Psychologist Margot Scott has a picture-perfect life: a nice house in the suburbs, a husband, two children and a successful career. On a warm spring morning Margot approaches one of her clients on a busy train platform. He is looking down at his phone, with his duffel bag in hand as the train approaches. That’s when she slams into his back and he falls in front of the train. Margot’s clients all lie to her, but one lie cost her family and freedom.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief.

When a home aide arrives to assist a rambunctious family at a crossroads, simmering tensions boil over in this “witty, exuberant debut” (People) that is an “absolute delight from start to finish” (Sarah Haywood, New York Times best-selling author) perfect for fans of Where’d You Go, Bernadette and Evvie Drake Starts Over.

Twenty-two-year-old Olivia has been missing for one day…and counting. She was last seen on CCTV, entering a dead-end alley. And not coming back out again. Julia, the detective heading up the search for Olivia, thinks she knows what to expect. A desperate family, a ticking clock, and long hours away from her husband and daughter. But she has no idea just how close to home this case is going to get.

Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has published eight other critically acclaimed novels and achieved international recognition as one of crime fictions great living writers. Now for the first time Neville offers listeners a collection of his short fiction - 12 chilling stories that traverse and blend the genres of noir, horror, and speculative fiction and which bring the history and lore of Neville's native Northern Ireland to glittering life.

At 39, Manon Bradshaw is a devoted and respected member of the Cambridgeshire police force, and though she loves her job, what she longs for is a personal life. Single and distant from her family, she wants a husband and children of her own. One night, after yet another disastrous Internet date, she turns on her police radio to help herself fall asleep - and receives an alert that sends her to a puzzling crime scene.

How much is your child worth? That's the question Hugo and Emily Cox must answer when they get a ransom demand for their child - from Alice, the surrogate mother they paid to carry their baby. The police are helpless. No law has been broken - the baby belongs to their surrogate. And Hugo has a secret he's keeping from his wife that makes their search even more desperate. Now Hugo and Emily must find their missing daughter...even if it costs them everything they own.

No relationship is perfect. But since the birth of baby Mabel seven months ago, Amber and George have been in desperate need of a night away. Mabel is all that Amber has ever wanted, but she can’t deny that sometimes she struggles to cope. George has booked them into a luxury hotel, and Amber’s sister is babysitting. Yet just as they are ready to leave, Amber can’t suppress a feeling of worry....

From her downstairs apartment in suburban London, Emma has often overheard the everyday life of the seemingly perfect family upstairs - Steph, Paul and teenage daughter Freya - but has never got to know them. Until one day, she hears something that seizes her attention: Freya has vanished and the police are questioning Steph and Paul about their life. Do either of you have any enemies? Anyone who might want to harm or threaten you?

Set against the backdrop of an eerie island town in the dead of winter, The Wife and the Widow is an unsettling thriller told from two perspectives: Kate, a widow whose grief is compounded by what she learns about her dead husband’s secret life; and Abby, an island local whose world is turned upside when she’s forced to confront the evidence of her husband’s guilt. But nothing on this island is quite as it seems, and only when these women come together can they discover the whole story about the men in their lives.

When a 15-year-old girl fails to make it home after school, DI Heather Filson believes she’s dealing with just another teenage runaway. The girl’s grandfather, a notorious Glasgow gangster, disagrees. Convinced one of his underworld enemies has grabbed her, he’s prepared to bathe the city in blood in order to bring his princess home.

Ali and Christopher Tolfrey's one-year-old daughter, Eden, is abducted whilst in the care of Ali’s best-friend. Snatched in broad daylight from Bushy Park on a trip to the swings, Eden disappears without a trace. Brooke Simmons regains consciousness, dazed from a blow to the head, to find Eden, her best friend's child, missing. Someone has taken Eden, and Brooke knows who. But it's a secret she can't share with Ali or the police without revealing the web of deceit she's spun.

On a summer's night in 1994, 16-year-old Flora Powell vanished from her sleepy seaside town without a trace. Their hearts shattered, Flora’s mother, her sister Heather, and Heather’s best friend Jess had to somehow carry on not knowing what happened. Twenty-five years later, tragedy strikes again when Heather walks into a stranger's house and allegedly kills two people in cold blood. Why would this loving wife and doting new mother commit such a heinous crime? Jess, now a reporter, returns to the hometown she left behind to cover the case and dig for answers.

I’m Lucy, and I have a secret I have a beautiful home that I’m desperate to escape. But that’s not my secret. I tell my friends I’ve never wanted children when I always have. But that’s not my secret. My husband is a celebrated surgeon who tries to control me. But that’s not my secret. Adele knows. Once upon a time, I knew everything about her and she knew everything about me. Best friends forever. But now our secret is beginning to surface. I can trust her more than anyone. We made a pact. And she’s never do anything to hurt me. Would she?

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

As the only survivor of a horrific car crash, Lila Amberson believes she's on the road to recovery after being released from the hospital. Her memories of the accident are blurred though and a series of unsettling incidents leave her fearing for her safety. Does she have survivor's guilt or is something more sinister at play? Jack Foley's reeling from the shock of losing his sister in the crash, so when he first meets Lila, he lashes out, blaming her for Stephanie's death. But when she gives him a locket that she believes belonged to his sister, it presents more questions than answers.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.

Dr Cat Lupo aches for another child despite the psychosis which marked her first pregnancy. So when Ruby Winter, a small girl in need of help, arrives in the middle of the night, it seems like fate. But as the events behind Ruby's arrival emerge - her mother's death, her connection to Cat - Cat questions whether her decision to help Ruby has put her own daughter at risk.

One May evening in London, Adam Kindred, a young climatologist in town for a job interview, is feeling good about the future as he sits down for a meal at a little Italian bistro. He strikes up a conversation with a solitary diner at the next table, who leaves soon afterward. With horrifying speed, this chance encounter leads to a series of malign accidents, through which Adam loses everything—home, family, friends, job, reputation, passport, credit cards, cell phone—never to get them back.

In the electrifying first installment of the New York Times bestselling series, Harry Hole of the Oslo Crime Squad is dispatched to Sydney to observe a murder case. As he circles closer to the killer, Harry begins to fear that no one is safe, least of all those investigating the murder.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.