Lord Reginald Marford needs a wealthy heiress to support his indulgent lifestyle. Spirited Miss Robinia Chamberlain looks perfect, but when he sets out to court her, he finds that his title and family connections aren’t nearly enough to entice the lady, and he has to become a little bit creative to attract her attention. Robinia’s recently inherited large fortune brings her many suitors. But she’s not interested in any of them, and especially not Reggie, no matter how persistent he is. He may be a perfect gentleman but he isn’t nearly dashing enough for her.

Julia Fletcher is the unimportant daughter of the Fletcher family, with neither beauty nor wit nor accomplishments, but always in a scrape. Somehow she never manages to get through the day without breaking or spilling or tearing something. She’s quite the despair of her stepmother. She’s looking forward to their grand new home because it will give her a vast estate to roam over without getting into too much trouble. Or so she hopes.

A traditional Regency romance, drawing room rather than bedroom. Nell Caldicott awaits the return of her violent sailor husband with trepidation, but for once her fears are not realised. Her husband’s ship, the Brig Minerva, has sunk off the Cornish coast. Nell is free, but her husband has left her with little money and many questions about his past. Gradually, as his secrets are laid bare, she realises she didn’t know her husband at all. Can she uncover the truth? And can she ever learn to trust a man with her heart again?

When Mr. Edmund Winterton of Woodside dies, his daughters find themselves penniless and homeless. What can they do? Unless they wish to live on charity, they will have to find genteel employment for themselves. Annabelle becomes governess to the daughters of the recently bereaved Earl of Brackenwood. She has no idea how to teach, but her pupils can learn all they need from books, so how difficult can it be?

Thirty-year-old widow Louisa Middlehope is determined to escape from her late husband’s family and live life for herself for the first time. The tiny village of Great Maeswood offers her the peace and quiet her heart craves, and perhaps, it might provide a little entertainment, too. But the house she has leased has been empty for a quarter of a century and who knows what secrets it holds?

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

Marianne’s brief time at Miss Wolfraston’s Seminary for Young Ladies is coming to an end, which is a relief for both of them. She has disconcertingly open manners and a liveliness that Miss Wolfraston deplores. When her aunt invites her to join her in Cheltenham for the summer, these traits inevitably lead her into a series of scrapes. After being disappointed in love seven years ago, Lord Cranbourne has acquired the reputation of being dangerous, heartless, and selfish.

Hidden away in rural Devonshire, Phyllida Satterthwaite has always been considered more odd than beautiful. But in London, her oddity has made her a sensation. Far worse, it’s caught the eye of the sinister Duke of Moreland - a notorious art collector obsessed with acquiring one-of-a-kind treasures. To escape the duke’s clutches, she’s going to need a little help. Captain Arthur Heywood’s days of heroism are long past. Grievously injured in the Peninsular War, he can no longer walk unaided, let alone shoot a pistol. What use can he possibly be to a damsel in distress?

When their father's death leaves them impoverished, Sarah Summers and her genteel sisters fear they will be forced to sell the house and separate to earn livelihoods as governesses or companions. Determined to stay together, Sarah convinces them to open their seaside home to guests to make ends meet and provide for their ailing mother. Instead of the elderly invalids they expect to receive, however, they find themselves hosting eligible gentlemen. Sarah is soon torn between a growing attraction to a mysterious Scottish widower and duty to her family.

Let the wicked be ashamed, and let them be silent in the grave. These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.

It is 1831 when eight-year-old Aurelia Vennaway finds a naked baby girl abandoned in the snow on the grounds of her aristocratic family's magnificent mansion. Her parents are horrified that she has brought a bastard foundling into the house, but Aurelia convinces them to keep the baby, whom she names Amy Snow. Amy is brought up as a second-class citizen, but she and Aurelia are as close as sisters. When Aurelia dies at the age of 23, she leaves Amy 10 pounds. But Aurelia also left her much more.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

She wanted sanctuary... Helena Reynolds will do anything to escape her life in London, even if that means traveling to a remote cliffside estate on the North Devon coast and marrying a complete stranger. But Greyfriar's Abbey isn't the sort of refuge she imagined. And ex-army captain Justin Thornhill - though he may be tall, dark, and devastatingly handsome - is anything but a romantic hero. He needed redemption... Justin has spent the last two decades making his fortune, settling scores, and suffering a prolonged period of torture in an Indian prison.

Orphaned at a young age, Eleanor wants nothing more than to settle in a home of her own. Stratford, having met once with betrayal, desires a woman who will be true. When a complicated inheritance forces them together, they little expect this to be the answer to their innermost desires.

Lady Philippa must wed to gain her fortune and freedom. A former soldier wants only peace and seclusion. Marriage to each other is their best solution. While the two put on a show of marital happiness for their neighbors, both realize they want much more from this arrangement. Can they take a marriage of convenience and turn it into a love match?

