Kappa
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Narrated by:
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Wallace Shawn
About this listen
Akutagawa’s magical final work is a short novel with a magic spell all its own—poignant, fantastical, wry, melancholic, and witty
The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in rivers: a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age.
Akutagawa’s Kappa is narrated by Patient No. 23, a madman in a lunatic asylum: he recounts how, while out hiking in Kamikochi, he spots a Kappa. He decides to chase it and, like Alice pursuing the White Rabbit, he tumbles down a hole, out of the human world and into the realm of the Kappas. There he is well looked after, in fact almost made a pet of: as a human, he is a novelty. He makes friends and spends his time learning about their world, exploring the seemingly ridiculous ways of the Kappa, but noting many—not always flattering—parallels to Japanese mores regarding morality, legal justice, economics, and sex. Alas, when the patient eventually returns to the human world, he becomes disgusted by humanity and, like Gulliver missing the Houyhnhnms, he begins to pine for his old friends the Kappas, rather as if he has been forced to take leave of Toad of Toad Hall…
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How to listen
- By Anonymous User on 03-25-18
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Rashomon
- By: Akutagawa Ryunosuke
- Narrated by: Jesús Brotóns
- Length: 9 hrs and 51 mins
- Unabridged
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Una de las obras capitales del autor japonés Akutagawa Ryūnosuke, de la cual el director Akira Kurosawa tomó varios detalles a la hora de adaptar su película homónima, narra el encuentro de un sirviente humilde que acaba de ser despedido por su señor y una anciana pícara que roba el pelo de los cadáveres y vende carne de serpiente haciéndola pasar por pescado. El cuento, de final inesperado, supone una reflexión sobre los límites de la moral que sacudió a los lectores de la revista universitaria Teikoku Bungaku (Literatura imperial), donde fue publicada por primera vez.
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The Gate
- By: Natsume Soseki, Pico Iyer - introduction, William F. Sibley - translator
- Narrated by: Cindy Kay
- Length: 8 hrs and 52 mins
- Unabridged
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Overall
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Performance
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Story
A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sosuke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital.
By: Natsume Soseki, and others
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Essays
- By: Wallace Shawn
- Narrated by: Wallace Shawn
- Length: 4 hrs and 40 mins
- Unabridged
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Overall
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Performance
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Story
Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the “unobtrusives”, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan’s cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings.
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Poor recording quality - echo
- By NAT CU on 07-07-19
By: Wallace Shawn
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Night Thoughts
- By: Wallace Shawn
- Narrated by: Wallace Shawn
- Length: 1 hr and 48 mins
- Unabridged
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Overall
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Performance
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Story
Although he is guided and inspired by the people he respects, and despite the insufficiency of his knowledge and experience - an insufficiency shared by most (or all) other humans, Wallace Shawn can’t see any real alternative to trying to figure out his own answers to the most essential questions about the world he lives in.
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Humans are truly terrible.
- By Pam Jacobs on 08-14-18
By: Wallace Shawn
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In a Grove: Short Literature Series
- By: Ryunosuke Akutagawa
- Narrated by: Russell D Jones
- Length: 25 mins
- Unabridged
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Originally published in 1922 and translated by Takashi Kojima, this classic short story was the inspiration for Akira Kurosawa's 1950 film Rashomon, about the murder of a samurai. Told from the perspective of multiple witnesses.
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Doesn’t align w/ original transcript
- By Anonymous User on 11-05-23
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In Praise of Shadows
- By: Junichiro Tanizaki
- Narrated by: David Rintoul
- Length: 1 hr and 28 mins
- Unabridged
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Overall
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Performance
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Story
In Praise of Shadows is an eloquent tribute to the austere beauty of traditional Japanese aesthetics. Through architecture, ceramics, theatre, food, women, and even toilets, Tanizaki explains the essence of shadows and darkness, and how they are able to augment beauty. He laments the heavy electric lighting of the West and its introduction to Japan, and shows how the artificial, bright, and polished aesthetic of the West contrasts unfavorably with the moody and natural light of the East.
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How to listen
- By Anonymous User on 03-25-18
-
Rashomon
- By: Akutagawa Ryunosuke
- Narrated by: Jesús Brotóns
- Length: 9 hrs and 51 mins
- Unabridged
-
Overall
-
Performance
-
Story
Una de las obras capitales del autor japonés Akutagawa Ryūnosuke, de la cual el director Akira Kurosawa tomó varios detalles a la hora de adaptar su película homónima, narra el encuentro de un sirviente humilde que acaba de ser despedido por su señor y una anciana pícara que roba el pelo de los cadáveres y vende carne de serpiente haciéndola pasar por pescado. El cuento, de final inesperado, supone una reflexión sobre los límites de la moral que sacudió a los lectores de la revista universitaria Teikoku Bungaku (Literatura imperial), donde fue publicada por primera vez.
-
The Gate
- By: Natsume Soseki, Pico Iyer - introduction, William F. Sibley - translator
- Narrated by: Cindy Kay
- Length: 8 hrs and 52 mins
- Unabridged
-
Overall
-
Performance
-
Story
A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sosuke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital.
By: Natsume Soseki, and others
-
Essays
- By: Wallace Shawn
- Narrated by: Wallace Shawn
- Length: 4 hrs and 40 mins
- Unabridged
-
Overall
-
Performance
-
Story
Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the “unobtrusives”, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan’s cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings.
-
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Poor recording quality - echo
- By NAT CU on 07-07-19
By: Wallace Shawn
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Night Thoughts
- By: Wallace Shawn
- Narrated by: Wallace Shawn
- Length: 1 hr and 48 mins
- Unabridged
-
Overall
-
Performance
-
Story
Although he is guided and inspired by the people he respects, and despite the insufficiency of his knowledge and experience - an insufficiency shared by most (or all) other humans, Wallace Shawn can’t see any real alternative to trying to figure out his own answers to the most essential questions about the world he lives in.
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Humans are truly terrible.
- By Pam Jacobs on 08-14-18
By: Wallace Shawn
What listeners say about Kappa
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Jrod238
- 11-18-24
A commentary on societies
It was quite an odd book, but I think that it lends to the perspective on culture being odd
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Overall
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- Milly
- 07-09-24
A pleasure to listen to this reading!
Loved the reading! Really interesting to hear Akutagawa’s last work and the cultural references and to think about how to interpret the work.
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