The Real Life of Sebastian Knight, the first novel Nabokov wrote in English, is a tantalizing literary mystery in which a writer’s half brother searches to unravel the enigma of the life of the famous author of Albinos in Black, The Back of the Moon, and Doubtful Asphodel. A characteristically cunning play on identity and deception, the novel concludes “ I am Sebastian, or Sebastian is I, or perhaps we both are someone whom neither of us knows.”

This novel is the story of Dreyer, a wealthy and boisterous proprietor of a men’s clothing emporium. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife, Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the thin, awkward, myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle’s condescension in his aunt’s bed.

The Gift is the last of the novels Nabokov wrote in his native language and the crowning achievement of that period in his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write - a book very much like The Gift itself.

One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899.

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

A 999 line poem in heroic couplets, divided into 4 cantos, was composed - according to Nabokov's fiction - by John Francis Shade, an obsessively methodical man, during the last 20 days of his life.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.

The Enchanter is the Ur-Lolita, the precursor to Nabokov’s classic novel. At once hilarious and chilling, it tells the story of an outwardly respectable man and his fatal obsession with certain pubescent girls, whose coltish grace and subconscious coquetry reveal, to his mind, a special bud on the verge of bloom.

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

Extensively revised by Nabokov in 1965 - 30 years after its original publication - Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime: his own murder. One of the 20th century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator.

As intricate as a house of mirrors, Nabokov’s last novel is an ironic play on the Janus-like relationship between fiction and reality. It is the autobiography of the eminent Russian-American author Vadim Vadimovich N. (b. 1899), whose life bears an uncanny resemblance to that of Vladimir Vladimirovich Nabokov, though the two are not to be confused (?).

John Milton's Paradise Lost is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny.

" Transparent Things revolves around the four visits of the hero - sullen, gawky Hugh Person - to Switzerland.... As a young publisher, Hugh is sent to interview R., falls in love with Armande on the way, wrests her, after multiple humiliations, from a grinning Scandinavian and returns to NY with his bride.... Eight years later - following a murder, a period of madness and a brief imprisonment - Hugh makes a lone sentimental journey to wheedle out his past...." (Martin Amis)

Robert Evans' The Kid Stays in the Picture is universally recognized as the greatest, most outrageous, and most unforgettable show business memoir ever written. The basis of an award-winning documentary film, it remains the gold standard of Hollywood storytelling. An extraordinary raconteur, Evans spares no one, least of all himself. The Kid Stays in the Picture is sharp, witty, self-aggrandizing, and self-lacerating in equal measure.

The Devil comes to Moscow, but he isn't all bad; Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.

This novel is the story of Dreyer, a wealthy and boisterous proprietor of a men’s clothing emporium. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife, Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the thin, awkward, myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle’s condescension in his aunt’s bed.

From Vladimir Nabokov, the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, comes a magnificent collection of stories. Written between the 1920s and the 1950s, these 68 tales — 14 of which have been translated into English for the first time - display all the shades of Nabokov’s imagination.

The year is 1928. On the outskirts of a large German city, three young men are earning a thin and precarious living. Fully armed young storm troopers swagger in the streets. Restlessness, poverty, and violence are everywhere. For these three, friendship is the only refuge from the chaos around them. Then the youngest of them falls in love and brings into the group a young woman who will become a comrade as well, as they are all tested in ways they can have never imagined.

Set against a backdrop of jazz music, bootlegging, and lavish parties, The Great Gatsby is the story of Midwesterner Nick Carraway’s curious introduction to the decadent world of his mysterious, wealthy neighbor Jay Gatsby, whose thirst for riches is matched only by his tragic obsession with the beautiful Daisy Buchanan. This dangerously propulsive tale of glitz and glamour continues to be relevant as listeners long for escapist novels—a chance to flee into Gatsby’s famed mansion and lose oneself in the rush of opulence.

Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.

Summer 1924: On the eve of a glittering society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks.

