First published in 1958, a year after On the Road put the Beat Generation on the map, The Dharma Bums stands as one of Jack Kerouac's most powerful and influential novels. The story focuses on two ebullient young Americans - mountaineer, poet, and Zen Buddhist Japhy Ryder, and Ray Smith, a zestful, innocent writer - whose quest for Truth leads them on a heroic odyssey, from marathon parties and poetry jam sessions in San Francisco's Bohemia to solitude and mountain climbing in the High Sierras.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

In this 1962 novel, Kerouac's alter ego, Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion".

Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West 20th Street in Manhattan, that he wrote the first full draft that was satisfactory to him.

Jack Kerouac wrote The Haunted Life in 1944 when he was 22 years old and attending Columbia University. Originally intended as a three-part novel, only this first 20,000-word section was ever finished. Upon its completion, Kerouac promptly lost his only hand-written final draft in a New York taxi cab, remaining unknown to the public until its appearance at Christies about ten years ago. Kerouac’s family has now decided to share this manuscript with the world.

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

A literary icon sometimes seen as a bridge between the Beat Generation and the hippies, Ken Kesey scored an unexpected hit with his first novel, One Flew Over the Cuckoo’s Nest. His successful follow-up, Sometimes a Great Notion, was also transformed into a major motion picture, directed by and starring Paul Newman. Here, Oregon’s Stamper family does what it can to survive a bitter strike dividing their tiny logging community. And as tensions rise, delicate family bonds begin to fray and unravel.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late 60s and 70s and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Fear and Loathing in Las Vegas author Hunter S. Thompson rocked the literary world with his mind-bending style of Gonzo journalism. First published in 1966, Hell’s Angels is Thompson’s up-close and personal look at the infamous motorcycle gang during the time when its moniker was most feared.

In 1954, Joyce Johnson’s Barnard professor told his class that most women could never have the kinds of experiences that would be worth writing about. Attitudes like that were not at all unusual at a time when “good” women didn’t leave home or have sex before they married; even those who broke the rules could merely expect to be minor characters in the dramas played by men. But secret rebels, like Joyce and her classmate Elise Cowen, refused to accept things as they were.

Immortalized as Dean Moriarty by Jack Kerouac in his epic novel, On the Road, Neal Cassady was infamous for his unstoppable energy and his overwhelming charm, his savvy hustle and his devil-may-care attitude. A treasured friend and traveling companion of Kerouac, Allen Ginsberg, William Burroughs, and Ken Kesey, to name just some of his cohorts on the beatnik path, Cassady lived life to the fullest, ready for inspiration at any turn. Here are his autobiographical writings, the rambling American saga of a free man.

All the stories in this collection from Stephen King are related to the Vietnam War. King fans will recognize echoes of The Dark Tower series in the collection's first story, "Low Men in Yellow Coats." As the characters develop over the next four stories, King's version of the Vietnam War becomes one of his most frightening tales ever.

Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson - a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake - and a desperate rescue attempt brings his father face-to-face with a terrible, haunting vision of death. As Cory struggles to understand his father's pain, his eyes are slowly opened to the forces of good and evil that surround him.