It's week one of the Swedish elk hunt, and the sound of gunfire is everywhere. When Tuva Moodyson investigates the story that could make her career she stumbles on a web of secrets that knit Gavrik town together. Are the latest murders connected to the Medusa killings 20 years ago? Is someone following her? Why take the eyes? Tuva must face her demons and venture deep into the woods to stop the killer and write the story. And then get the hell out of Gavrik.

Chief Inspector Armand Gamache of the Surêté du Québec and his team of investigators are called in to the scene of a suspicious death in a rural village south of Montreal. Jane Neal, a local fixture in the tiny hamlet of Three Pines, just north of the U.S. border, has been found dead in the woods. The locals are certain it’s a tragic hunting accident and nothing more, but Gamache smells something foul in these remote woods, and is soon certain that Jane Neal died at the hands of someone much more sinister than a careless bowhunter.

DS Lucas Walker is on leave in his hometown, Caloodie, looking after his dying grandmother. When two young German backpackers vanish from the area on their way to a ranch, he finds himself unofficially on the case. But why all the interest from the Federal Police, when they have probably just ditched the heat and dust of the outback for the coast? As the number of days the couple are missing climbs, DS Walker is joined by the girl's sister. A detective herself from Berlin, she is desperate to find her before it's too late.

When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Sævar and Hörður commence an uneasy investigation which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day.

At a former sanatorium in the north of Iceland, now a hospital ward, an old nurse, Yrsa, is found murdered. Detective Hulda Hermannsdottir and her boss, Sverrir, are sent to investigate her death. There, they discover five suspects: the chief physician, two junior nurses, a young doctor, and the caretaker, who is arrested following false testimony from one of the nurses, but subsequently released. Less than a week after the murder, the chief physician, is also found dead, having apparently fallen from a balcony.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

It's week one of the Swedish elk hunt, and the sound of gunfire is everywhere. When Tuva Moodyson investigates the story that could make her career she stumbles on a web of secrets that knit Gavrik town together. Are the latest murders connected to the Medusa killings 20 years ago? Is someone following her? Why take the eyes? Tuva must face her demons and venture deep into the woods to stop the killer and write the story. And then get the hell out of Gavrik.

Six experienced saturation divers are locked inside a hyperbaric chamber. Calm and professional, they know that rapid decompression would be fatal and so they work in shifts, breathing helium, and surviving in hot close quarters. Then one of them is found dead in his bunk. With four days of decompression to go before the locked hatch to the chamber can be safely opened, the group must watch one another’s backs at all times. And when another diver is discovered unresponsive, everyone is on edge. What…or who…is taking them out one by one?

All drummer Vienna Taylor ever wanted was to make music. If that came with fame, she’d take it—as long as her best friend, guitarist Madison Pierce, was sharing the spotlight and singing lead. And with their new all-female pop rock band gaining traction, soon everyone would hear their songs… Except, on the way to an event, the Bittersweet’s van careened off an icy mountain road during a blizzard—leaving one member dead and another severely injured. In order to survive the frigid night, the rest took shelter in a nearby abandoned cabin.

He performs his profane ceremony in a wooded Minneapolis park, anointing his victims, then setting the bodies ablaze. He has already claimed three lives, and he won't stop there. Only this time there is a witness. But she isn't talking. Enter Kate Conlan, former FBI agent turned victim/witness advocate. Not even she can tell if the reluctant witness is a potential victim or something more troubling still.

Margo Fletcher, eight months pregnant, is traveling by train from Chicago to Spokane, her childhood home. While passing through an isolated portion of the Rockies in blizzard conditions, the train unexpectedly brakes. Up ahead, deadly snow from a massive avalanche plummets down the mountain. Despite the conductor’s order for the passengers to stay seated, former Army Ranger Nick Eliot insists that survival depends on moving to the back of the train. Only Margo believes him. They take refuge in the last train car, which Nick heroically uncouples in time to avoid the avalanche.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

A tenacious Maori detective, Hana Westerman juggles single motherhood, endemic prejudice, and the pressures of her career in Auckland CIB. Led to a crime scene by a mysterious video, she discovers a man ritualistically hanging in a secret room and a puzzling inward-curving inscription. Delving into the investigation after a second, apparently unrelated, death, she uncovers a chilling connection to an historic crime: 160 years before, during the brutal and bloody British colonization of New Zealand, a troop of colonial soldiers unjustly executed a Maori Chief.

Still reeling from a personal tragedy, investigative journalist Rooker Lindström finds a grim hideaway from the world. It’s the dilapidated cabin on Minnesota’s Deer Lake bequeathed to him by his late father—one of the most notorious serial killers in the state. If the walls of this murder house could talk, they’d scream. Detective Tess Harlow needs something from Rooker only he can provide: a window into the mind of a murderer. A copycat is on the prowl, following in the footsteps of Rooker’s father.

Shane Collins, a world-weary CIA spy, is ready to come in from the cold. Stationed in Bahrain off the coast of Saudi Arabia for his final tour, he has little use for his mission—uncovering Iranian support for the insurgency against the monarchy. Then Collins meets Almaisa, a beautiful and enigmatic artist, and his eyes are opened to a side of Bahrain most expats never experience, to questions he never thought to ask.

On 1st of December, renowned puzzle setter, loner, and Christmas curmudgeon Edie O'Sullivan finds a hand-delivered present on her doorstep. Unwrapping it, she finds a jigsaw box and, inside, six jigsaw pieces. When fitted together, the pieces show part of a crime scene—blood-spattered black and white tiles and part of an outlined body. Included in the parcel is a message: 'Four, maybe more, people will be dead by midnight on Christmas Eve, unless you can put all the pieces together and stop me.' It's signed Rest In Pieces.

He is her husband. She is his captive. Her husband calls her Jane. That is not her name. She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows she is there. Visitors rarely come to the farm; if they do, she is never seen.

When Theodora Scott met Connor—wealthy, charming, and a member of the powerful Dalton family—she fell in love in an instant. Six months later, he’s brought her to Idlewood, his family’s isolated winter retreat, to win over his skeptical relatives. Stay away from Connor Dalton.Theo has tried to ignore the threatening messages on her phone, but she can’t ignore the footprints in the snow outside the cabin window or the strange sense of familiarity she has about this place. Then, in a disused cabin, Theo finds something impossible: a photo of herself as a child. A photo taken at Idlewood.

Flower shop owner Ellie McEwan is driving home late one frosty November night when a shadowy figure leaps into the road out of nowhere. Ellie swerves to avoid him — and slams head-on into the crash barrier. Days later, Ellie wakes up in hospital — and notices there’s something different. Everyone she looks at — the doctor, the nurse, her friend Carole — is surrounded by a coloured aura. Her near-death experience seems to have given her a new ability. And now Ellie must use her new-found gift to catch a killer.

What happens at the cabin stays at the cabin. Right? Andrew Harrison “Harry” Leonard is destined for politics. Getting his start on the Rochester City Council, he quickly rose to become the youngest representative in Congress. Now the up-and-comer from Minnesota is on the brink of something big. If all goes well, he’ll be in perfect position to aim for the presidency.

Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back.