One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Charlotte Davis is in pieces. At 17 she's already lost more than most people do in a lifetime. But she's learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don't have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you. Every new scar hardens Charlie's heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge.

It's 16-year-old Edie who finds their mother, Marianne, dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother's dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon on an afternoon in 1945...Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.

Therese Wolley is a mother who has made a promise. She works as a secretary, shops for groceries on Saturdays, and takes care of her two girls. She doesn’t dwell on the fact that her girls are fatherless, mostly because her own father abandoned her before she was born and she has done just fine without him. Even though her older daughter regularly wakes with nightmares and her younger one whispers letters under her breath, she doesn't shift from her resolve that everything will be fine.

In this gripping first novel, a young girl, orphaned when her mother murders an ex-lover, endures the shuffle of a foster child's life. Oprah enjoyed her book club pick so much that she narrates the audiobook edition!

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Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: Her mother is stolen away - by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: "Stay away from the Hazel Wood."

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night.

Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter from the ages of three to 14. As Clara charts a path connecting her childhood with her adult life, Shapiro's novel weaves together past and present in images as stark and intense as the photographs that tore the Dunnes apart.

In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen, terrified, but intrigued, is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge.

In Like Life's eight exquisite stories, Lorrie Moore's characters stumble through their daily existence. These men and women, unsettled and adrift and often frightened, can't quite understand how they arrived at their present situations. Harry has been reworking a play for years in his apartment near Times Square in New York. Jane is biding her time at a cheese shop in a Midwest mall. Dennis, unhappily divorced, buries himself in self-help books about healthful food and healthy relationships.

Kaye is used to drifting from place to place with her mother’s rock band, until an ominous attack forces them back to her childhood home. Kaye’s always had the unique ability to see faeries, so when she stumbles upon an injured faerie knight in the woods, she decides to save him. But this fateful choice has dire consequences, as she soon finds herself the unwilling pawn in an ancient and violent power struggle between two rival faerie kingdoms. Will Kaye escape with her life?

Finn looks and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task now is to tutor Cat. As she grows into a beautiful young woman, Finn is her guardian, her constant companion…and more. But when the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world, and in Cat’s heart.

After her father's funeral, Zoe moved to the big city with her mother to start over. But change always brings trials, and life in the city is not so easy. Money is tight, and Zoe's only escape, as has always been the case, is in her dreams - a world apart from her troubled real life where she can spend time with her closest companion: her lost brother, Valentine.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.

Clara Brodeur has spent her entire adult life pulling herself away from her famous mother, the renowned and controversial photographer Ruth Dunne, whose towering reputation rests on the unsettling nude portraits she took of her young daughter from the ages of three to 14. As Clara charts a path connecting her childhood with her adult life, Shapiro's novel weaves together past and present in images as stark and intense as the photographs that tore the Dunnes apart.

Finn looks and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task now is to tutor Cat. As she grows into a beautiful young woman, Finn is her guardian, her constant companion…and more. But when the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world, and in Cat’s heart.

On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, DC, he's a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: He is queer - an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders - and the one person who seems not to judge him.

Seven-year-old Chula and her older sister, Cassandra, enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways.

Now: Sixteen-year-old Jesse is used to living with the echoes of the past. Her older brother died in the September 11th attacks, and her dad since has filled their home with anger and grief. When Jesse gets caught up with the wrong crowd, one momentary hate-fueled decision turns her life upside down. The only way to make amends is to face the past, starting Jesse on a journey that will reveal the truth about how her brother died. Then: In 2001, 16-year-old Alia is proud to be Muslim....it's being a teenager that she finds difficult.

In Pulitzer Prize-winner Jennifer Egan's highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O'Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith's life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith's lost generation.

Two cousins, Rory and Arden, lie unconscious in a hospital burn unit. The fire, which broke out in their shared college dorm room, killed another student, and the police want answers. Tension between Rory and Arden's parents was already at an all-time high before the fire, owing to a recent financial crisis and the decline of the family business. As the parents huddle anxiously in the waiting room, carefully avoiding the subject of their own unraveling relationships, disturbing truths come to light.

With a head plagued by hallucinations, a medicine cabinet full of pills, and a closet stuffed with frilly, violet dresses, Hanna's tired of being the outcast, the weird girl, the freak. So she runs away to Portero, Texas, in search of a new home. But Portero is a stranger town than Hanna expects. She discovers secrets that would terrify any normal soul. Good thing for Hanna, she's far from normal. As this crazy girl meets an even crazier town, only two things are certain: Anything can happen, and no one is safe.

The world as we know it is ending. Evolution has reversed itself, affecting every living creature on earth. Science cannot stop the world from running backward, as woman after woman gives birth to infants that appear to be primitive species of humans. Thirty-two-year-old Cedar Hawk Songmaker, adopted daughter of a pair of big-hearted, open-minded Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant.

In this offering from Morris Award finalist Stephanie Oakes, three riveting points of view are woven together in a story that's part historical mystery, part contemporary coming-of-age, and completely unputdownable. When Molly gets a package leading her to Pepper, they're tasked with solving a decades-old mystery: find out who killed Ava back in 1989. Using Ava's diary for clues, Molly and Pepper realize there's more to her life - and death - than meets the eye. Someone is lying to them. And someone out there is guiding them along, desperate for answers.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.

At the American Academy of Classical Art, popular opinion has it that the school's handsome and mysterious founder, Raphael Sinclair, is a vampire. It is a rumor Rafe does nothing to dispel. Scholarship student Tessa Moss has long dreamed of the chance to study at Rafe's Academy. But she is floundering amidst the ups and downs of a relationship with egotistical art star Lucian Swain. Then, one of Tessa's sketches catches Rafe's attention: a drawing of a young woman in 1930s clothing who is covering the eyes of a child.