The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

Michael Landon was an actor, writer, director, and producer. For over three decades, Michael Landon's creative gifts touched millions of viewers around the world on Bonanza, Little House on the Prairie, Highway to Heaven, and in several other productions. This is the first detailed examination of his work both in front of and behind the camera, including information about every Landon script.

In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. It was about a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical.

Premiering the day after the JFK assassination, Doctor Who humbly launched one of the entertainment world's first super-brands. We begin with a look at TV programming of the day and the original pitch documents before delving into the Daleks, which almost didn't make the cut but inspired many monsters to follow. After three years, First Doctor William Hartnell left, prompting the BBC to recast their hit rather than end it, giving us the first "regeneration" and making TV history.

Her name is synonymous with elegance, style, and grace. Over the course of her extraordinary life and career, Audrey Hepburn captured hearts around the world and created a public image that stands as one of the most recognizable and beloved in recent memory. But despite her international fame and her tireless efforts on behalf of UNICEF, Audrey was also known for her intense privacy.

For decades—on television, in consultations,and in packed auditoriums across the country—renowned psychic Sylvia Browne has beenasked one question again and again: “What ismy favorite celebrity doing on the Other Side?” Now, for the first time, you can follow the redcarpet into the heart of the spirit world. Browne reveals intimate details of how some of our most cherished actors, musicians, and public figures have fared since their deaths, giving us one more glimpse into the personalities we loved and lost.

Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Avengers, the X-Men, Watchmen, and more: the companion volume to the PBS documentary series of the same name that tells the story of the superhero in American popular culture.

Here is a diverse and fascinating story of the Theatre, from the first tragedies and comedies of Ancient Greece to the high-tech mega-musicals of the late 20th century. It is an absorbing listen, encompassing ancient tales, medieval theatre, Commedia dell'Arte, the great dramas of the Elizabethan age, and more.

A breakthroughexamination of professional wrestling - its history, its fans, and its widercultural impact - that does for the sport what Chuck Klosterman did for heavymetal

The Squared Circle grows out of David Shoemaker'swriting for both Deadspin, where hestarted the column "Dead Wrestler of the Week" - a feature on the many wrestlingsuperstars who died too young because of the abuse they subjected their bodiesto - and Grantland,where he covers the pro-wrestling world and its place in the pop culturemainstream. Shoemaker's sports writing has since struck a nerve withgenerations of wrestling fans who, like him, grew up worshiping a sport oftenderided as "fake" in the wider culture. To them, these professional wrestlingsuperstars are not just heroes but an emotional outlet and the lens throughwhich they learned to see the world.

Starting in the early 1900s and exploring the path of prowrestling in America through the present day, The Squared Circle is thefirst book to acknowledge both the sport's broader significance and wrestlingfans' keen intellect and sense of irony. Divided into eras, each section offersa snapshot of the wrestling world, profiles some of the period's preeminentwrestlers, and examines the sport's influence on our broader culture. Throughthe brawling, bombast, and bloodletting, Shoemaker argues that pro wrestlingcan teach us about the nature of performance, audience, and, yes, art.

Full of unknown history, humor, and self-deprecatingreminiscence - but also offering a compelling look at the sport's rightful placein pop culture - The Squared Circle is the book that legions of wrestlingfans have been waiting for. In it, Shoemaker teaches us to look past thespandex and body slams to see an art form that can explain the world.

Paul Newman, the Oscar-winning actor with the legendary blue eyes, achieved superstar status by playing charismatic renegades, broken heroes, and winsome antiheroes in such revered films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Color of Money, and Nobody’s Fool. But Newman was also an oddity in Hollywood: the rare box-office titan who cared about the craft of acting, the sexy leading man known for the staying power of his marriage, and the humble celebrity who made philanthropy his calling card long before it was cool.

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains, and damsels in distress. Her relentless independence across comic books, television, and film set her apart from the rest of the superhero world. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. But her unique path had its downsides as well.

For two moviegoing generations, Cary Grant was class—an effortless embodiment of gentlemanly grace and humor. But Cary Grant’s greatest achievement was in creating himself and the irresistible character he became. In this savvy, fascinating portrait, McCann tracks the transformation of a life and looks closely at the sources of Cary Grant’s charms, which did not come easily. Generously filled with anecdotes about fellow actors and directors, a realistic portrait of a complicated man emerges.

Alfred Hitchcock was a strange child. Fat, lonely, burning with fear and ambition, his childhood was an isolated one, scented with fish from his father's shop. Afraid to leave his bedroom, he would plan great voyages, using railway timetables to plot an exact imaginary route across Europe. So how did this fearful figure become one of the most respected film directors of the 20th century?

Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television - our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls - he focuses on the development of the classic TV genres.