Ryan Wilkins grew up on a trailer park, a member of what many people would call the criminal classes. As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't. But when a young woman is found strangled at Barnabas Hall, they're forced to.

July 2015, Sevenoaks. 12-year-old schoolgirl Alice Johnson went missing while doing her paper round, her bag found discarded on the pavement. At 08.00, she was spotted standing in heavy rain at the side of the busy by-pass. At 11.00, she was seen talking to the driver of a black car in Tonbridge. After that, nothing. Alice was never found. Nine years later the body of another schoolgirl, Joleen Price, is pulled from a nearby lake and a local man named Vince Burns detained. Convinced that Burns is guilty in both cases, SIO Dave Armstrong calls in the Finder.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

There’s a literary niche for all tastes including those who think that either Agatha Christie wasn’t funny enough or that PG Wodehouse didn’t feature anywhere near as many baffling murders as he could have. The Case of the Canterfell Codicil is a classic, cozy, locked-room mystery written in the style of an homage to PG Wodehouse.

Was the biggest case of his career the worst mistake he ever made? Ten years ago, DCI Jack Logan stopped the serial child-killer dubbed "Mister Whisper", earning himself a commendation, a drinking problem, and a broken marriage in the process...When another child disappears a hundred miles north in the Highlands, Jack is sent to lead the investigation and bring the boy home. But as similarities between the two cases grow, could it be that Jack caught the wrong man all those years ago?

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

D.I. Duncan McAdam is dispatched home to the Misty Isle. A body has been found buried in a remote location on the Waternish peninsula. Well-preserved in the peat, Isla Matheson—missing for the better part of two decades—is revealed to a shocked island community. A teenage runaway is dead...and no one is talking.

DI Jan Talantire is called to a cottage in Ilfracombe, where the female occupant is found dead, impaled with a crucifix. The woman, who had been renting the house for a few months, is well known locally, but the documents at the house indicate her real name is Ruth Lyle. The name means nothing to the young PC who found her, DI Talantire knows this cannot be the body of Ruth Lyle.

Everyone knows about the Cambridge Spies from the fifties, identified and broken up after passing national secrets to the Soviets for years. But no spy ring was ever unearthed at Oxford. Because one never existed? Or because it was never found...?

Tattooed, pierced, and a bit of a mess, Maggie Moore is a surprising genius when it comes to words, a savant able to solve any linguistic puzzle. The top student in her forensic linguistics class, she’s tapped by local police to use her skills to decipher harrowing notes left by a stalker-turned-rapist—and succeeds brilliantly. But when the daughter of a local mayor is abducted, Maggie isn’t sure she’s the right person to help the police solve the crime. Given what happened to her best childhood friend, Maggie just might be too close to this one.

On New Year's Eve, Rhys Lloyd has a house full of guests. His vacation homes on Mirror Lake are a success, and he's generously invited the village to drink champagne with their wealthy new neighbors. But by midnight, Rhys will be floating dead in the freezing waters of the lake. On New Year's Day, Ffion Morgan has a village full of suspects. The tiny community is her home, so the suspects are her neighbors, friends and family—and Ffion has her own secrets to protect. With a lie uncovered at every turn, soon the question isn't who wanted Rhys dead . . . but who finally killed him.

In the shadow of the Pentland Hills, a man has been callously struck down in front of his home. Tyre marks suggest it was no accidental hit-and-run. Somebody wanted him dead and as the man fights for every breath, they might still get their wish. Grappling with the demons he thought he could leave behind after months away on enforced leave, D.S. Malkie McCulloch resists pressure from his superiors to pass the case on to the road policing unit, convinced that whoever was behind the wheel will be waiting for the chance to finish the job.

A collection of seven short stories, featuring crime-fighting duo Tilly and Poe: The Killing Field, Why Don't Sheep Shrink?, Dead Man's Fingers, Strange Ink, A Permanent Solution, Mondo Bizzarro and Once in a Red Moon.

Meet Simon Fenchurch, detective inspector working the Met’s East London beat. Honest and funny but damaged, he’s working a case that could give him answers to his deepest trauma....

Detective Chief Inspector Harry Grimm is forced to take leave from Bristol’s Major Investigations Team when his boss, tired of Harry chasing the ghost of his murderous father, sends him north on secondment. Used to city life and high stress, Harry fears his life will now be spent handing out speeding tickets, finding lost sheep, and directing tourists. But when a local teenager runs away, Harry finds himself pulled into an investigation much worse than anyone could have ever expected.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.