Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.

With Professor Esolen you will enter the terrible gates of Hell and progress level by infernal level to its diabolical depths. Professor Esolen places a special emphasis on the drama of the poem, leading you through each canto in succession. Professor Esolen will more than satisfy your curiosity about Hell and the fate of the damned. He will reveal in all its starkness the horror of sin and awaken in your heart a longing for divine love.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

Written in alternating prose and poetry, La Vita Nuova is a profound reflection on the nature of love, devoted to Dante's muse Beatrice. Following Beatrice's death in 1290, Dante became obsessed with the young Florentine woman, whom he only ever knew from a distance. He believed his love for her was a form of divine love and saw her as an image of salvation itself - a theme that is later explored in his masterpiece The Divine Comedy, where she guides him through heaven.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Dramatic, intense, and gripping, The Inferno of Dante is an astonishing masterpiece that no listener can afford to miss. Robert Pinsky, the distinguished American poet, preserves the burning clarity and universal relevance of this 13th-century literary masterpiece in a triumphant new translation for our times. Line by line, canto by canto, Robert Pinksy affirms The Inferno as a powerful living classic for today’s listeners.

New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.

The oldest long poem in Old English, written about AD 1,000, Beowulf tells the story of a great warrior of southern Scandinavia, in both youth and maturity. The monster Grendel terrorizes the Scyldings of Hrothgar's Danish Kingdom until Beowulf defeats him. As a result, he has to face her enraged mother. Beowulf dies after a battle against a fierce dragon.

The author of such acclaimed books as The Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology.

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

Based on a thorough study of Greek life and civilization, of Greek literature, philosophy, and art, The Greek Way interprets their meaning and brings a realization of the refuge and strength the past can be to us in the troubled present. Miss Hamilton's book must take its place with the few interpretative volumes which are permanently rooted and profoundly alive in our literature.

Best selling history writer Thomas Cahill continues his series on the roots of Western civilization with this volume about the contributions of ancient Greece to the development of contemporary culture. Tracing the origin of Greek culture in the migrations of armed Indo-European horsemen into Attica and the Peloponnesian peninsula, he follows their progress into the creation of the Greek city-states, the refinement of their machinery of war, and the flowering of intellectual and artistic culture.

Bolder even than the ambitious books for which Stephen Greenblatt is already renowned, The Rise and Fall of Adam and Eve explores the enduring story of humanity's first parents. Comprising only a few ancient verses, the story of Adam and Eve has served as a mirror in which we seem to glimpse the whole long history of our fears and desires, as both a hymn to human responsibility and a dark fable about human wretchedness.

Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer's hero Achilles. Today, the Iliad is celebrated as one of the greatest works in literature, the epic of all epics; many have forgotten that the subject of this ancient poem was war - not merely the poetical romance of the war at Troy, but War, in all its enduring devastation.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Adam Nicolson sees the Iliad and the Odyssey as the foundation myths of Greek - and our - consciousness, collapsing the passage of 4,000 years and making the distant past of the Mediterranean world as immediate to us as the events of our own time.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

King Lear is perhaps the most poignant character in literature. The aged, abused monarch is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare's most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character.

She and Allan is a novel by H. Rider Haggard, first published in 1921. It brought together his two most popular characters, Ayesha from She (to which it serves as a prequel), and Allan Quatermain from King Solomon's Mines. Its significance was recognized by its republication by the Newcastle Publishing Company as the sixth volume of the celebrated Newcastle Forgotten Fantasy Library series in September 1975.

In the hands of Sophocles, the master dramatist, the anguished tale of a man fated to kill his father and marry his mother retains its power to shock and move beyond any Freudian reference.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.

The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.

Dante Alighieri's poetic masterpiece is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise-the sphere of universal harmony and eternal salvation. One of the greatest works in literature, Dantes story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice.

The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.

This critically acclaimed translation was awarded the Los Angeles Times Book Prize for Poetry and the Harold Morton Landon Translation Award given by the Academy of American Poets. Well versed, rapid, and various in style, the Inferno is narrated by Pinsky and three other leading poets: Seamus Heaney, Frank Bidart, and Louise Glück.

The Inferno is the first part of The Divine Comedy, Dante’s epic poem describing man's progress from hell to paradise. In it, the author is lost in dark woods, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. The Inferno is perhaps the most popular of the three books of The Divine Comedy, which is widely considered the preeminent work in Italian literature.

Dramatic, intense, and gripping, The Inferno of Dante is an astonishing masterpiece that no listener can afford to miss. Robert Pinsky, the distinguished American poet, preserves the burning clarity and universal relevance of this 13th-century literary masterpiece in a triumphant new translation for our times. Line by line, canto by canto, Robert Pinksy affirms The Inferno as a powerful living classic for today’s listeners.