As a comic instrumentalist, sawing away week after week at his violin, Jack Benny stood as radio's reigning off-key virtuoso, producing more laughs per measure than any other comic before or since. This seven hour set of 14 digitally remastered radio episodes finds Benny and his badly squeaking bow mangling the classics and infuriating the long-suffering Professor Andre LeBlanc (Mel Blanc). He also discovers his "talent" as a songwriter - a skill every bit as highly developed as his ability with the violin.

With four new writers and plenty of brand-new gags, radio's favorite comedian entertains home front America, as well as troops at Army, Navy, Air Force, and Marine camps. In fact, the whole gang is here! Mary Livingstone, Phil Harris, Eddie "Rochester" Anderson, Dennis Day, Larry Stevens, and Don Wilson are all on hand—along with plenty of unexpected guests! Here are sixteen laugh-packed episodes from the early 1940s, featuring favorites like Mel Blanc, Frank Nelson, Minerva Pious, John Brown, and Butterfly McQueen.

Among radio comedy's most enduring features were its running gags - and few gags ran longer, or more hilariously, than the legendary feud between two of its great masters: Jack Benny and Fred Allen. For nearly 20 years the mere mention of Benny on an Allen program was guaranteed to produce an escalating laugh - just as bringing Allen up with Benny had listener in stitches at the mere anticipation of a response. This collection brings together the classic episodes that started it all, to the showdown that was supposed to end it once and for all.

A woebegone old car, a harried department store clerk, a monosyllabic man in a sombrero, and a train announcer whose line ran somewhere between Orange County and the Twilight Zone are all memorable characters from The Jack Benny Program, and all the products of a single talented throat: Mel Blanc. "The Man of a Thousand Voices" was Carmichael the Polar Bear, who lived improbably in Jack's cellar.

Jack Benny liked to portray himself as a skinflint but his generosity as a comic allowed other characters to get their fair share of laughs...usually at his expense. Benny got more laughs playing the straight man and didn’t care if he was the butt of the jokes. With his brilliant timing, smooth delivery, and trademark mannerisms, Benny was a huge influence on the development of the radio sitcom. References to Benny’s reputed stinginess, vanity, and infirmities were expected and weekly running gags established the program’s memorable characters.