Autumn 1928. Three young women are on their way to India, each with a new life in mind. Rose, a beautiful but naive bride-to-be, is anxious about leaving her family and marrying a man she hardly knows. Victoria, her bridesmaid couldn't be happier to get away from her overbearing mother, and is determined to find herself a husband. And Viva, their inexperienced chaperone, is in search of the India of her childhood, ghosts from the past and freedom.

Anton Pavlovich Chekhov, (1860-1904), was born in Russia at Taganrog on the Sea of Azov. His name has become synonymous with a certain literary style much admired and widely copied since his death. Typically, a Chekhov story is a "mood", a state of mind, usually with regard to relations between one person and another. Under the influence of the constant, infinitesimal, and unforeseen pinpricks of life, there occurs a gradual transformation of that state of mind.

Twenty-year-old Amanda Derrington is on an extended cruise with her uncle when she decides to make a short trip to the sun-washed island of Cyprus. But even before the ship arrives in the port, there is a suspicious death. Once the passengers reach the island, it soon becomes clear that the death was in fact an act of murder. What Amanda had meant to be a pleasant excursion quickly takes a turn for the worse in this classic novel of suspense and romance by one of our most celebrated writers.

The first audiobook which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man.

Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....

From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.

In the spring of 1914, a group of young students gather in an art studio for a life-drawing class. Paul Tarrant and Elinor Brooke are two components of a love triangle, and at the outset of the war, they turn to each other. After volunteering for the Red Cross, Paul must confront the fact that life, love, and art will never be the same for him.

Last night I dreamt I went to Manderley again.... The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives - presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

Emma Bovary is not content to be the mere dutiful wife of a French country doctor. She yearns for excitement and a sense of romance that pulls at her so strongly she is powerless to resist, even though pursuing her dreams will exact a terrible price. Learn why Gustave Flaubert's compelling heroine has enchanted and puzzled readers for centuries.

Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.

A 999 line poem in heroic couplets, divided into 4 cantos, was composed - according to Nabokov's fiction - by John Francis Shade, an obsessively methodical man, during the last 20 days of his life.

One of the best-loved of Nabokov's novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian emigre precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.

Extensively revised by Nabokov in 1965 - 30 years after its original publication - Despair is the wickedly inventive and richly derisive story of Hermann, a man who undertakes the perfect crime: his own murder. One of the 20th century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator.

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

From Vladimir Nabokov, the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, comes a magnificent collection of stories. Written between the 1920s and the 1950s, these 68 tales — 14 of which have been translated into English for the first time - display all the shades of Nabokov’s imagination.

This novel is the story of Dreyer, a wealthy and boisterous proprietor of a men’s clothing emporium. Ruddy, self-satisfied, and thoroughly masculine, he is perfectly repugnant to his exquisite but cold middle-class wife, Martha. Attracted to his money but repelled by his oblivious passion, she longs for their nephew instead, the thin, awkward, myopic Franz. Newly arrived in Berlin, Franz soon repays his uncle’s condescension in his aunt’s bed.

Nabokov’s third novel, The Luzhin Defense, is a chilling story of obsession and madness. As a young boy, Luzhin was unattractive, distracted, withdrawn, sullen — an enigma to his parents and an object of ridicule to his classmates. He takes up chess as a refuge from the anxiety of his everyday life. His talent is prodigious and he rises to the rank of grandmaster — but at a cost: in Luzhin’s obsessive mind, the game of chess gradually supplants reality.

The Gift is the last of the novels Nabokov wrote in his native language and the crowning achievement of that period in his literary career. It is also his ode to Russian literature, evoking the works of Pushkin, Gogol, and others in the course of its narrative: the story of Fyodor Godunov-Cherdyntsev, an impoverished émigré poet living in Berlin, who dreams of the book he will someday write - a book very much like The Gift itself.

One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899.

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.

As intricate as a house of mirrors, Nabokov’s last novel is an ironic play on the Janus-like relationship between fiction and reality. It is the autobiography of the eminent Russian-American author Vadim Vadimovich N. (b. 1899), whose life bears an uncanny resemblance to that of Vladimir Vladimirovich Nabokov, though the two are not to be confused (?).