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Last Stand at Saber River
- Narrated by: Richard Poe
- Length: 6 hrs and 20 mins
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Publisher's summary
A quiet haunted man, Paul Cable walked away from a lost cause hoping to pick up where he left off. But things have changed in Arizona since he first rode out to go fight for the Confederacy. Two brothers - Union men - have claimed his spread and they're not about to give it back, leaving Cable and his family no place to settle in peace. It seems this war is not yet over for Paul Cable. But no one's going to take away his land and his future - not with their laws, their lies, or their guns.
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Justice is a drifter with no fear and no memory, trailed by a violent past. Nora is a beautiful widow bravely raising her young son on an isolated New Mexican ranch. When a ruthless cattle baron pushes longhorns into the valley, Justice vows to protect Nora and her boy. But how can he succeed against thirty hired guns… including the four outlaws who left him for dead?
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Home run!
- By Charlie on 08-30-22
By: John Deacon
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The Orchardist
- By: Amanda Coplin
- Narrated by: Mark Bramhall
- Length: 14 hrs and 28 mins
- Unabridged
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At the turn of the 20th century, in a rural stretch of the Pacific Northwest, a reclusive orchardist, William Talmadge, tends to apples and apricots as if they were loved ones. A gentle man, he's found solace in the sweetness of the fruit he grows and the quiet, beating heart of the land he cultivates. One day, two teenage girls appear and steal his fruit from the market; they later return to the outskirts of his orchard to see the man who gave them no chase. Feral, scared, and very pregnant, the girls take up on Talmadge's land and indulge in his deep reservoir of compassion.
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"Somebody tell a joke!"
- By Deborah on 10-29-12
By: Amanda Coplin
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Average Leonard; average narrator.
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No, that was your time.
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Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match, and more, in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket.
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Average Leonard; average narrator.
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Pretty fine Elmore Leonard.
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Working at his brother-in-law's New Orleans funeral home isn't reformed jewel thief Jack Delaney's idea of excitement - until he's dispatched to a leper's hospital to pick up a corpse that turns out to be very much alive ... and under the care of a beautiful, radical ex-nun in designer jeans. The "deceased" is the one-time squeeze of a Nicaraguan colonel who's ordered her dead for trying to "infect" him, and Sister Lucy's looking to spirit the young woman away from his guns and goons.
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You just can't beat these guys.
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The old Apache renegade Soldado Viejo is hiding out in Mexico, and the Arizona Department Adjutant has selected two men to hunt him down. One -- Dave Flynn -- knows war, the land, and the nature of his prey. The other is a kid lieutenant named Bowers. But there's a different kind of war happening in Soyopa. And if Flynn and his young associate choose the wrong allies -- and the wrong enemy -- they won't be getting out alive.
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The Bounty Hunters
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Out of Sight
- A Novel
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World-class gentleman felon Jack Foley is busting out of Florida's Glades Prison when he runs head on into a shotgun-wielding Karen Sisco. Suddenly he's sharing a cramped car trunk with the classy, disarmed federal marshal and the chemistry is working overtime - and as soon as she escapes, he's already missing her. But there are bad men and a major score waiting for Jack in Motown. And the next time his path crosses Karen's, chances are she's going to be there for business, not pleasure.
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Absolutely classic Leonard: as good as it gets.
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When he kicked off, Florida mob boss Frank DiCilia left his gorgeous widow, Karen, everything, but with strings attached. She loses the millions, the cars, the palatial Gold Coast mansion if she ever gets involved with another man. And there's a crazy cowboy-wannabe thug named Roland who's acting as Frank's eyes beyond the grave, making sure Karen doesn't dally. But now Cal Maguire's come into the picture. A sexy, street-smart Detroit ex-con, Cal's got a line and a scam for every occasion.
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Frank Muller is good, the story is not
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Quintessential Elmore Leonard, Split Images stars Palm Beach playboy Robbie Daniels. He's the kind of guy who gets away with everything - even murder - until a vacationing Motown cop, Bryan Hurd, starts asking questions. When this millionaire reptile reveals the psychopath beneath his slippery skin, Hurd finds out this is one helluva way for an out-of-town lawman to spend his vacation.
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Couldn't finish it
- By Sue T. on 06-05-14
By: Elmore Leonard
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Pronto
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The feds want Miami bookmaker Harry Arno to squeal on his wiseguy boss. So they're putting word out on the street that Arno's skimming profits from "Jimmy Cap" Capotorto - which he is, but everybody does it. He was planning to retire to Italy someday anyway, so Harry figures now's a good time to get lost. U.S. Marshal Raylan Givens knows Harry's tricky - the bookie ditched him once in an airport while in the marshal's custody - but not careful.
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Great character, even better dialogue!
- By Ron on 11-15-11
By: Elmore Leonard
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Gunsights
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Brendan Early and Dana Moon have tracked renegade Apaches together and gunned down scalp hunters to become Arizona legends. But now they face each other from opposite sides of what newspapers are calling The Rincon Mountain War. Brendan and a gang of mining company gun thugs are dead set on running Dana and "the People of the Mountain" from their land.
