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Longbourn
- Narrated by: Emma Fielding
- Length: 13 hrs and 31 mins
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Publisher's summary
Pride and Prejudice was only half the story
If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.
In this irresistibly imagined belowstairs answer to Pride and Prejudice, the servants take center stage. Sarah, the orphaned housemaid, spends her days scrubbing the laundry, polishing the floors, and emptying the chamber pots for the Bennet household. But there is just as much romance, heartbreak, and intrigue downstairs at Longbourn as there is upstairs. When a mysterious new footman arrives, the orderly realm of the servants’ hall threatens to be completely, perhaps irrevocably, upended.
Jo Baker dares to take us beyond the drawing rooms of Jane Austen’s classic - into the often overlooked domain of the stern housekeeper and the starry-eyed kitchen maid, into the gritty daily particulars faced by the lower classes in Regency England during the Napoleonic Wars - and, in doing so, creates a vivid, fascinating, fully realized world that is wholly her own.
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It is 1836. Europe is modernizing, and the Ottoman Empire must follow suit. But just before the sultan announces sweeping changes, a wave of murders threatens the balance of power in his court. Who is behind them? Only one intelligence agent can be trusted to find out: Yashim Togalu, a man both brilliant and near-invisible in this world. You see, Yashim is a eunuch.
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Cornwall, 1940. Back in England after the harrowing evacuation at Dunkirk, WWII Red Cross nurse Anna Trenowyth is shocked to learn her adoptive parents, Graham and Prue Handley, have been killed in an air raid. She desperately needs their advice, as she's been assigned to the military hospital that has set up camp inside her biological mother's childhood home - Nanreath Hall. Anna was just six years old when her mother, Lady Katherine Trenowyth, died. All she has left are vague memories that tease her with clues she can't unravel.
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One dark and stormy night in 1956, a stranger named Fludd mysteriously turns up in the dismal village of Fetherhoughton. He is the curate sent by the bishop to assist Father Angwin - or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action.
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Jack Maggs
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With scars on his back and silver in his pocket, the huge figure of Jack Maggs strides across the rich landscape of 19th century London. As this enigmatic man moves through its streets and houses, his single-minded quest to find his son will engender love, deceit, and vengeance in the lives around him.
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Jack Maggs
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Except the Dying
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In the cold Toronto winter of 1895, the naked body of a servant girl is found frozen in a deserted laneway. The young victim was pregnant when she died. Detective William Murdoch soon discovers that many of those connected with the girl's life have secrets to hide. Was her death on attempt to cover up a scandal in one of the city's influential families?
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In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous re-imagining of a classic tale, told from the perspective of Agnes, Cinderella’s "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story...
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Not what I was expecting...
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Highly enjoyable; Audiobook is fantastic
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If Dickens needed a NY location for a story..
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England, 1888. Quiet and scholarly Princess Emilie has always avoided adventure, until she's forced to disguise herself as a tutor in the household of the imposing Duke of Ashland, a former soldier disfigured in battle and abandoned by his wife. When chance draws her into a secret liaison with the duke, Emilie can't resist the opportunity to learn what lies behind his forbidding mask and find out what adventure really means. The duke never imagines that his son's tutor and his mysterious golden-haired beauty are one and the same.
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Don't miss this Exciting New Trilogy
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To Taste Temptation
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Britain’s high society—le bon ton—loves nothing more than a good scandal, and they’re giddy with the appearance of wealthy Samuel Hartley. Not only is he self-made, American, and in the habit of wearing moccasins, but he is also notorious for fleeing a battle in which several English gentlemen lost their lives. Lady Emeline Gordon is captivated by Samuel. Not only does he defy convention with his unusual dress, his sensual smile, and his forthright manner, but he survived the battle that killed her beloved brother.
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Loved It
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It was whispered all through London Society that Ian Mackenzie was mad, that he’d spent his youth in an asylum, and was not to be trusted - especially with a lady. For the reputation of any woman caught in his presence was instantly ruined. Yet Beth found herself inexorably drawn to the Scottish lord, whose hint of a brogue wrapped around her like silk and whose touch could draw her into a world of ecstasy.
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Perfect
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Jane Eliot wears an iron mask. It's the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a “delicate situation”—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help.
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Light Fantasy With A Compelling Story
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What listeners say about Longbourn
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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- Pita
- 08-22-14
Very fulfilling listen - Intelligently written
Would you listen to Longbourn again? Why?
Longbourn is absorbing, intelligent and entertaining. I would not read it again soon, because it is like a large, delicious meal...one is left deliciously full and tired after reading it, and time is needed to fully digest it... but I can see myself reading it again in the future.
What did you like best about this story?
