'The situation as far as I'm concerned', says the young narrator-hero of MF, 'is an interesting one. In two days in a strange country I've acquired a mother in the form of a Welsh-speaking Bird Queen who scares me. I've spent some hours in prison, I've discovered the works of an unknown superlative artist in a garden shed and I've been shot at by a riddling lion-faced expert on Bishop Berkeley. Most interesting of all I'm due tonight to be married by a circus clown to my own sister.'

Returning in Enderby Outside, Enderby must deal with incongruous plagiarism from the pop star Yod Crewsley and a visit from an apparent personification of his Muse.

Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.

F.X. Enderby travels to Indiana in order to impress the Hoosiers with his musical script on the career of Shakespeare and falls in love with a nightclub singer.

A novel in verse form, Byrne echoes and takes further many of the preoccupations of Burgess's earlier fiction. It tells the story of a rampant Irish artist who, in the early days of the century, goes rapidly to the bad and ends up within Hitler's Third Reich.

Nothing Like the Sun is a magnificent, bawdy telling of Shakespeare's love life. Starting with the young Will, the novel is a romp that follows Will's maturation into sex and writing. It is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with extraordinariness of genius.

Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

Set in the 1860s, The Leopard tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution. The dramatic sweep and richness of observation, the seamless intertwining of public and private worlds, and the grasp of human frailty imbue The Leopard with its particular melancholy beauty and power, and place it among the greatest historical novels of our time.

At last, one of the world’s greatest works of science fiction is available - just as author Stanislaw Lem intended it. To mark the 50th anniversary of the publication of Solaris, Audible, in cooperation with the Lem Estate, has commissioned a brand-new translation - complete for the first time, and the first ever directly from the original Polish to English. Beautifully narrated by Alessandro Juliani ( Battlestar Galactica), Lem’s provocative novel comes alive for a new generation.

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

On Mars, the harsh climate could make any colonist turn to drugs to escape a dead-end existence. Especially when the drug is Can-D, which transports its users into the idyllic world of a Barbie-esque character named Perky Pat. When the mysterious Palmer Eldritch arrives with a new drug called Chew-Z, he offers a more addictive experience, one that might bring the user closer to God. But in a world where everyone is tripping, no promises can be taken at face value.

Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

Nothing Like the Sun is a magnificent, bawdy telling of Shakespeare's love life. Starting with the young Will, the novel is a romp that follows Will's maturation into sex and writing. It is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with extraordinariness of genius.

Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.

A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover, and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen, and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

Kenneth Toomey is an eminent novelist of dubious talent; Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. These two men are linked not only by family ties but by a common understanding of mankind's frailties. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.