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Maybe The essential Elmore Leonard Western
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Killshot
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Ironworker Wayne Colson and his spirited wife Carmen are witnesses to a shakedown scam — witnesses who must be eliminated. Enter Armand Degas (a.k.a. Blackbird), the brains of the operation, and his partner Richie Nix, an ex-con whose highest goal is to rob a bank in every state. After the Colsons enter the Federal Witness Security Program, a lively chase ensues — with two bumbling but determined killers on Wayne and Carmen's trail.
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You can't lose something you don't have.
- By Darwin8u on 04-24-17
By: Elmore Leonard
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Stick
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After serving time for armed robbery, Ernest "Stick" Stickley is back on the outside and trying to stay legit. But it's tough staying straight in a crooked town - and Miami is a pirate's paradise, where investment fat cats and lowlife drug dealers hold hands and dance. And when a crazed player chooses Stick at random to die for another man's sins, the struggling ex-con is left with no choice but to dive right back into the game. Besides, Stick knows a good thing when he sees it....
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Can't beat this with a stick (sorry).
- By Richard Delman on 05-14-12
By: Elmore Leonard
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The Moonshine War
- By: Elmore Leonard
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Dual Meaders, Doc Taulbee, and their gang of city slickers set out to steal thousands of dollars worth of homemade Kentucky Whiskey from Son Martin, a hell-raising country boy, during the midst of Prohibition.
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Classic Elmore Leonard
- By David I. Williams on 01-28-12
By: Elmore Leonard
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3:10 to Yuma
- By: Elmore Leonard
- Narrated by: Henry Rollins, David Strathairn, Tom Wopat, and others
- Length: 32 mins
- Unabridged
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Deputy Paul Scallen will earn his 150 dollars if he can get his prisoner Jim Kidd on the train to Yuma Prison. But the members of Kidd's gang have determined that Scallen won't live long enough to make the Three-Ten to Yuma. Performed by Henry Rollins, this classic of bullets and bad men demonstrate the superb talent for language and gripping narrative that made Elmore Leonard one of the most acclaimed writers of our time.
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Enjoyed a lot
- By Robert J. Voelker Morris on 01-03-08
By: Elmore Leonard
What listeners say about Last Stand at Saber River
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- I'm all ears
- 05-29-17
Vintage Leonard
Any additional comments?
Another stellar performance by a true master. With not a word extra and no extraneous element to slow the plot down, the story drives forward with all the force and inevitability of a falling redwood, the prose so stripped-down and pure as to make even Hemingway look florid. Despite the tale's apparent simplicity Leonard even manages to add an element of moral ambiguity to the genre's usually stark division between good and evil, making the already gripping story even more compelling. The remarkable thing is that Leonard's sure hand should be no less apparent in this, and other of his early Westerns, as it is in his later work. A real gem.
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- Mike Dunbar
- 01-15-22
how can you not like it?
it's Elmore Leonard, for petes sake! The same.guy who gave us Fire Down Below which in turn gave us JUSTIFIED.
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- Gene
- 08-28-18
Another Elmore Leonarard Keeper
Mainly, I'd like to comment on the perfect combination of an Elmore Leonard yarn and Richard Poe's narration. Elmore always delivers, so my favorites are most often determined by how well I like the read, and Richard Poe brought this story to life. He's the kind of storyteller/narrator that you can enjoy listening to even if your attention drifts and you lose track of the storyline.
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- peter
- 08-16-20
Elmore does corny
I picked this up again after losing it for a year wondering why I had abandoned it. After an hour or so I learned why. Very corny 50s B grade western story line that was as predictable as a B grade 50s western could be. As it built to the climax my interest faded into the sunset.
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- Darwin8u
- 01-11-19
Western Men with Guns, grudges, honor, & women...
“And she thought if you don't have the desire to fight or wait for something there's no reason for being on earth.”
― Elmore Leonard, Last Stand at Saber River
A solid Western published in the late 1950s with a lot of the same feel of Louis Lamour's pulps Westerns of the same period. My favorite description of Elmore Leonard's Westerns comes from Britian's New Musical Express, they called him "the poet laureate of wild assholes with revolvers" .
The book is set in the last year of the Civil War. The protagonist, Cable, comes home from to his land in Arizona to find that his land/homestead has been overun by two brothers (and their posse of 12 thug apostles) supplying the Union with horses. They have no intention of leaving. Cable, an officer under Bedford Forest, is between a hard rock and an adobe place. Lucky for Cable, he's got a heart of gold and a gun of steel, and an unyielding woman, yadda yadda.
No the prose isn't actually that bad. HOWEVER, I'm not very comfortable with the protagonist having come from Gen Bedford Forrest's Cavalry. This gives me pause. I recognize Forrest's genius, but also his many, many, many moral failings. So, utilizing a Confederate soldier from that Calvary comes with a helluva lot of baggage. I see with Leonard was doing. He was showing morality stripped down. It wasn't about North or South. It was about man, taken away from War, deciding on whether it was right or wrong to kill another man. What limits do men place on themselves? What happens when men place few limits? But I also don't think Leonard was writing a super-deep exploration of morality and killing. Mostly, this was just a Wild West setting, with an interesting story, and a couple characters placed in each others way, and Leonard writing about the struggle and its inevitable conclusion. It was good, but not great. Elmore Leonoard would develop A LOT over the years. This one wasn't bad, just wasn't great.
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