Picking up 20 years after Pride and Prejudice left off, Mr. Darcy's Daughters begins in the year 1818. Elizabeth and Darcy have gone to Constantinople, giving us an opportunity to get to know their five daughters, who have left the sheltered surroundings of Pemberley for a few months in London.

An arrogant duke does the unthinkable - he falls in love with his mistress.... She raced onto the green, desperate to stop a duel. In the mêlée, Jocelyn Dudley, Duke of Tresham, was shot. To his astonishment, Tresham found himself hiring the servant as his nurse. Jane Ingleby was far too bold for her own good. Her blue eyes were the sort a man could drown in - were it not for her impudence. She questioned his every move, breached his secrets, touched his soul. When he offered to set her up in his London town house, love was the last thing on his mind.

In order to support her family and maintain their ancient castle in Lesser Hoo, 17-year-old Althea bears the burden of finding a wealthy suitor who can remedy their financial problems. But there are few wealthy suitors - or suitors of any kind--in Lesser Hoo. Then, the young and attractive (and very rich) Lord Boring arrives, and Althea sets her plans in motion. There's only one problem; his friend and business manager Mr. Fredericks keeps getting in the way. And, as it turns out, Fredericks has his own set of plans....

The morning after the Netherfield ball, Elizabeth Bennet refuses an offer of marriage, setting off a row in the Bennet household that ends tragically. Faced with homelessness and untenable poverty, Elizabeth receives a different sort of offer - from quite an unexpected quarter - and finds herself considering the once-inconceivable prospect of going into trade.

Orphaned at young ages, Lady Katherine Ashton and her brother have spent most of their lives on the high seas, seeking to restore their family fortune through somewhat dubious means. After that kind of adventure, Kate knows, she won't ever be accepted as a proper society lady. To the annoyingly clever, temptingly handsome, and altogether troublesome Earl of Wynbrook, society ladies are a dead bore. Kate, on the other hand, is scandalous, alluring, and altogether fascinating.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

Is Number 67 Clarges Steet the unluckiest house in Mayfair? Every season the beau mondes of the Regency would hire a house in the heart of London’s fashionable West End at disproportionately high rent for often inferior accommodation and yet Number 67 Clarges Street, a town house complete with staff, remains vacant from year to year. Could it be that it is associated with ill luck and even death? Something must be done so that the servants of this house don’t lose their livelihood.

Ace Endicott, the Earl of Carde, needs a woman who will give him an heir, but he never expects to be engaged to three different women, or to become the laughingstock of the gossip columnists. Escaping this London nightmare, he takes a chance and comes up with a winning hand in the game of love.

Once the temepestuous Hannah Reid, Duchess of Dunbarton, and dangerous Constantine Huxtable, two passionate and scandalous figures, find each other, they discover that it isn’t so easy to extricate oneself from the fires of desire - without getting singed. For the duchess and the dark lord each have startling secrets to reveal, and when all is said and done, neither will be able to say which one fell in love first, who tamed whom, and who has emerged from this game of hearts with the stronger hand.

Renowned actress Ruby Chadwick, the Darling of Drury Lane, has long planned and prepared for her final performance. With exceptional beauty comes the unwanted attention of men, and after years of fending off odious suitors, Ruby is ready to leave it all behind in favor of a quiet life. The first step is to reclaim a piece of her past: her true identity as Lavinia Fernley.

Gareth Fitzallen is celebrated for four things: his handsome face, his notable charm, his aristocratic connections, and an ability to give the kind of pleasure that has women begging for more. Normally he bestows his talents on experienced, worldly women. But when he heads to Langdon's End to restore a property he inherited - and to investigate a massive art theft - he lays plans to seduce a most unlikely lady.

Florrie Buckley is an orphan living on the wind-blasted moors of Cornwall. It's a hard existence, but Florrie is content; she runs wild in the mysterious landscape. She thinks her destiny is set in stone. But when Florrie is 14, she inherits a never-imagined secret. She is related to a wealthy and notorious London family: the Graces.

When her vile brother's wicked scheming ruins her reputation, Eleanor Chivenham is forced into a marriage of convenience. Yet there is much more to her new husband than meets the eye, and soon her heart is filled with unexpected desires.

Lady Isabella Wharton has little interest in the customs of the country. But when her godmother asks her to pay a visit to her bachelor grandson in Yorkshire, she goes to see the newly-titled - and notoriously rustic - Duke of Ormond. Trevor Carey doesn't care about what goes on behind ballroom doors. He is content with the simple life - and isn't ashamed to admit it to a society flirt like Lady Isabella. But the country air brings out a different side of Isabella - one full of longing and passion. Can her sophistication be hiding a desire for love?

In Jane Austen’s Pride and Prejudice, Fitzwilliam Darcy’s proposal to Elizabeth Bennet at Hunsford is disastrous. In Jan Hahn’s The Child, Darcy flees England soon afterward, striving to overcome his longing for her. Upon his return two years later, while standing on the steps of St. George’s Church in Hanover Square, he spies the very woman he has vowed to forget. But who is the child holding her hand?