Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.

Twenty-year-old Violet Sorrengail was supposed to enter the Scribe Quadrant, living a quiet life among books and history. Now, the commanding general—also known as her tough-as-talons mother—has ordered Violet to join the hundreds of candidates striving to become the elite of Navarre: dragon riders. But when you’re smaller than everyone else and your body is brittle, death is only a heartbeat away...because dragons don’t bond to “fragile” humans. They incinerate them. With fewer dragons willing to bond than cadets, most would kill Violet to better their own chances of success.

Gadsby grew up as the youngest of five children in Tasmania, where homosexuality was illegal until 1997. After moving to mainland Australia and receiving a degree in art history, they found themselves adrift, working itinerant jobs and enduring years of isolation punctuated by homophobic and sexual violence. When Gadsby was twenty-seven, a friend encouraged them to enter a stand-up competition. They won, and so began their career in comedy.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

Nora O'Malley's been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up as her mother's protégé. But when her mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape. For five years Nora's been playing at normal. But she needs to dust off the skills she ditched because she has three problems.

When his mother became President, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius—his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, U.S./British relations take a turn for the worse.

Effy Sayre has always believed in fairy tales. Haunted by visions of the Fairy King since childhood, she’s had no choice. Her tattered copy of Angharad—Emrys Myrddin’s epic about a mortal girl who falls in love with the Fairy King, then destroys him—is the only thing keeping her afloat. So when Myrddin’s family announces a contest to redesign the late author’s estate, Effy feels certain it’s her destiny. But musty, decrepit Hiraeth Manor is an impossible task, and its residents are far from welcoming.

Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These shiver-inducing tales introduce listeners to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge.

Macon Davis. My best friend’s brother. My tormentor. My least favorite person. Pothead. Delinquent. A careless, directionless loser. That’s what I used to believe, but I didn’t really know him. And when I finally saw him, it was the best and worst thing to ever happen to me. We burned hot and fast. Passion. Anger. Love. Pain. We were reckless. Naive. We were doomed from the start. When I finally saw Macon Davis for who he was, we both went down in the flames.

"Anger-management issues." That's how they classified Savannah Sutton after she stuck a pencil in her ex-boyfriend's hand because he mocked her little brother, Evan, for being disabled. That's why they sent her to Brooks Academy - an alternative high school that's used as a temporary detention center. The days at Brooks are miserable, but at home, life is far more bleak. Savvy's struggling to take care of her brother since her mom left years ago, and her alcoholic dad can't be bothered.

Owen Harper was trouble; his heart wild, and his past was the kind that's spoken about in whispers. And somehow, his path was always intertwined with Kensington's, every interaction crushing her, ruining her hope for any future better than her now. Sometimes, though, what everyone warns is trouble, is exactly what the heart needs.

There are plenty of words Jonah Collins could use to describe Dylan Ramírez. “Arrogant,” “spoiled,” and “golden boy” to name a few. Likewise, Dylan thinks he has Jonah accurately labeled as an attention-seeking asshat who never shuts his filthy mouth. Their friends are convinced Jonah’s and Dylan’s disdain for one another is just thinly veiled lust—a rumor that surges like wildfire when the two wake up in one bed after homecoming. Mutually horrified, Dylan and Jonah agree to use the faux pas to their advantage by fake dating.

These Royals will ruin you...Ella Harper is a survivor - a pragmatic optimist. She's spent her whole life moving from town to town with her flighty mother, struggling to make ends meet and believing that someday she'll climb out of the gutter. After her mother's death, Ella is truly alone. Until Callum Royal appears, plucking Ella out of poverty and tossing her into his posh mansion among his five sons who all hate her. Each Royal boy is more magnetic than the last, but none as captivating as Reed Royal, the boy who is determined to send her back to the slums.

In 16-year-old Mike Hernandez's life, only one thing is clear: Gay is not okay. His family's life revolves around the church, a church run by the vocally intolerant Pastor Myers, so Mike has resolved to spend his life in the closet. His only escape - besides the occasional, anonymous gay make-out session - is his art. He pours his complicated emotions into risque drawings he keeps in a secret sketchbook. A sketchbook he carries everywhere. When his sketchbook goes missing in the middle of Sunday school, Mike is sure his life is over.

In Sloane’s world, true feelings are forbidden, teen suicide is an epidemic, and the only solution is The Program. Sloane knows better than to cry in front of anyone. With suicide now an international epidemic, one outburst could land her in The Program, the only proven course of treatment. Sloane’s parents have already lost one child; Sloane knows they’ll do anything to keep her alive. She also knows that everyone who’s been through The Program returns as a blank slate. Because their depression is gone - but so are their memories.