His tone and enunciation is wonderful and, even though I listen at 1.25 speed while reading along, he took a fairly leisurely pace with the book. This is not a bad thing, though, as Harold Bloom, with as much literature he’s read and produced in his lifetime, has an intelligent language that requires a few paragraph or pages to get used to. Sometimes his vocabulary flies over my head.
Bloom’s work is amazing, as usual, and the books and authors he concentrated on were explained with such wonder that they’ve immediately jumped to the top of my list of books, plays, and poetry to hear/read next.
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3 people found this helpful
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- Bill Mobley
- 02-21-14
A honest
Would you consider the audio edition of How To Read and Why to be better than the print version?
Yes. John McDonough is one of my favorite readers. His reading is,rather scholarly (I don't know if he'd like that description though). I prefer his reading when listening to non fiction, much more than most modern readers who tend to adopt a rather funny "Everybody Loves Raymond" type tone when reading non fiction.
What did you like best about this story?
I liked the introduction a lot, because I've always felt that fiction writing is in danger of becoming political tracts whose goal is to teach more than tell a story. If characters in stories are allowed to be themselves, politics will manifest itself naturally.
Have you listened to any of John McDonough’s other performances before? How does this one compare?
He had more spunk here than he does in reading Isaiah (from The Bible).
Did you have an extreme reaction to this book? Did it make you laugh or cry?
It made me laugh sometimes, especially when Mr Bloom calls two characters from one of Flannery O Conner's stories "Abominable persons." He was talking about a grandfather and a little girl.
Any additional comments?
I am glad to be introduced to a reader that doesn't get in the way of the story. I have a hard time listening to great actors when they read, because they give sort of characterizations that are often quite good (a British person, Truck Driver, Mafia lord...etc),but they are too definite for the length of an average novel.
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11 people found this helpful
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- xiangyang zhao
- 09-20-24
Rabi was right
I in the past four days, completed two master pieces by prof bloom. ( this one and possessed by the memory which was written approx 20 yrs after this one)
To paraphrase Nietzsche, ( the original is quoted in this book) if I can find a proper expression, the idea or subject is dead.
But These two things I hold truth , first it is transformative second the prof. Answered himself with his memory book, he would not, “ free to desist”
The narration is amazing. Thanks Amazon for making it available !!!
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- Barbara
- 10-01-12
Like a review of my graduate English degree
If you could sum up How To Read and Why in three words, what would they be?
Brilliant, engaging, influential
What other book might you compare How To Read and Why to and why?
"A Jane Austen Education": Both books deal with how literature can and should change your life.
What does John McDonough bring to the story that you wouldn’t experience if you just read the book?
He sounds just like I'd imagine Harold Bloom to sound--professorial and profound. The pauses are in all the right places.
What’s an idea from the book that you will remember?
Why we should memorize poetry, and his interpretations of certain works are truly memorable.
Any additional comments?
Bloom chooses a few works from each period English and American literature and shows why they are the most important, how they should be read and interpreted, and how they should be savored and remembered.
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17 people found this helpful
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- Technophobe01
- 01-18-21
A journey into the mind of Harold Bloom
I admit I have read this book more than once, both in physical and audible form. It provides the reader with deep insight into the "How" and Why" of reading through the application of examples and dissection of the writing form. The book provides the reader with the welcome experience of Harold Bloom's thinking as to value of reading poetry, short story and novel. Highly, highly recommended.
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5 people found this helpful
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- DAN
- 08-31-24
Fertile resource for my blooming literary studies!
This is the second Harold Bloom book I've read, with the first being "The Western Canon".
Although the title may imply a 1-2-3 "how to read (anything)", the focus is actually on the specific dozens of books presented. Even though he proposes how to approach the books and presents reasons for why they should be read, these aren't discussions of the physical act of reading any or all books (e.g. scan the covers, read the blurbs, identify literary devices, take notes, etc.). Frankly, I was relieved, hearing several friends discuss the potentially tedious methods of 'close reading'. Whereas here, Bloom goes to the guts of the topic: read to learn and enrich yourself, mentally, spiritually and broaden your understanding of life and the world around us - even when we don't experience everything directly. He does, in fact answer the how/why questions individually for most of the books. Some of those methods made me smile: (paraphrasing) "read this book out loud to your friends and loved ones"; "read this book at least twice - once for the overall story and then go back and re-read it to find/understand the contexts"; or, for some of the poetry books "memorize and internalize the poem so that you become the poet".
In what I've come to learn seems to be typical fashion, the author can wax bombastic, make grandiose assertions, is hopelessly infatuated with Shakespeare (Hamlet, Iago and Falstaff - the latter of whom was curiously absent from this book) and often digress from the stated topic. In this book, I didn't mind at all. A great part of his discussion topics are societal, and one can reserve the right to disagree while at least considering the statements and the thought process they're built on. The author himself avers that one shouldn't read with the intent to agree or disagree, like or not like, but just to process the words and message as they're received.
I actually recommend this book as a first to anyone who hasn't read Harold Bloom before. It is completely missing the bitter invectives he snarled throughout "The Western Canon", against people who had really gotten under his skin in challenging "The Canon" - even given such a thing is never completely set in stone. And the overwhelming majority of authors and books discussed in "How To Read..." are included in his version of said Canon. After this book, find and enjoy the many online videos of his lectures and interviews, to see the man in action. Again, you'll agree or disagree with him, but will always be enlightened.
Being published (deliberately?) in the year 2000, there are several allusions to culture as it stood at the crossover to the Third Millennium. Even though "9/11" was still a year away, and 'smartphones' just a little further out, many of those comments still reflect - maybe even more so how we're awash in things digital, consuming more of our time and energies on superficial levels. This book, the ones it reviews and almost any good book (per each person's own judgement) are a salve for digital overconsumption of things that move on the screen.
This is a book I'll re-read at least in part several times, especially as I consume the authors and titles mentioned inside it. Or just at random times when I feel the need to park physical reality and feed the brain.
A shout-out to the narrator, John McDonough, whose softly gravelly voice, though not identical, evokes Mr. Bloom's own voice and diction. He also delivers superbly during all the quotes and asides, subtly using 'accents' without being buffoonish.
All of which to say: buy this book, read it, feed your head and your heart.
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