Arthur MacDonald, 85, is having an end-of-life crisis. His beloved, dying wife of over 60 years no longer knows who he is. His older brother still has all his hair and a wife almost half his age. The man his middle-aged daughter is dating has a ponytail. His teenaged grandson wants to cook desserts for a living. And his daughter wants him to move into Silvermine retirement home. Then Arthur meets the gorgeous, radical, 80-something-year-old Robbie and learns that nobody is ever too old to fall in love all over again.

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

Talking While Female & Other Dangerous Acts is a fresh collection of original short stories on themes of risk and resilience, written and performed by Latina womxn across the USA. Curated by Teatro Luna West: America's All Latinx and All Women of Color Theatre Ensemble, these stunning stories are combined with original music by Maria Chavez and poetry by Gabriela Ortega in order to fully transport the listener to each individual life and journey.

With the snow falling fast on a New Hampshire mansion, seven 20-somethings gather for a weekend that will change their lives irrevocably. The extravagant trip to celebrate Will and Jessica's upcoming nuptials brings together a cast of characters who know each other from Ivy League schools and childhood Upper East Side haunts. There is Lulu, an LA-based Instagram influencer; Maxie, a former Park Avenue princess, now Midwestern housewife; Yael, an ER doctor from Ohio; Rob, a colorless Wall Street trader; Will, a morality-obsessed lawyer; Jessica, Will’s perfectionist bride-to-be....

When the call came it seemed like the answer to my prayers. My career as a voice actor had been over for months and me and my little girl Scarlet were living back at my mum’s place. I felt like a failure professionally—and with Scarlet having problems at school, as a parent as well. So, when I was asked to narrate a new book by disappeared novelist Philippa Roberts I jumped at the chance, even if it meant leaving Scarlet with my ex, Hugo, for a few weeks. Hugo, with his perfect new home and his perfect new girlfriend Saskia. But this isn’t a dream come true. It’s a nightmare.