It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.

There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also to uncover the truth.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

In this remarkable short story collection, Damilare Kuku takes us deep into the heart of modern Lagos, Nigeria’s largest city, and the lives of a collection of audacious women who cope with romantic difficulties by brilliantly turning the tables on the men who wrong them.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Somadina and her twin brother, Jayaike, are practically the same person: they finish each other's sentences and make each other whole. When the twins come of age, their magical gifts begin to develop, but while Jayaike's powers enchant, Somadina's cause fear to ripple through her town. Always an outsider, Somadina now faces blatant—and dangerous—hostility. And things go from bad to worse when her brother—the one person she trusted—vanishes. Somadina knows that no matter the dangers, she must track him down.

Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of Lagos, and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny Lagos, becoming part of the Nigerwives—a community of foreign women married to Nigerian men. But when Nicole disappears without a trace after a boat trip, the cracks in her alleged perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands.

What happens when gang loyalty is tried by a generation of children who are loyal to a fault? Savion Saint and Gianna Lewis fall into a situation and quickly realize that everything they’ve been taught can be defied with one act of love. With Savion Saint naturally filling into the shoes of his late father and Gianna Lewis being the gateway to all the answers he has, they learn that everything isn’t black and white. Can the love that Savion and Gianna found blossom while being on opposite sides of the tracks? Take the ride with them and find out.

One afternoon, in a town in Southeastern Nigeria, a mother opens her front door to discover her son's body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings.

After a childhood in foster care, Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the city of Lucille.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants “returning” to a country she’s never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire takes a violent turn that neither of them expected.

With the announcement of World War Two and a change that sends shockwaves through her family, Kehinde is forced to put aside her dreams of writing and become the third wife of Mr Ogunjobi. Kehinde makes her peace by selling snacks at a small market. When she gets the chance to assist the leader of the Lagos Women’s Market Association, fighting for the rights the British are trying to take away, Kehinde finally feels useful again. But if her husband finds out he’ll abandon her.

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey.

Julius Gallalucci's plans have all fallen through, leaving him stressed and scrambling weeks before his album release and tour announcement. When the pressure becomes too much, he and his team duck off to Eastover to revamp and recharge. What he didn't plan for was his world to clash with a wide-eyed beauty who would prove more of a muse than a distraction.

One afternoon, in a town in Southeastern Nigeria, a mother opens her front door to discover her son's body, wrapped in colorful fabric, at her feet. What follows is the tumultuous, heart-wrenching story of one family’s struggle to understand a child whose spirit is both gentle and mysterious. Raised by a distant father and an understanding but overprotective mother, Vivek suffers disorienting blackouts, moments of disconnection between self and surroundings.

Summer 1995: Ten-year-old Joan, her mother, and her younger sister flee her father’s explosive temper and seek refuge at her mother’s ancestral home in Memphis. This is not the first time violence has altered the course of the family’s trajectory. Half a century earlier, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in the city. Joan tries to settle into her new life, but family secrets cast a longer shadow than any of them expected.

Yejide and Akin have been married since they met and fell in love at university. Though many expected Akin to take several wives, he and Yejide have always agreed: Polygamy is not for them. But four years into their marriage - after consulting fertility doctors and healers, trying strange teas and unlikely cures - Yejide is still not pregnant. She assumes she still has time - until her family arrives on her doorstep with a young woman they introduce as Akin's second wife.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager.

When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish.

Unlike their younger brother, André, whose star as a comedian is rising, neither Dwayne nor Brick Duquesne is having luck with his career - and they're unluckier still in love. Former child star Dwayne has just been fired from his latest acting role and barely has enough money to get by after paying child support to his spiteful former lover, while Brick struggles to return to his uninspiring white-collar job after suffering the dual blows of a health emergency and a nasty breakup with the woman he still loves.

In Jason Mott’s Hell of a Book, a Black author sets out on a cross-country publicity tour to promote his bestselling novel. That storyline drives Hell of a Book and is the scaffolding of something much larger and more urgent: Mott’s novel also tells the story of Soot, a young Black boy living in a rural town in the recent past, and The Kid, a possibly imaginary child who appears to the author on his tour.

Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school’s brand-new DEI committee. As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting.

If I Had Your Face is a riveting debut novel set in contemporary Seoul, South Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania. Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.

The Ramirez women of Staten Island orbit around absence. When thirteen‑year‑old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time?

In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in this extraordinary memoir, the bestselling author of The Death of Vivek Oji reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers, and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world.

In the spring of 1972, twelve-year-old Tomoko leaves her mother behind in Tokyo and boards a train alone for Ashiya, a coastal town in Japan, to stay with her aunt’s family. Tomoko’s aunt is an enigma and an outlier in her working-class family, and her magnificent home—and handsome foreign husband, the president of a soft drink company—are symbols of that status. The seventeen rooms are filled with German-made furnishings; there are sprawling gardens and even an old zoo where the family’s pygmy hippopotamus resides.

After escaping a bad relationship, Jess Cavendish is running and leaving it all behind, carrying just a few treasured belongings in her knapsack. She needs to start over, but that means sleeping where she can and making the most of her slim savings. Luckily, she comes across a recently sold, unoccupied house. It couldn’t hurt to stay there while she saves up enough to get her own place, right?

From the internationally bestselling author of The Mountains Sing, a propulsive and moving tale of wartime love, family, and loss, as an American GI, two Vietnamese bargirls, and an Amerasian man are forced to make decisions during and after the Việt Nam War that will reverberate throughout each other’s lives.

Ayukta is finally sitting down with her wife Nadya to respond to a question she’s long avoided: Should they have a child? The decision is complicated by a secret her family has kept for centuries, one that Ayukta will be the first to share with someone outside their bloodline: the women in her family inherit a mysterious tapestry, through which each generation can experience the memories of those who came before her. Ayukta invites Nadya into this lineage, carrying her through its past.