Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When a local businessman’s arm is found in the jowls of a large alligator, Clint Wolf and Susan Wilson investigate to find out how it got there. They quickly discover that the man was murdered, but thanks to a secret force working against them, solving the case will be no easy task. A new dog comes into Clint’s life, and not only does it bring him hope after having lost his wife and daughter two years earlier, but it proves to be quite the guard dog when a dangerous stranger comes sneaking around.

I used to enjoy my job. I was good at it and felt fulfilled. I also used to enjoy spending time with the people I worked with. They say you spend more time with your work colleagues than you do with your family members, but that was fine by me because I made two very good friends at the office. I also allowed myself to get a little too close to my boss, but I soon realized that was a mistake. Unfortunately, it was too late by then, and as my personal and professional lives quickly blurred into one, that was when everything changed.

Adele and Jason are childhood sweethearts. Their wedding day on the sunny Australian coast is a chance to reunite and celebrate with friends and family. But Adele isn’t telling the truth about her relationship. And some of the bridal party – still reeling from a tragic death in the group a decade before – hold secrets of their own.

A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

Dawn Decker is an American everywoman and the salt to her husband Wyatt’s sweet, media-friendly charm on their Tennessee-based home renovation reality TV show, The Perfect Home. While Dawn bristles at the trappings of their D-list celebrity status, Wyatt hungers for greater fame. The couple also faces infertility issues stemming from Wyatt’s low sperm count. He secretly orders experimental fertility drugs, and they conceive, but his personality takes a dark turn—he becomes moody, withdrawn, and even cruel.

Newly widowed and stuck in a middle-aged funk, Poppy has been running on cookies, infomercials, and one-sided chats with her cat for months. There's no way on earth she's attending her 25-year class reunion - especially after receiving a very bizarre letter from Barbie, the popular cheerleader who taunted her all through high school. At least, not until Poppy's best friend practically drags her to the event.... Using the dreaded homecoming as an excuse to visit her eccentric Aunt Ginny, Poppy vows to leave Cape May with pride and Spanx intact. Too bad Barbie is still the queen of mean.

There is a place in Minnesota with hundreds of miles of glacial lakes and untouched forests called the Boundary Waters. Ten years ago a man and his son trekked into this wilderness and never returned. Search teams found their campsite ravaged by what looked like a bear. They were presumed dead until a decade later...the son appeared. Discovered while ransacking an outfitter store, he was violent and uncommunicative and sent to a psychiatric facility. Maya Stark, the assistant language therapist, is charged with making a connection with their high-profile patient.

In the glamorous world of 1940s New York, Hattie James is a rising star, enchanting audiences at the iconic Copacabana Club. But her glittering life is shattered by a shocking phone call: her father, a respected diplomat, has been arrested for espionage, accused of aiding Nazi Germany. As her world crumbles, Hattie is plunged into a whirlwind of danger and deceit. Following her father's dramatic escape and alleged betrayal, Hattie is coerced by the FBI to aid their hunt. Her mission: infiltrate Rio de Janeiro's high society and uncover the truth about her father's loyalties.

In the shadowy streets of Hull, Paige Carrigan forges a new life, haunted by a past that refuses to stay buried. Orphaned and once entrapped by an abusive ex, but now eerily close to freedom, she finds solace in her writing and in a local group filled with secrets of their own. As Paige’s first proofreading client draws her into an enthralling yet unsettling romance, a sinister text shatters her fragile peace: You can run but you can’t hide. With every new chapter she writes, the line between fiction and reality blurs, exposing a web of deceit spun by those she trusts most.

James and Johnny Golden were once inseparable. For as long as she can remember, James shared an almost supernatural connection with her twin brother, Johnny, that went beyond intuition—she could feel what he was feeling. So, when Johnny is killed in a tragic accident, James knows before her phone even rings that her brother is gone and that she’s alone—truly alone—for the first time in her life.

Charlotte’s daughter Stella is sensitive and brilliant, perhaps even a genius, but a recent change in her behavior has alarmed her mother. Following the sudden death of Stella’s babysitter, Blanka, the once disruptive and anti-social child has become docile and agreeable. But what’s unsettling is that she has begun to mirror Blanka’s personality, from Blanka’s repetitive phrases to her accent, to fierce cravings for Armenian meat stew after being raised a vegetarian.

A twisty, thought-provoking novel of construction and deconstruction in conversation with the works of F. Scott Fitzgerald and told through the lens of the film industry, Sweet Fury is an incisive and bold critique of America’s deep-rooted misogyny.

Growing up, May Hanover was a good girl, always. Well-behaved, top of her class, a compulsive rule-follower. Raised by a first-generation Chinese single mother with high expectations, May didn’t have room to slip up, let alone fail. Her friends didn’t call her the Little Sheriff for nothing. But even good girls have secrets. And regrets. When it comes to her friendship with Lauren and Kelsey, she's had her fair share of both.

Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online.

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.