The Inferno is the first part of The Divine Comedy, Dante’s epic poem describing man's progress from hell to paradise. In it, the author is lost in dark woods, threatened by wild beasts and unable to find the right path to salvation. Notable for its nine circles of hell, the poem vividly illustrates the poetic justice of punishments faced by earthly sinners. The Inferno is perhaps the most popular of the three books of The Divine Comedy, which is widely considered the preeminent work in Italian literature.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.

With Professor Esolen you will enter the terrible gates of Hell and progress level by infernal level to its diabolical depths. Professor Esolen places a special emphasis on the drama of the poem, leading you through each canto in succession. Professor Esolen will more than satisfy your curiosity about Hell and the fate of the damned. He will reveal in all its starkness the horror of sin and awaken in your heart a longing for divine love.

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Profoundly poetic yet gloriously accessible, this is the best way to experience a work that has remained a centerpiece of Western civilization for 2,000 years. Fitzgerald's rendering speaks directly to the modern listener, inviting us to share the excitement, adventure, and human tears as Aeneas, the warrior hero, escapes from the burning city of Troy, embarks on a long and perilous journey, and eventually, triumphantly establishes a new nation: Rome.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement. The first epic poem in modern English, The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error....

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

Millions of people have thrilled to best-selling authors Bill O'Reilly and historian Martin Dugard's Killing Kennedy and Killing Lincoln, works of nonfiction that have changed the way we view history. Now the anchor of The O'Reilly Factor details the events leading up to the murder of the most influential man in history: Jesus of Nazareth. Nearly 2,000 years after this beloved and controversial young revolutionary was brutally killed by Roman soldiers, more than 2.2 billion human beings attempt to follow his teachings and believe he is God.

Bruce Shelley's classic history of the church brings the story of global Christianity into the 21st century. Like a skilled screenwriter, Shelley begins each chapter with three elements: characters, setting, plot. Taking you from the early centuries of the church up through the modern era he tells a story of actual people, in a particular situation, taking action or being acted upon, provides a window into the circumstances and historical context, and from there develops the story of a major period or theme of Christian history.

Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices past and present that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, and more.

The Book of God reads like a novel, dramatizing the sweep of biblical events, bringing to life the men and women of this ancient book in vivid detail and dialogue. From Abraham wandering in the desert to Jesus teaching the multitudes on a Judean hillside, this award-winning bestseller follows the biblical story from start to finish.

Paradise Lost, along with its companion piece, Paradise Regained, remain the most successful attempts at Greco-Roman style epic poetry in the English language. Remarkably enough, they were written near the end of John Milton's amazing life, a bold testimonial to his mental powers in old age. And, since he had gone completely blind in 1652, 15 years prior to Paradise Lost, he dictated it and all his other works to his daughter.

Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite.... Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter....

One of the greatest works in literature, Dante's story-poem is an allegory that represents mankind as it exposes itself, by its merits or demerits, to the rewards or the punishments of justice. A single listen will reveal Dante's visual imagination and uncanny power to make the spiritual visible.

Blake Ritson, David Warner, Hattie Morahan and John Hurt star in this BBC Radio 4 dramatisation of Dante's epic poem. Inferno: Thirty-five year old Dante finds himself in the middle of a dark wood, in extreme personal and spiritual crisis. Hope of rescue appears in the form of the venerable poet Virgil, now a shade himself, who offers to lead Dante on an odyssey through the afterlife, beginning in the terrifying depths of Hell.

The Divine Comedy (La Divina Commedia) by Dante Alighieri is one of the greatest works of art known to the world, a "comedy", that became a "divine book" for ancestors. It is an encyclopedia of "moral, natural, philosophical and theological" knowledges, a tremendous synthesis of the feudal catholic ideology and the same tremendous epiphany that spread during the new culture times. A great poetic genius of the author put this comedy above the era and made it a legacy of centuries. It is divided into three parts: Inferno, Purgatory, Paradise.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

Guided by the Roman poet Virgil and the love of his life, Beatrice, Dante traverses the three realms of the dead—Hell, Purgatory, and Heaven—encountering sinners, souls seeking forgiveness, and divine beings. With vivid imagery, sharp social commentary, and profound spiritual insight, The Divine Comedy is an unforgettable exploration of the human soul’s journey toward salvation.

Dante's Divine Comedy is a mythical epic poem adventure in which Dante is guided through heaven, purgatory, and hell. Each after-life division is further divided. The sections of heaven are on different planets and stars, the sections of purgatory are divided along the upward journey of a mountain, and the levels of hell are an upside-down funnel composed of seven rings of punishment.

Have you ever heard the sounds of Hell? Felt the darkness and the ice? Tasted the burnt air on your tongue? Dante’s Inferno will give you a flavor of the wretchedness of sin that you will never forget. The images and action that bring you down into the very center of judgment and consequence, into that eternal realm of woe, will stick to the ribcages of your mind, and change the way you see the world, the devil, and your own flesh.

Dante's Purgatory is the second of the three cantos of the Divine Comedy, and is divided into "Antipurgatorio", "Purgatorio", and "Earthly Paradise". It consists of seven frames, in which the seven deadly sins are expiated: pride, envy, anger, sloth, greed, gluttony, lust. The sinners who complete purgatory move to paradise.

Led by his guide, Beatrice, Dante leaves the Earth behind and soars through the heavenly spheres of Paradise. In this third and final part of The Divine Comedy, he encounters the just rulers and holy saints of the Church. The horrors of Inferno and the trials of Purgatory are left far behind. Ultimately, in Paradise, Dante is granted a vision of God’s Heavenly court: the angels, the Blessed Virgin, and God Himself.

"Abandon all hope you who enter here." ( "Lasciate ogne speranza voi ch’intrate.") Dante’s Hell is one of the most remarkable visions in Western literature. An allegory for his and future ages, it is, at the same time, an account of terrifying realism. Passing under a lintel emblazoned with these frightening words, the poet is led down into the depths by Virgil and shown those doomed to suffer eternal torment for vices exhibited and sins committed on earth.

For thousands of years, Homer's ancient epic poem the

Iliad has enchanted readers from around the world. When you join Professor Vandiver for this lecture series on the Iliad, you'll come to understand what has enthralled and gripped so many people. Her compelling 12-lecture look at this literary masterpiece -whether it's the work of many authors or the "vision" of a single blind poet - makes it vividly clear why, after almost 3,000 years, the

Iliad remains not only among the greatest adventure stories ever told but also one of the most compelling meditations on the human condition ever written.

The most famous of the three canticles that compose The Divine Comedy, "Inferno" describes Dante's descent into Hell midway through his life, with Virgil as a guide. As he descends through nine concentric circles of increasingly agonizing torture, Dante encounters doomed souls that include the pagan Aeneas, the liar Odysseus, the suicidal Cleopatra, and his own political enemies, damned for their deceit.

The beloved classic by Dante in a new translation. Inferno. Purgatory. Paradise. Complete and unabridged.