Ivy Gordon is living on borrowed time. For the past eighteen years, she has been the most famous star at the Dollhouse Academy, the elite boarding school and talent incubator that every aspiring performer dreams of attending. But now, at age thirty-four, she is tired of pretending everything is fine. In secret diary entries, Ivy begins to reveal the truth of her life at the Dollhouse: strange medical exams, mysterious supplements, and something unspeakable that’s left Ivy terrified and feeling like a prisoner.

At Thorne Hall, a grand estate nestled in the Berkshires, fifteen restless spirits roam, bound within the mansion’s walls since the Gilded Age. Elegy Thorne bears the weight of her family’s curse to preserve the mansion as it was in the 1890s, using ancient folk songs to keep the spirits secret and silent in order to avoid deadly consequences. When a mischievous child spirit wreaks havoc on the manor, the Thorne family calls upon their trusted preservationist to restore the mansion.

In Ibadan, Nigeria, a mother receives a divination that foretells danger for her daughter in America. In spite of this warning, she allows her to forge her own path, and Amina arrives in New Orleans filled with hope. But just as Amina begins to find her way, a hurricane threatens to destroy the city, upending everything she’d dreamed of and the lives of all she holds dear. Years later, her daughter is left with questions about the mother she barely knew, and the family she has yet to discover in Nigeria.

At the turn of the 20th century, Vivian Lesperance is determined to flee her origins in Utica, New York, and avoid repeating her parents’ dull, limited life. When she meets Oscar Schmidt, a middle manager at a soap company, Vivian finds a partner she can guide to build the life she wants—not least because, more interested in men himself, Oscar will leave Vivian to tend to her own romances with women.

It’s been four months since glaciologist Rachael Beckett left her husband and daughter to join an urgent research trip to a remote field station deep in the Antarctic. But after losing all communication with her crew at base camp, she’s trapped and alone–and running out of supplies. The only information she has about what’s gone so catastrophically wrong is an emergency radio broadcast playing on a loop: a nuclear war has broken out, and Rachael might be the last survivor on Earth.

It is the early 1950s in the Arctic Circle, and once they turn seven years old, Else-Maj, Jon-Ante, Anne-Risten, Marge, and Nilsa are taken from their families. As decreed by the Swedish state, these children of reindeer herders must attend a Sámi “nomad school,” run by vicious headmistress Rita Olsson, where they are not only stripped of their culture and language, but also physically, verbally, and psychologically abused. As the children are only allowed to return home sporadically, their parents know little of how their children are mistreated, and those who dare to speak up are silenced.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

No one appears more surprised than Hailey Gelman when she comes under suspicion for the murder of her soon-to-be ex-husband Jonah. Hailey—nicknamed Sunshine by her mother for her bright outlook and ever-present smile—has always tried to do what is expected of her and is regarded as the family peacemaker. But is anyone, including Hailey, who she has always seemed to be? The months leading up to Jonah’s death have been fraught, including a bitter separation and a messy custody battle over their young daughter, Maya.

Joannie hadn’t been on a date in seven years when Johnny invites Joannie and her daughter to dinner. His house is beautiful, his son is sweet, and their first kiss is, well, it’s not the best, but Joannie could convince herself it was nice enough. But when Joannie’s childhood crush, a summer-camp fling turned famous billionaire, crash-lands his hot-air balloon in Johnny’s swimming pool, Joannie dives in.

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country.

For generations, the Winston women have possessed an unspoken magical gift: they can heal with the touch of a hand. It’s a tradition they’ve always had to practice in secret, in the moonlight hours, when the fireflies dance and the whippoorwill birds sing. But not every healer has rightfully passed on this knowledge to her descendants, and for young Louise Winston, the discovery of her abilities comes in less-than-ideal circumstances—she brings her best friend back from death following an accident, the day after he professed his long-held feelings for her.

When two families organise a house swap, it seems like the perfect holiday arrangement. The Browns will exchange their London townhouse for a stunning chateau in the south of France, the perfect place to relax and rekindle their flagging marriage. And the Lesters are looking forward to showing their son, Rafael, around their old haunts in the British capital. Sounds wonderful. Except for one thing—both families are hiding dark secrets, and secrets have a way of coming out…

Profiler and therapist Kez Layon is slowly getting used to her new job working in a behavioural sciences unit with some of the worst people she has ever met. She regularly plots an escape but knows she is there for the foreseeable future. Then she is called in to work on the case of April Manga. Twenty-five-year-old April was twelve when she witnessed her controlling and abusive father brutally murder her mother. Rather than go to prison, her well-connected father was given the chance of life in witness protection with a new name and erased background. April was put into care.

Maya and Natasha are twin sisters born in the midst of the Siege of Leningrad in 1941 and immediately abandoned by their mother, a prima ballerina at the Kirov Ballet who would rather die than not dance. Taken in by their mother’s best friend at the Kirov, the girls are raised to be dancers themselves. The Vaganova Ballet Academy—and the totalitarian Soviet regime—is the only world they know. In 1958, now seniors at the Vaganova at the height of the Cold War, all Maya and Natasha and their classmates want is to dance with the Kirov, and to join the company on its tour to America next year.

When Viola's new neighbors move into Number 33, everything seems picture-perfect. But behind the manicured lawn and polite smiles, dark secrets lurk in the shadows. As Viola, a quiet retiree, digs deeper into the strange behaviour of the family next door, she uncovers a disturbing web of lies. The father, Rhys, is hostile. The mother, Wendy, seems to be losing her grip on reality. And their daughter, Mirabelle is an eerie eight-year-old. When Viola sneaks into Number 33, she discovers a locked room and a secret hidden inside. Soon her curiosity turns into obsession