The writing is excellent; the story is engaging, the characters are well developed. The author does an excellent job of guiding the reader to a vantage point from which to observe the action that is not the usual one. Below stairs, some of the characters are imprisoned, others are vulnerable and yet others dare to dream and break away. The events of the novel remain utterly believable.
What does Emma Fielding bring to the story that you wouldn’t experience if you just read the book?
Fielding is an excellent narrator (I hope to listen to more books narrated by her). She is as versatile as Vance....a good narrator always adds to character development without "interfering" which is no easy job, and she does that. I believe that if I had chosen to read the book I might have found certain passages dragging (just a little bit) but Fielding's voice hooked me...I wanted to listen to this book in one sitting! (It took me about 3)
If you could take any character from Longbourn out to dinner, who would it be and why?
Good question! I would have loved to chat with Mrs. Hill over a cup of tea and explore her real feelings about Mr. Bennet. I might have want to talk with Mr. Bennet as well. And of course, with James Smith.
Any additional comments?
I recommend this book to anybody who is prepared to see Darcy and Elizabeth as bit players in a story which I find infinitely more interesting than their own!
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- PCL
- 10-30-13
Very well done
What made the experience of listening to Longbourn the most enjoyable?
I thought this book might be superficial but it is anything but. Very convincing detail and well thought out.
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- Laura
- 09-16-18
Fantastic!
I highly recommend this book. Incredibly well written. Makes Jane Austin's characters pale in comparison to the servants.
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- Bagera
- 09-17-21
feels a bit like fan fiction
it just feels like someone wanted to get even with the original characters. it has some merits but the descriptions feel to filmic, like the author is imaging a camera shot sometimes, and those shots don't get across very well.
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- ImaGrande
- 05-09-15
Is there any society more tedious than the English
Sorry, maybe it's too much Downton Abbey or Jane Austin, but the lifestyle, values, priorities of the English of this era become so tedious and frivolous that I looked forward to the end of this well narrated book.
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- Kim
- 03-15-16
Beautiful
An amazing story so beautifully written and told. I enjoyed every moment. Perfection! And highly recommended.
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- Minda Leah Kahn
- 04-23-19
A novel for our times.
Jane Austen wrote for the regency period. There was no need for her to mention shoe roses, the regents knew what they were. I normally do not buy Austen rip offs, but in the hands of authors such as P.D. James, A Death at Pemberley or Jo Baker who’s historical novels are spot on accurate, read, Google, read, google, I knew that I was in safe hands.
To all the haters out there try the book again.
Did you love Upstairs Downstairs? Downton Abbey?
This is a genre, a story told from the perspective of the help. If female hygiene grossed you out, where do you think the expression came from? And, the wealthy didn’t do their laundry, my grand mother didn’t, and she didn’t run to Walgreens for supplies either.
My favorite part is without even mentioning Caroline Bingley, Jo Baker puts her in her place. Beautiful.
If this is a spoiler sorry.
Jane Austen is not sacrosanct. She is public domain.
Emma Fielding is a delightful. Beautiful narrative.
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- Emily Watson
- 11-15-18
One of the Very Best!
Every aspect of this audiobook is clever, well written, wonderful to listen to and with its deep and vivid descriptions, easy to get lost in and travel through.
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- Sally Teodoro
- 02-10-23
Bad ending
Well written engaging book, but bad ending. Without giving the ending away it was too brief and highly improbable. So disappointed. Cannot recommend on the ending alone. It’s like the author ran out of ink.
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- Mississippi Malka
- 02-07-16
Better than Pride and Prejudice!
I'm making an audacious claim here. I know that it's virtually literary heresy to compare Jane Austen's work unfavorably with a modern novel. However . . .
I came to Longbourn expecting a rehashing of Austen's plot from the perspective of those "downstairs." I was very quickly disabused of this belief. Baker has created her own world of characters living their own independent lives which, now and then, intersect with that of the Bennet family.
Baker must have extensively researched the lives of all types of people during this era, and her ability of portray characters of various lifestyles during this period is uncanny. I am a voracious reader of biographies, diaries and journals, historical fiction and non-fiction. But it is rare that a historical novel, and more an audiobook, gave me the feeling that I was dipping into the lives of real people. Her prose, ad Fielding's interpretation of it, draws the reader in without feeling that it is contrived or overly poetic.
Don't get me wrong. I respect Jane Austen's work. I recognize her ability to reproduce the society in which she lived using fiction. And as an adult (I first read her books as a "teeny-bopper" in the very early 1970's) the consequences that come to foolish young girls are something I can relate to. More, as a parent, understand the turmoil when families are stretched between concern for the welfare of their daughters and fear of losing their social standing.
But all in all, I prefer Baker's re-interpretation of Austen's novel. If it can be called that. Because, when it comes down to brass tacks, Longbourn is only slightly related to Pride and Prejudice. It's much, much better.
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