Alex Lyons always has his mind made up by the time the curtain comes down at a performance—the show either deserves a five-star rave or a one-star pan. Anything in between is meaningless. On the opening night of the Edinburgh Festival Fringe, he doesn’t deliberate over the rating for Hayley Sinclair’s show, nor does he hesitate when the opportunity presents itself to have a one-night stand with the struggling actress.

Alice isn't like the other Storm siblings. While the rest stayed to battle for their parents' approval, attention, and untold billions, she left, building her own life beyond the family’s name and influence. Nothing could induce her to come back, except the shocking death of her larger-than-life father. Now back on the family’s private island off the Rhode Island coast, she plans to keep her head down, pay the last of her respects, and leave the minute the funeral is over. Unfortunately, her father had other plans.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste.

Lizzie and Bex were best friends in college. After graduation, Bex vanished, leaving Lizzie confused and devastated. Fifteen years later, Bex is now Rebecca Sommers, a “traditional” Instagram influencer with millions of followers who salivate over her perfect life on her ranch with her five children and handsome husband, Gray. Lizzie is a struggling magazine writer, watching reels while her young children demand her attention. One night out of the blue, Bex calls Lizzie with a career-making proposition.

The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child.

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.

A girl must watch her figure but never be vain. She must be intelligent but never a know-it-all. She must be ambitious, if she is clever, but not in a way that shows. She must cook and sew and make do and mend. She must know (but never say) that these skills are, in some fundamental way, flawed and frivolous—feminine. Girls must stay small, even as they grow. Women must show restraint. And yet. In books, in the landscape of imagination, a girl can run free.

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Restauranteur Paddy Swann was the life of the party until the day a man pushed him in the path of an oncoming train, leaving his twenty-something daughter Ash and wife Nina devastated. Shortly after Paddy’s funeral, the two women receive a surprise in the mail: a note and package from Nick Radcliffe, an old friend of Paddy’s, and a nondescript lighter that once belonged to him decades ago. This unexpected gift draws Nick and Nina closer together—much to Ash’s dismay.

From the bestselling and award-winning author of the Patrick Melrose novels, a hilarious and moving story about a group of wildly different characters whose fates are improbably yet inextricably linked—a novel about extinction and survival, inheritance and loss, written with St. Aubyn’s trademark wit and inimitable style

Honor seems to have everything: she adores her bright and beautiful daughter, Chloe, and her charming, handsome husband, Tom, even if he works one hundred hours a week. Yet Honor’s longing for another baby threatens to eclipse all of it―until a shocking event changes their lives forever. Years later, Tom makes a decision that ripples through their families' lives in ways he could never have foreseen.

Frida and Gabriel arrive seeking a fresh start at the stunning Ara Hotel in the secluded desert of Escalante, Utah. Once so close they were able to finish each other’s sentences, they’ve grown apart in recent years after a sudden, unspeakable tragedy. Now, at the luxe resort, they are ready to reconnect between dips in the pool and hikes on spectacular desert trails. It all feels like paradise—until the dead body of a beautiful young woman who was vacationing at the Ara with her powerful, much older husband is discovered.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

Divorced and childless by choice, Hana P. has built a cozy life in Lexington, Kentucky, teaching at the university, living with her boyfriend, a fellow academic, and helping raise his pre-teen daughter. Her sister’s sprawling family lives just across the street, and their long-divorced, deeply complicated parents have also recently moved to town. One day, Hana learns that an unflattering version of herself will appear prominently—and soon—in her ex-husband’s debut novel.

Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger. Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress.

From the bestselling and award-winning author of the Patrick Melrose novels, a hilarious and moving story about a group of wildly different characters whose fates are improbably yet inextricably linked—a novel about extinction and survival, inheritance and loss, written with St. Aubyn’s trademark wit and inimitable style

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

Alex Lyons always has his mind made up by the time the curtain comes down at a performance—the show either deserves a five-star rave or a one-star pan. Anything in between is meaningless. On the opening night of the Edinburgh Festival Fringe, he doesn’t deliberate over the rating for Hayley Sinclair’s show, nor does he hesitate when the opportunity presents itself to have a one-night stand with the struggling actress.

Our bright narrator is a college senior quietly dreaming of becoming a writer when she meets Sam and Yash, best friends and the golden boys of the English Department. Top-of-the-class Honors students, they live at the stately home of a favorite professor on sabbatical and can banter about Joyce and Fitzgerald like a game of rapid-fire tennis. The two nickname her Jordan and invite her into their magnetic world where her college experience is forever altered. As graduation approaches, the lines between love and friendship blur, and Jordan finds herself caught in a life-changing triangle.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

When her first love and friend of more than a decade, Gabe, dies suddenly at twenty-nine, thirty-year-old Julia is launched onto an intercontinental quest to recover his lost possessions. Her journey takes her from Los Angeles to London and into the murky realm of the past, which seems to offer more questions than answers about who Gabe really was, and who they were to each other.

Honor seems to have everything: she adores her bright and beautiful daughter, Chloe, and her charming, handsome husband, Tom, even if he works one hundred hours a week. Yet Honor’s longing for another baby threatens to eclipse all of it―until a shocking event changes their lives forever. Years later, Tom makes a decision that ripples through their families' lives in ways he could never have foreseen.

Where do you get an abortion in 1960 Georgia, especially if your small town’s midwife goes to the same church as your parents? For seventeen-year-old Doris Steele, the answer is Atlanta, where her favorite teacher, Mrs. Lucas, calls upon her brash, wealthy childhood best friend, Sylvia, for help. While waiting to hear from the doctor who has agreed to do the procedure, Doris spends the weekend scandalized by, but drawn to, the people who move in and out of Sylvia’s orbit.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

The Bradford-Shmulkin family is falling apart. A very modern blend of Russian, Jewish, Korean, and New England WASP, they love one another deeply but the pressures of life in an unstable America are fraying their bonds. Both biting and deeply moving, Vera, or Faith is a boldly imagined story of family and country told through the clear and tender eyes of a child.

1957. Isabella Giori is ten months into a standard seven-year studio contract when she auditions with Hitchcock. Just weeks later, she is sequestered by the studio’s “fixer” in a tiny Carmel cottage, waiting and dreading. Meanwhile, next door, Léon Chazan is annoyed as hell when Iz interrupts his work on yet another screenplay he won’t be able to sell, because he’s been blacklisted. Soon, they’re together in his roadster, speeding down the fog-shrouded Big Sur coast.

Vivienne and Patrick Fisher have done an excellent job raising their three daughters, Alex, Nancy, and Eva. They’re well-adjusted women with impressive careers, caring partners, exciting hobbies, and sweet children. So it’s with great anticipation that three generations of Fishers gather at a beautiful glass house in the English countryside for a weeklong celebration of Vivienne’s seventieth birthday. But when Patrick’s reaction to a freak accident on the first day of the trip inadvertently reveals that he has a favorite daughter, no one is prepared for the shockwaves it sends.