Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.

Historians universally agree that Thucydides was the greatest historian who has ever lived, and that his story of the Peloponnesian conflict is a marvel of forensic science and fine literature. That such a triumph of intellectual accomplishment was created at the end of the fifth century B.C. in Greece is, perhaps, not so surprising, given the number of original geniuses we find in that period. But that such an historical work would also be simultaneously acknowledged as a work of great literature and a penetrating ethical evaluation of humanity is one of the miracles of ancient history.

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

In Sophocles' tragedy, Oedipus discovers that he has been caught in his terrible destiny, unknowingly murdering his father and marrying his mother.

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus's seminal Greek tragedy. A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the fifth century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities....

Herodotus was a Greek historian born in Halicarnassus, subject at the time of the great Persian Empire. He lived in the fifth century BC (c. 484 - c. 425 BC), a contemporary of Socrates. He is often referred to as "The Father of History", a title originally conferred by Cicero. Herodotus was the first historian known to have broken from Homeric tradition in order to treat historical subjects as a method of investigation, specifically by collecting his materials in a critical, systematic fashion and then arranging them into a chronological narrative.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

Hamlet, Shakespeare's most popular, and perhaps most puzzling play, follows the form of a "revenge tragedy", in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. This new full-cast recording - based on the most respected edition of Shakespeare's classic - expertly produced by the Folger Theatre, is perfect for students, teachers, and the everyday listener.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

Oedipus Rex, by Sophocles, is a tragedy that has been enjoyed for centuries. This drama is an absolute must for any scholar, student, drama lover, or classical literature fan. Here, you will find the unabridged and complete version of the work.

At the age of 22, Jennifer Worth left her comfortable home to move into a convent and become a midwife in postwar London’s East End slums. The colorful characters she met while delivering babies all over London - from the plucky, warm-hearted nuns with whom she lived to the woman with 24 children who couldn't speak English to the prostitutes and dockers of the city’s seedier side - illuminate a fascinating time in history.

Brought up in the household of a powerful Baron, Candide is an open-minded young man whose tutor, Pangloss, has instilled in him the belief that 'all is for the best'. But when his love for the baron's rosy-cheeked daughter is discovered, Candide is cast out to make his own way in the world. And so he and his various companions begin a breathless tour of Europe, South America and Asia, as an outrageous series of disasters befall them - earthquakes, syphilis, a brush with the Inquisition, murder - sorely testing the young hero's optimism.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.

Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile.

Lindsey Davis’ Master and God is a vastly entertaining historical novel set in the reign of the Emperor Domitian in first-century Rome. It is on the one hand a love story between Gaius Vinius Clodianus, a valiant but reluctant member of the Praetorian Guard, whose military career is as successful as his marital history is disastrous, and Flavia Lucilla, daughter of a freed slave and hairdresser to the ladies of the imperial household. A devastating fire in Rome brings them together....

He has no money, no reputation and no famous ancestors.' The love story of the Emperor Vespasian, who brought peace to Rome after years of strife, and his mistress, the freed slave woman Caenis, this book recreates Ancient Rome's most turbulent period - the reigns of Tiberius, Caligula, Claudius and Nero and Vespasian's rise to power. As their forbidden romance blossoms, Caenis is embroiled in political intrigue, while Vespasian embarks on a glorious career.

The Left Hand of God is the story of 16-year-old Thomas Cale, who has grown up imprisoned at the Sanctuary of the Redeemers, a fortress run by a secretive sect of warrior monks in a distant, dystopian past. He is one of thousands of boys who train all day in hand-to-hand combat, in preparation for a holy war that only the High Priests know is now imminent.

When Maximilian Ophuls is murdered outside his daughter's home by his Kashmiri Muslim driver, it appears to be a political killing. Ophuls is the former U.S. ambassador to India and America's leading figure in counter-terrorism. But there is much more to Ophuls and his assassin, a mysterious man calling himself "Shalimar the Clown", than meets the eye. One woman is at the center of their shared history, a history of betrayal and deception.

John Lithgow and B.D. Wong here recreate their original roles from the Tony Award-winning production. Inspired by an actual espionage scandal, a French diplomat discovers the startling truth about his Chinese mistress.

Birds Without Wings is the story of a small town in Anatolia in the dying days of the Ottoman Empire told in the richly varied voices of the men and women (Armenians, Christians, and Muslims) whose lives are intertwined and rooted there: Iskander, the potter and local fount of wisdom; Philotei, the Christian girl of legendary beauty, courted almost from infancy by Ibrahim the goatherd, a great love that culminates in tragedy and madness; and many more.

This first novel in The Deptford Trilogy introduces Ramsay, a man who returns from World War I decorated with the Victoria Cross but who is destined to be caught in a no man's land where memory, history, and myth collide. As we hear Ramsey tell his story, we begin to realize that, from childhood, he has influenced those around him in a perhaps mystical, perhaps pernicious way.

In a vivid depiction of Ancient Greece and its legendary heroes, The Mask of Apollo tells the story of Nikeratos, the gifted tragic actor at the centre of political and cultural activity in Athens, 400 B. C. Wherever he goes, Nikeratos carries a golden mask of Apollo, a relic and reminder of an age when the theatre was at the height of its greatness and talent. Only a mascot at first, the mask gradually turns into Nikeratos' conscience as he encounters famous thinkers, actors, and philosophers, including the famous Plato himself.

Angela Carter's last book, Wise Children, was written and published whilst she was dying from cancer, in 1991. Transcending her physical deterioration in admirable fashion, Carter made this a most life-affirming novel, in support of the vitality of 'otherness.' This Audible exclusive production, expertly read by Tracey Ullman, stands in celebration of a legendary author known for the richness of her imagination, wit and feminist insight.

Being immortal is not all it once was. Yes, the 12 Greek gods of Olympus are alive and well in the 21st century, but they are crammed together in a London town house: and are none too happy about it. Even more disturbing, their powers are waning.

The lives of two very different couples - an officer and his aristocratic wife, and a young soldier and his childhood sweetheart - are irrevocably intertwined and forever changed in this stunning World War I epic of love and war. Moving among Ypres, London, and Paris, this emotionally rich and evocative novel is both a powerful exploration of the lasting effects of war on those who fight - and those who don't - and a poignant testament to the enduring power of love.

In this rich and memorable evocation of the fictional South Riding of Yorkshire are the lives, loves and sorrows of the central characters. There is Sarah Burton, fiery young headmistress; Robert Carne of Maythorpe Hall, a councillor tormented by his own disastrous marriage; Jo Astell, a socialist fighting poverty and his own illness; and Mrs Beddows, the first woman Alderman of the district (like Winifred's own mother).

Life as a ship's boy aboard HMS Dolphin is a dream come true for Jacky Faber. Gone are the days of scavenging for food and fighting for survival on the streets of 18th-century London. Instead, Jacky is becoming a skilled and respected sailor as the crew pursues pirates on the high seas. There's only one problem: Jacky is a girl. And she will have to use every bit of her spirit, wit, and courage to keep the crew from discovering her secret.

When The Centurions was first published in 1960, readers were riveted by the thrilling account of soldiers fighting for survival in hostile environments. They were equally transfixed by the chilling moral question the novel posed: how to fight when the "age of heroics is over". As relevant today as it was half a century ago, The Centurions is a gripping military adventure, an extended symposium on waging war in a new global order, and an essential investigation of the ethics of counterinsurgency.